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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S.-Kaspin Christian
Non classifié
1 063
Piano & claviers
Piano seul
1 089
Piano, Voix
400
Piano, Voix et Guitare
266
Orgue
137
Accompagnement Piano
73
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
34
Piano Facile
32
1 Piano, 4 mains
19
2 Pianos, 4 mains
12
Orgue, Trompette (duo)
12
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
55
Guitare
37
Ligne De Mélodie, (Paroles) et Accords
27
Paroles et Accords
11
Ukulele
10
Piano, Guitare (duo)
6
3 Guitares (trio)
4
4 Guitares (Quatuor)
3
Dulcimer
3
Basse electrique
2
2 Guitares (duo)
2
Ukulele Baryton
2
2 Dulcimers (duo)
1
Banjo
1
Guitare, Flûte, Clarinette
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
948
Chorale 3 parties
245
Chorale TTBB
97
Chorale Unison
77
Chorale 2 parties
54
Chorale SSAA
35
Voix Tenor, Piano
21
Voix duo, Piano
19
Voix Soprano, Piano
17
Chorale
16
Voix haute
13
Voix duo
10
Voix moyenne, Piano
10
Voix Alto, Piano
7
Voix seule
7
Voix basse, Piano
5
Voix Baryton, Piano
3
Voix Tenor
3
Chorale SSAB, Piano
2
Voix, Guitare
2
Chorale SSAB a cappella
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
160
Saxophone (partie séparée)
146
Hautbois, Piano (duo)
105
Hautbois (partie séparée)
103
Clarinette et Piano
93
Saxophone Alto et Piano
80
Quatuor de Saxophones: 4 saxophones
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
Saxophone Tenor et Piano
62
Flûte, Hautbois, Clarinette, Basson
57
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette
51
Flûte traversière
44
Saxophone Alto
44
3 Saxophones (trio)
42
2 Saxophones (duo)
39
Saxophone Soprano et Piano
38
2 Flûtes traversières (duo)
36
Saxophone Tenor
32
Saxophone Baryton, Piano
25
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
24
Quatuor de Flûtes : 4 flûtes
24
3 Clarinettes (trio)
18
Flûte, Clarinette (duo)
15
Flûte, Clarinette, Piano (trio)
15
Hautbois, Basson (duo)
14
2 Clarinettes, Piano
13
Clarinette, Basson (duo)
12
Flûte, Violon, Piano
11
Flûte, Hautbois, Clarinette (trio)
11
Quintette de Clarinettes: 5 clarinettes
11
Cor anglais, Piano
10
Flute (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Violon (duo)
10
Ensemble de Clarinettes
10
2 Flûtes traversières, Piano
10
Flûte irlandaise
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte et Guitare
9
Ensemble de Flûtes
8
Flûte, trombone et piano
8
Flûte, Violon et Violoncelle
8
Clarinette (partie séparée)
7
Flûte, Alto et Piano
7
Cor Anglais
7
Quatuor de Flûtes à bec
7
Clarinette Basse, Piano
7
Flûte, Hautbois, Piano (trio)
7
Flûte, Trompette (duo)
7
Quintette de Flûte : 5 flûtes
6
Flûte, Violoncelle, Piano (trio)
6
Clarinette, Violoncelle, Piano (trio)
6
2 Hautbois (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Trompette (duo)
4
2 Saxophones, Piano
4
Flûte, Hautbois, Basson
4
Saxophone et Harpe
4
Hautbois, Harpe
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone Soprano
3
Flûte, Clarinette et Basson
3
Flûte, Violon
3
Flûte, Trombone (duo)
3
Clarinette, Harpe (duo)
3
Flûte, Alto (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Violon
2
Ensemble de saxophones
2
Saxophone et Piano
2
Clarinette, trompette et piano
2
Saxophone et Orgue
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Basson et Piano
2
Saxophone Baryton
2
Clarinette, Orgue
2
Saxophone et Guitare
2
Flute, harpe et violon
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Flûte
2
Clarinette, Violoncelle (duo)
1
Harmonica
1
Flûte, Hautbois (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Trombone (duo)
1
Saxophone
1
Flûte traversière, Orgue (duo)
1
Ensemble De Flûte à bec
1
2 Flûtes traversières, Harpe
1
Flûte et Trio à cordes
1
Piccolo, Piano
1
Flûte, Violon, Guitare
1
2 Clarinettes, Basson
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Flûte à Bec
1
Hautbois, Clarinette et Piano (Trio)
1
Cor anglais, Guitare (duo)
1
+ 97 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
114
Trombone et Piano
78
Trompette, Piano
76
Trompette
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Cor et Piano
49
Trombone
45
Cor
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trompette (partie séparée)
21
Trombone (partie séparée)
17
Tuba et Piano
16
Quatuor de Cuivres
16
2 Trompettes (duo)
14
Cor (partie séparée)
14
Trompette, Trombone (duo)
13
3 Trombones (trio)
12
2 Trombones (duo)
12
2 Cors (duo)
11
Tuba
11
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
10
Euphonium, Piano (duo)
10
Cor Anglais
7
Trio de Cuivres
6
Trompette, Violoncelle et Piano
6
Quatuor de cuivres: 4 cors
5
Ensemble de Trompettes
4
Cor et Harpe
4
Trompette, Saxophone (duo)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trompettes
3
Ensemble de Trombones
2
Euphonium, Tuba (duo)
2
Trombone, Violon (duo)
2
3 Trompettes (trio)
2
Trompette, Harpe
2
Trompette, Basson (duo)
1
3 Cors (trio)
1
Trompette, violon (duo)
1
