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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In g minor for piano
Non classifié
96
Piano & claviers
Piano, Voix
916
Piano seul
375
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11
Accompagnement Piano
6
Piano Facile
5
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
+ 7 instrumentations
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Guitare
3
Guitare notes et tablatures
2
Voix
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5
Voix haute
4
Chorale SATB
3
Voix Soprano, Piano
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Chorale 2 parties
1
Chorale Unison
1
Voix moyenne, Piano
1
Chorale 3 parties
1
Chorale TTBB
1
Voix Tenor
1
Voix Alto, Piano
1
+ 8 instrumentations
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Flûte traversière et Piano
23
Clarinette et Piano
22
Hautbois, Piano (duo)
17
Saxophone Alto et Piano
10
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
8
Flûte traversière
8
Saxophone Baryton, Piano
6
Clarinette
6
2 Flûtes traversières (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette Basse, Piano
5
Cor anglais, Piano
4
Flûte, Clarinette, Piano (trio)
3
Flûte, Basson et Piano
3
2 Saxophones (duo)
3
2 Clarinettes (duo)
2
2 Hautbois (duo)
1
Flûte, trombone et piano
1
Flûte, Clarinette (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette, trompette et piano
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Hautbois (partie séparée)
1
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
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Cuivres
Trompette, Piano
10
Cor et Piano
8
Euphonium, Piano (duo)
7
Trombone et Piano
5
Cor anglais, Piano
4
Trompette
4
Tuba et Piano
3
Trombone
1
Cor
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 5 instrumentations
Retracter
Cordes
Violon et Piano
37
Violoncelle, Piano
21
Violon
20
Alto, Piano
19
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violoncelle
14
2 Violons (duo)
7
Harpe
2
Contrebasse, Piano (duo)
2
Alto seul
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Violon, Violoncelle (duo)
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
+ 13 instrumentations
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Orchestre
17
Orchestre de chambre
10
Ensemble Jazz
6
Orchestre d'harmonie
5
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
In g minor for piano
intermédiaire
Euphonium, Piano (duo)
Partitions à imprimer
7 partitions trouvées
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Chopin: Largo from Op. 65 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Cello, Op
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.552000 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.552000 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050957. Published by jmsgu3 (A0.552000). Score: 5 pages. Duration 3:40This is the third movement of the Sonata in G Minor for Piano & Cello, Op. 65.Chopin performed this sonata on his final recital in 1848.
$32.95
Scriabin: Prelude in G Minor for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score...
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Euphonium,Piano - Level 3 - SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614409. Published by jmsgu3 (A0.550370). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach: Largo from Concerto BWV 1056 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550219 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and...
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Euphonium,Piano - Level 3 - SKU: A0.550219 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600749. Published by jmsgu3 (A0.550219). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Bach: Largo from Concerto BWV 1056 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550223 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and...
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Euphonium,Piano - Level 3 - SKU: A0.550223 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4601865. Published by jmsgu3 (A0.550223). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Telemann: Four Sonatas for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551676 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.551676 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330415. Published by jmsgu3 (A0.551676). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
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