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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Solo
Non classifié
3 173
Piano & claviers
Piano seul
61 663
Piano, Voix
1 589
Piano, Voix et Guitare
780
Piano Facile
265
Accompagnement Piano
205
1 Piano, 4 mains
52
Instruments en Do
46
Orgue
38
Piano Trio: piano, violon, violoncelle
23
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Accordéon
7
Piano (partie séparée)
7
Orgue, Piano (duo)
5
Fake Book
4
2 Pianos, 4 mains
4
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Piano
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare
114
Guitare notes et tablatures
58
Mandoline, Piano (duo)
29
Piano, Guitare (duo)
19
Ligne De Mélodie, (Paroles) et Accords
13
Basse electrique
10
2 Guitares (duo)
7
Ukulele
7
4 Guitares (Quatuor)
2
2 Mandolines (duo)
2
Guitare, Quatuor à cordes
1
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
532
Chorale 3 parties
227
Voix Soprano, Piano
184
Voix Alto, Piano
173
Voix haute
144
Voix Tenor, Piano
124
Voix seule
117
Voix Baryton, Piano
103
Voix duo, Piano
90
Voix moyenne, Piano
83
Chorale TTBB
66
Chorale 2 parties
52
Chorale
51
Chorale SSAA
49
Voix basse, Piano
46
Voix Tenor
45
Chorale Unison
44
Voix Soprano
31
Voix duo
29
Voix basse
8
Soli, choeur mixte et accompagnement
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 010
Clarinette et Piano
744
Hautbois, Piano (duo)
689
Saxophone Alto et Piano
669
Saxophone Tenor et Piano
424
Clarinette
214
Saxophone Soprano et Piano
202
Cor anglais, Piano
194
Flûte traversière
187
Saxophone Baryton, Piano
142
Clarinette Basse, Piano
109
Saxophone Tenor
101
Saxophone Alto
88
Flûte irlandaise
78
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Hautbois (partie séparée)
57
Flûte à Bec
56
Saxophone (partie séparée)
41
2 Flûtes traversières (duo)
38
Flûte à bec Alto, Piano
37
Quatuor de Saxophones: 4 saxophones
37
Flûte à bec Soprano
36
2 Saxophones (duo)
33
Saxophone et Piano
30
Flûte et Guitare
28
Hautbois
24
Quatuor de Clarinettes: 4 clarinettes
23
Flûte, Violon, Piano
22
Flûte, Hautbois, Clarinette, Basson
19
Saxophone Soprano
17
2 Clarinettes (duo)
17
Cor Anglais
16
Flûte à bec Alto
13
Flûte à bec Soprano, Piano
13
Saxophone Baryton
12
2 Clarinettes, Piano
10
2 Hautbois (duo)
9
Flûte, Clarinette, Piano (trio)
9
3 Saxophones (trio)
9
Piccolo, Piano
9
Harmonica, Piano
8
Clarinette, Guitare (duo)
8
Flûte à bec Tenor
7
Quatuor de Flûtes : 4 flûtes
7
3 Clarinettes (trio)
7
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Cor anglais, Guitare (duo)
5
Flûte, Violon
4
Harmonica
4
Flûte, Clarinette (duo)
4
2 Saxophones, Piano
4
Quintette de Saxophone: 5 saxophones
4
Clarinette, Violon (duo)
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Harpe (duo)
3
Clarinette, Trompette (duo)
3
Ensemble de Flûtes
3
Flûte, Basson et Piano
3
Ensemble De Flûte à bec
3
Hautbois, Flûte
3
Piccolo
3
Flûte à Bec, Piano
3
Hautbois, Basson (duo)
3
2 Flûtes traversières, Piano
3
Clarinette et Alto
3
Hautbois, Clarinette (duo)
2
Clarinette Basse
2
Flûte, Trompette (duo)
2
Hautbois, Harpe
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Orgue
2
Quintette de Flûte : 5 flûtes
2
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte de Pan
1
Saxophone
1
Flûte, Alto (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Tuba
1
3 Hautbois
1
Ensemble de saxophones
1
2 Flûtes traversières, Harpe
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Flûte, alto et harpe
1
Flûte, Guitare, Piano
1
Cornemuse
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone et Guitare
1
Flûte traversière, Orchestre
1
Ensemble de Clarinettes
1
Flûte traversière, Orgue (duo)
1
+ 94 instrumentations
Retracter
Cuivres
Trompette, Piano
481
Cor et Piano
426
Trombone et Piano
394
Tuba et Piano
200
Trompette
198
Cor anglais, Piano
194
Euphonium, Piano (duo)
120
Trombone
114
Cor
53
Tuba
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette (partie séparée)
18
Euphonium
16
Cor Anglais
16
2 Trombones (duo)
8
Trombone basse et Piano
7
2 Trompettes (duo)
7
Trombone (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor anglais, Guitare (duo)
5
Trompette, Saxophone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
2
Trompette, Violoncelle et Piano
2
Trompette, Trombone (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
1
Cornet et Piano
1
Tuba et Orgue
1
Trompette, Euphonium (duo)
1
2 Cors (duo)
1
4 Tubas
1
Cor, Orchestre
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Trombones
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
1 347
Violoncelle, Piano
733
Alto, Piano
591
Violon
234
Violoncelle
168
Contrebasse, Piano (duo)
122
Quatuor à cordes: 2 violons, alto, violoncelle
95
Alto seul
79
Harpe
75
Contre Basse
30
2 Violons (duo)
28
Alto (partie séparée)
25
2 Violoncelles (duo)
16
2 Altos (duo)
11
Violon, Violoncelle (duo)
9
Violoncelle , Guitare (duo)
7
Violon, Alto (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Harpe, Violon (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe et Piano
5
Harpe, Flûte (duo)
5
Piano Trio: Violon, Alto, Piano
5
Violoncelle, Contrebasse (duo)
4
Violoncelle (partie séparée)
4
Alto, Guitare (duo)
3
2 Harpes (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Alto et Harpe
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Alto et orchestre
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
2 Violons, Piano
1
4 Violoncelles
1
Flûte, Contrebasse (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
412
Cloches
301
Orchestre
109
Orchestre à Cordes
91
Orchestre d'harmonie
77
Orchestre de chambre
64
Jazz combo
63
Xylophone, Piano
31
Ensemble de cuivres
20
Vibraphone
9
Xylophone
5
Marimba
3
Ensemble de Percussions
