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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op
Non classifié
1 177
Piano & claviers
Piano, Voix
10 565
Piano seul
4 689
Orgue
162
1 Piano, 4 mains
115
Piano Facile
58
Piano Trio: piano, violon, violoncelle
28
Accordéon
27
Piano, Voix et Guitare
25
2 Pianos, 4 mains
21
Accompagnement Piano
19
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue, Trompette (duo)
10
Instruments en Do
9
Clavier
7
Clavecin
5
2 Orgues (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Accordéons
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare
201
Guitare notes et tablatures
99
2 Guitares (duo)
69
Ukulele
14
3 Guitares (trio)
10
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
6
Dulcimer
5
Mandoline
2
Piano, Guitare (duo)
2
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Basse electrique
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
203
Chorale TTBB
79
Chorale 3 parties
35
Chorale
18
Voix haute
13
Chorale SSATB
12
Chorale SSATTB
11
Voix moyenne, Piano
11
Soli, choeur mixte et accompagnement
10
Chorale Unison
6
Voix basse, Piano
5
Chorale 2 parties
5
Chorale SSAA
3
Voix duo
3
Voix Alto, Piano
3
Voix seule
2
Chorale SSAATTBB
2
Voix Soprano, Orchestre
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Chorale SSAATB
1
Chorale SSAB a cappella
1
Chorale SATBB
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
274
Clarinette et Piano
205
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
192
Hautbois, Piano (duo)
125
2 Flûtes traversières (duo)
116
Saxophone Alto et Piano
114
Quatuor de Clarinettes: 4 clarinettes
108
Flûte et Guitare
103
2 Saxophones (duo)
82
Quatuor de Saxophones: 4 saxophones
78
Saxophone Soprano et Piano
77
Flûte traversière
71
Flûte, Hautbois, Clarinette, Basson
65
2 Clarinettes (duo)
64
Quatuor de Flûtes : 4 flûtes
61
Clarinette
59
Saxophone Tenor et Piano
51
3 Clarinettes (trio)
43
Cor anglais, Piano
41
Saxophone Baryton, Piano
40
Clarinette Basse, Piano
30
Flûte, Clarinette et Basson
27
Flûte, Hautbois, Basson
27
Flûte, Hautbois, Clarinette (trio)
25
2 Hautbois (duo)
25
3 Saxophones (trio)
25
Trio de Flûtes: 3 flûtes
21
Quintette de Saxophone: 5 saxophones
20
Flûte traversière, Basse continue
19
2 Clarinettes, Basson
17
Ensemble de Clarinettes
17
Saxophone Alto
16
2 Flûte à bec (duo)
15
Flûte, Violon, Piano
13
Quintette de Clarinettes: 5 clarinettes
13
Ensemble de Flûtes
13
Saxophone (partie séparée)
12
Quatuor de Flûtes à bec
12
Saxophone
11
Ensemble de saxophones
11
Flûte, Clarinette (duo)
10
Clarinette, Guitare (duo)
10
Clarinette (partie séparée)
9
Hautbois, Basson (duo)
9
Hautbois (partie séparée)
9
Saxophone Tenor
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Violoncelle
8
Flute (partie séparée)
8
Flûte, Alto (duo)
7
Hautbois
7
Clarinette et Alto
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon
6
Flûte à Bec
5
Flûte, Violon et Violoncelle
5
2 Clarinettes, Piano
5
Flûte à bec Alto, Basse continue
4
Clarinette, Violoncelle (duo)
4
Flûte, Alto et Piano
4
Flûte, Hautbois, Piano (trio)
4
Flûte à bec Soprano, Piano
4
Flûte à bec Soprano
3
2 Flûtes traversières, Piano
3
Flûte à bec Alto, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte, Basson et Piano
3
Ensemble De Flûte à bec
3
Clarinette, Violon (duo)
3
5 Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto
2
Flûte, Alto et Violoncelle
2
Clarinette, Alto et Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Cor anglais, Guitare (duo)
2
Piccolo, Piano
2
2 Flûtes, Basse continue
2
Hautbois, Clarinette (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Basson (duo)
2
Flûte et Trio à cordes
2
Clarinette, Harpe (duo)
2
Flûte à Bec, Piano
1
Hautbois et Orchestre
1
Flûte, Violoncelle, Piano (trio)
1
3 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Harmonica
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Cor Anglais
1
Hautbois, Harpe
1
Flûte, Violon, Guitare
1
Flûte, Saxophone (duo)
1
Flute, alto, violoncelle et guitare
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
92
Cor et Piano
79
Trompette, Piano
66
Trombone et Piano
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Cor anglais, Piano
41
Euphonium, Piano (duo)
41
Trompette
30
2 Cors (duo)
20
Quatuor de Cuivres
16
Tuba et Piano
16
Quatuor de cuivres: 4 cors
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Trompettes (duo)
12
Trombone
12
Cor
11
Quatuor de cuivres: 4 trombones
9
Trombone (partie séparée)
8
Trompette (partie séparée)
6
Tuba
6
Cor (partie séparée)
6
Ensemble de Trompettes
6
Ensemble de Cors
6
2 Trombones (duo)
6
Trombone, Orgue
5
Ensemble de Trombones
5
4 Tubas
4
Trio de Cuivres
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Trombone (duo)
3
2 Tubas (duo)
3
Cor, Tuba (duo)
3
Trombone basse et Piano
3
3 Tubas (trio)
3
3 Trompettes (trio)
3
Tuba et Orgue
3