2
Fanfare
2
Quintette de Cuivres: autres combinaisons
1
Big band
1
+ 11 instrumentations
Retracter
Autres
Instruments
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Piano Solo
intermédiaire
Euphonium, Piano (duo)
Partitions à imprimer
120 partitions trouvées
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101
Three Romances Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words f
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score ...
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Euphonium,Piano - Level 3 - SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820051. Published by Gordon Cherry (A0.792377). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00
The Bestiary for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Poulenc, Francis
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Sauer, Ralph
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The Bestiary for Euphonium & P
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Euphonium - Intermediate - Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Pu...
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Piano Accompaniment, Euphonium - Intermediate - Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Published by Cherry Classics Music
? The Bestiary or "The Procession of Orpheus" was written by Poulenc in 1919.
? Originally for voice and piano, with poems by Guillaume Apollinaire, the six short movements (about 5 minutes in length) are about the follow animals:
Dromedary Goat Grasshopper Dolphin Crayfish Carp
? This music is very suitable for young performers at the intermediate level and is a great way to introduce them to a major 20th century composer whose only other music for brass is the famous Trio for Trumpet, Horn and Trombone.
$15.00
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
#
George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Loch Lomond (Solo Euphonium with Piano Accompaniment)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Traditional
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Jerremy Fender
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Loch Lomond
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Jerremy Fender
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.905761 Composed by Traditional. Arranged by Jerremy Fender. Folk,World. Score and part. 5 pages. Jerremy Fender #635...
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Euphonium,Piano - Level 3 - SKU: A0.905761 Composed by Traditional. Arranged by Jerremy Fender. Folk,World. Score and part. 5 pages. Jerremy Fender #6351699. Published by Jerremy Fender (A0.905761). A beautiful Irish tune set for Solo Euphonium/Baritone (or Trombone) and Piano. This arrangement is in three verses the first two are the soloist playing the melody in different octaves. (The first in the staff, the second verse below the staff) The third verse has a countermelody that can be played up an octave if desired. Without the optional octave for the final verse the range for the solo part extends from Concert Low G to High A. Enjoy! Also included TC Part with the BC part.
$4.99
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Favorite for solo Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696762. Published by David McKeown (A0.1092660). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Rose-Noskowski-Euphonium/Baritone Horn-Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Z Noskowski
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Phil Beaman
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Rose-Noskowski-Euphonium/Barit
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Phil Beaman
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. P...
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Euphonium,Piano - Level 3 - SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #6786389. Published by Phil Beaman (A0.845336). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part provided in both clefs2:35 minutes
$5.99
Arioso BWV 156 - Euphonium Solo w/ Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Arioso BWV 156 - Euphonium Sol
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Ygor Nunes
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1416094 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Romantic Period,Standards,Weddi...
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Euphonium,Piano - Level 3 - SKU: A0.1416094 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Romantic Period,Standards,Wedding. Score and part. 7 pages. Ygor Nunes #997785. Published by Ygor Nunes (A0.1416094). Here is an easy and beautiful arrangement for euphonium solo with piano accompaniment.
$5.99
Goethe Lieder for Euphonium solo and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mendelssohn-Hansel, Fanny
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Darling, Steven
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Goethe Lieder for Euphonium so
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part. 13 pages. Gordon Cherry #3585409. Published by Gordon Cherry (A0.810857). Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert.The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.
$15.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Mozart: Eine Kleine Nachtmusik (K.525) - Euphonium Solo w/ Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Wolfgang Amadeus Mozart
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Ygor Nunes
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Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1494180 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,M...
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Euphonium,Piano - Level 3 - SKU: A0.1494180 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070790. Published by Ygor Nunes (A0.1494180). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the euphonium solo.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
Come, Thou Fount of Every Blessing (Jupiter) - Solo Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Bles
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Lagom Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,...
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Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083269. Published by Lagom Music (A0.723280). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
The Search (from "Red Dog") Euphonium Solo with Piano accompaniment
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Daryl McKenzie
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The Search
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Daryl McKenzie
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SheetMusicPlus
Arranged by Daryl McKenzie. Individual Part, Piano Reduction, Set of Parts, Solo Part. 15 pages. Published by Daryl McKenzie...
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Arranged by Daryl McKenzie. Individual Part, Piano Reduction, Set of Parts, Solo Part. 15 pages. Published by Daryl McKenzie
$19.99
Twas in the Moon of Wintertime/The Huron Carol (euphonium/piano), arr. Brenda Portman
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Traditional
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Brenda Portman
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Twas in the Moon of Wintertime
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Brenda Portman
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.753119 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score an...
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Euphonium,Piano - Level 3 - SKU: A0.753119 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Religious,Sacred. Score and part. 10 pages. Brenda Portman #3885065. Published by Brenda Portman (A0.753119). This setting of the Huron Carol (Twas in the Moon of Wintertime), for euphonium and piano, was originally a vocal solo but works very nicely as an instrumental solo. Recording is of the vocal version. A beautiful arrangement of a lesser-known Christmas carol, which is a French Canadian melody and is the earliest Christmas carol from North America.Composer website: http://brendaportman.com
$4.25
"Reflection" for Euphonium with Piano Accompaniment
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Robert Chamberlin
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"Reflection" for Eup
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Robert Chamberlin
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.917279 Composed by Robert Chamberlin. 20th Century,Standards. Score and part. 9 pages. Robert Chamberlin #4829927. P...
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Euphonium,Piano - Level 3 - SKU: A0.917279 Composed by Robert Chamberlin. 20th Century,Standards. Score and part. 9 pages. Robert Chamberlin #4829927. Published by Robert Chamberlin (A0.917279). Reflection is an evocative solo for euphonium with piano accompaniment. It is appropriate for high school solo contests at the intermediate level. The euphonium part is included with this listing.
$4.00
Cor Dulce (Valenti arr. for Euphonium Solo)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Avelino Valenti
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Andrew Lamb
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it's a spiritual journey
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Cor Dulce
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacre...
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Euphonium,Piano - Level 3 - SKU: A0.1317695 By Avelino Valenti. By Avelino Valenti. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 31 pages. Andrew Lamb #906374. Published by Andrew Lamb (A0.1317695). 🎺 Elevate your musical experience with the enchanting melodies of Cor Dulce – Avelino Valenti's sacred hymn, now available in a stunning Brass Solo adaptation! 🎶 Immerse yourself in the timeless beauty of this traditional church hymn, originally composed as a tribute to the Sacred Heart. 🙠This arrangement is meticulously crafted for Euphonium (both Bass Clef and Treble Clef), with a bonus Trumpet transposition for added flexibility. 🎺✨ Whether you're a brass enthusiast or a devout musician, the medium difficulty level ensures a captivating performance. 🌟 The versatility extends to Trombone or Baritone players who can seamlessly embrace the euphonious parts. 🎼 Perfect for concerts or spiritual gatherings, this arrangement transcends musical boundaries. ✨ Experience the divine harmony of Cor Dulce – this arrangement is not just music; it's a spiritual journey. 🌈✨ Please like and subscribe for more videos and music arrangements. 🎉.
$5.00
O Salutaris (Pessard arr. for Euphonium Solo)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Emile Pessard
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Andrew Lamb
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O Salutaris
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic ...
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Euphonium,Piano - Level 3 - SKU: A0.1317702 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Romantic Period,Sacred. Score and part. 26 pages. Andrew Lamb #906382. Published by Andrew Lamb (A0.1317702). 🎺 Immerse yourself in the divine sounds of Émile Pessard's sacred hymn O Salutaris with our exquisite Brass Solo adaptation! 🎶 Crafted for Euphonium (both Bass Clef and Treble Clef), this arrangement resonates with the soulful essence of the original composition. 🇫🇷✨🌈 Experience versatility as the Euphonium part effortlessly transitions to Trombone or Baritone. 🎺 The inclusion of a Trumpet transposition and a Soprano Cornet substitution adds a harmonious twist, providing you with unmatched flexibility. 🎼🤔 Curious about the difficulty level? This arrangement sits comfortably at a Medium level, making it accessible for intermediate musicians seeking a captivating challenge. 🎵👠Whether you're planning a concert that leaves a lasting impression or aiming to elevate a religious service, this arrangement is your key to a harmonious experience. ðŸ™ðŸ”¥ Unleash the power of Pessard's hymn with this arrangement, designed to captivate audiences and create an unforgettable musical journey. 🌟👉 This arrangement, your way to blend tradition and innovation! 🎺✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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