Trombone, Tuba (duo)
2
Trompette et Guitare
2
Trompette, Tuba (duo)
2
Euphonium
2
Cor anglais, Guitare (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Cor (duo)
2
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Trompette, Cor (duo)
1
Cor, Orchestre
1
Cornet et Piano
1
Cor Anglais
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
+ 50 instrumentations
Retracter
Cordes
Violon et Piano
485
Quatuor à cordes: 2 violons, alto, violoncelle
382
Violon
260
Violoncelle, Piano
252
Alto, Piano
193
2 Violons (duo)
125
Violoncelle
115
Trio à Cordes: violon, alto, violoncelle
63
2 Altos (duo)
55
Alto seul
52
2 Violoncelles (duo)
49
Violon, Alto (duo)
47
Trio à Cordes: 2 violons, violoncelle
46
Violon, Violoncelle (duo)
44
Harpe
29
Violon, Guitare (duo)
28
Contrebasse, Piano (duo)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violoncelle , Guitare (duo)
18
Violon (partie séparée)
17
4 Violoncelles
15
Violoncelle, Basse continue
14
Alto (partie séparée)
14
Alto, Guitare (duo)
13
Trio à cordes: 3 violins
13
Alto, Violoncelle (duo)
12
Trio à cordes
10
Quatuor à cordes: 4 violons
9
Harpe, Flûte (duo)
8
2 Harpes (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violoncelle, Contrebasse (duo)
8
Violon, Basse continue
7
Flûte, Contrebasse (duo)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Trio à Cordes: 3 violoncelles
6
Harpe, Violon (duo)
6
2 Violons et Basse continue
5
Trio à Cordes: 2 violons, alto
3
Violoncelle (partie séparée)
3
2 Contrebasses (duo)
3
Ensemble de Violons
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Contrebasse (partie séparée)
1
Harpe et Piano
1
Violoncelle, Orgue
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
219
Orchestre
107
Orchestre d'harmonie
77
Ensemble de Percussions
71
Orchestre de chambre
60
Ensemble de cuivres
19
Percussion (partie séparée)
8
Orchestre, Violon
8
Batterie
8
Ensemble Jazz
4
Cloches
2
Piano et Orchestre
1
Caisse Claire
1
Marimba
1
Percussion
1
Timbales (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Crtitères actifs :
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Euphonium, Piano (duo)
Partitions à imprimer
41 partitions trouvées
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1
26
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Schumann: Träumerei Op. 15 No. 7 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Robert Schumann
#
James M
#
Schumann: Träumerei Op. 1
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550193 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.550193 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598383. Published by jmsgu3 (A0.550193). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Fauré: Pavane Op. 50 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
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James M
#
Fauré: Pavane Op. 50 fo
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550168 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 1...
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Euphonium,Piano - Level 3 - SKU: A0.550168 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #4597057. Published by jmsgu3 (A0.550168). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Score: 11 pages. Duration ca. 5:10.
$32.95
Schumann: Träumerei Op. 15 No. 7 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550192 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.550192 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598379. Published by jmsgu3 (A0.550192). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Stan...
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Euphonium,Piano - Level 3 - SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 135 pages. Jmsgu3 #5721003. Published by jmsgu3 (A0.551791). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
Fauré: Pavane Op. 50 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 fo
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550166 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 1...
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Euphonium,Piano - Level 3 - SKU: A0.550166 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #4597047. Published by jmsgu3 (A0.550166). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Score: 11 pages. Duration ca. 5:10.
$32.95
Fauré: Andante Op. 75 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Andante Op. 75 f
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551758 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,Stand...
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Euphonium,Piano - Level 3 - SKU: A0.551758 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5710143. Published by jmsgu3 (A0.551758). Gabriel Fauré Andante Op. 75. A Johannès WOLFFDuration ca. 5:00, Score: 13 pages.Andante molto moderatoUn poco più animato.
$32.95
Fauré: Nocturne Op.104 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op.104
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551619 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.551619 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324439. Published by jmsgu3 (A0.551619). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderato.
$32.95
Chopin: Largo from Op. 65 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.552000 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.552000 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050957. Published by jmsgu3 (A0.552000). Score: 5 pages. Duration 3:40This is the third movement of the Sonata in G Minor for Piano & Cello, Op. 65.Chopin performed this sonata on his final recital in 1848.
$32.95
Fauré: Romance Op. 28 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Romance Op. 28 f
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551774 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. ...
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Euphonium,Piano - Level 3 - SKU: A0.551774 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5712045. Published by jmsgu3 (A0.551774). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages.Andantino molto moderatopiù mosso.
$32.95
Fauré: Nocturne Op. 104 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.551618 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.551618 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324415. Published by jmsgu3 (A0.551618). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderatoBaritone Horn in Treble Clef.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Notturno Op. 54 No. 4 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 f
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550041 Composed by Edvard Grieg. Arranged by James M. Guthrie. Instructional,Multicultural,Romantic Period,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.550041 Composed by Edvard Grieg. Arranged by James M. Guthrie. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580741. Published by jmsgu3 (A0.550041). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
Slavonic Dance Op. 72 No. 2 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 fo
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1268287 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic...
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Euphonium,Piano - Level 3 - SKU: A0.1268287 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #860850. Published by Diego Marani (A0.1268287). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for Bb or C Euphonium with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Andante from Violin Concerto Op. 64
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Gary Bricault
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Andante from Violin Concerto O
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Gary Bricault
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.825124 Composed by Felix Bartholdy Mendelssohn. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages....
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Euphonium,Piano - Level 3 - SKU: A0.825124 Composed by Felix Bartholdy Mendelssohn. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages. Gary Bricault #4320431. Published by Gary Bricault (A0.825124). Arrangement for Euphonium Solo and Piano. Performance time 2'40.
$4.99
Three Etudes
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Kevin Birch
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Kevin Birch
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Three Etudes
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Birch Music Online
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1504247 By Kevin Birch. By Johann Friedrich Burgmuller. Arranged by Kevin Birch. Classical. Score and part. 17 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1504247 By Kevin Birch. By Johann Friedrich Burgmuller. Arranged by Kevin Birch. Classical. Score and part. 17 pages. Birch Music Online #1079705. Published by Birch Music Online (A0.1504247). This arrangement for Euphonium and Piano takes three etudes from Burgmuller's 25 Etudes op. 100 for piano. A set of studies that the arranged was brought up on in his piano lessons as a child.
$15.00
Waltz from Coppelia for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Leo Delibes
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Diego Marani
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Waltz from Coppelia for Euphon
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1495599 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.1495599 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #1072120. Published by Diego Marani (A0.1495599). Coppélia is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes. The ballet's first flush of success was interrupted by the Franco-Prussian War and the siege of Paris, but eventually it became the most-performed ballet at the Opéra.In this arrangement for euphonium - baritone (C B.C. and Bb T.C.) with piano accompaniment we have the most famous waltz (valse) of the opera, a beautiful composition full of charm and lightness at the same time. It is suitable for any occasion: classroom, repertoire and recital.
$7.99
Swan Lake Theme for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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P
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Diego Marani
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Swan Lake Theme for Euphonium
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,W...
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Euphonium,Piano - Level 3 - SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 7 pages. Diego Marani #984498. Published by Diego Marani (A0.1401311). Swan Lake, Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time.The marvelous main theme, arranged for euphonium (B.C. and Bb T.C.) and piano is suitable for any occasion: repertoire, classroom, recital or for an impressive and touching encore.
$7.99
Rachmaninoff: Vocalise for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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James M
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Rachmaninoff: Vocalise for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549279 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Euphonium,Piano - Level 3 - SKU: A0.549279 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #3480109. Published by jmsgu3 (A0.549279). Sergei Rachmaninoff: Vocalise Op. 34 No. 14. Score: 7 pages, 41 measures. Duration: ca. 6:33. Solo part: 2 pages, Piano part: 4 pages. Very famous composition with a distinctly melancholy flavor. Suitable for Lent or Easter meditations, receptions, weddings, recitals, school performances, and concert encores.
$32.95
Tchaikovsky: March from Nutcracker Suite for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549672 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period...
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Euphonium,Piano - Level 3 - SKU: A0.549672 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519151. Published by jmsgu3 (A0.549672). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549832 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period...
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Euphonium,Piano - Level 3 - SKU: A0.549832 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550627. Published by jmsgu3 (A0.549832). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: March from Nutcracker Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549674 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period...
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Euphonium,Piano - Level 3 - SKU: A0.549674 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519281. Published by jmsgu3 (A0.549674). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
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