2 Tubas (duo)
1
Ensemble de Cors
1
Trompette, Trombone, Piano
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle (duo)
1
+ 46 instrumentations
Retracter
Cordes
Violon et Piano
165
Quatuor à cordes: 2 violons, alto, violoncelle
161
Violoncelle, Piano
110
Alto, Piano
95
Alto (partie séparée)
65
Harpe
63
Violon
61
Violoncelle
51
Trio à Cordes: violon, alto, violoncelle
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Violon (partie séparée)
30
Violon, Violoncelle (duo)
28
Trio à Cordes: 2 violons, violoncelle
24
2 Violons (duo)
24
Alto seul
21
Violon, Alto (duo)
19
2 Altos (duo)
18
2 Violoncelles (duo)
15
Contrebasse, Piano (duo)
14
Trio à cordes: 3 violins
13
2 Harpes (duo)
13
Violoncelle (partie séparée)
11
Contre Basse
10
Alto, Violoncelle (duo)
9
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
8
Quatuor à cordes: 4 violons
7
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
4
Harpe, Voix
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
3
Harpe, Trombone (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle , Guitare (duo)
2
Ensemble de Violons
2
Violon, Orgue
2
Violon, Guitare (duo)
2
Alto et Harpe
2
Violon, Basson (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Trio à cordes
1
2 Violons, Piano
1
Violoncelle, Orgue
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Cloches
79
Orchestre
60
Orchestre d'harmonie
45
Orchestre à Cordes
42
Ensemble de cuivres
42
Orchestre de chambre
16
Percussion (partie séparée)
10
Batterie
10
Ensemble Jazz
7
Jazz combo
3
Ensemble de Percussions
3
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
1
Marimba
1
Fanfare
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
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Classique contemporain
Contemporain
Hymnes Nationaux
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New age
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Sonate
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Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
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Chinois
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ACCUEIL
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PIANO
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Piano seul
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Fanfare
Methodes
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CHORALE / VOIX
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Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
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Country
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Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
1
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
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GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
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Nouveautes
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|
Tout Chorale & Voix
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Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
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CHANT - CHORALE
CORDES
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CONTREBASSE
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VIOLE DE GAMBE
VIOLON
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COR ANGLAIS
FLUTE
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HARMONICA
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CHARANGO
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PERCUSSION
VIBRAPHONE
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GENRES
|
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Classique
Comédie Musicale
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Enfant
Europe de l'Est
Examen
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Fingerpicking
Flamenco
Folk Rock
Funk
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Halloween
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Jazz Manouche
Jeux Video
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Latin / World
Latin Pop
Mariage / Amour
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Méthodes
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
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FANFARE - BAND…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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Crtitères actifs :
S.-Kaspin Christian
intermédiaire
Euphonium, Piano (duo)
Partitions à imprimer
10 partitions trouvées
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This Is My Father's World for Baritone/Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Traditional English Melody
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Lawrence H
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This Is My Father's World for
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.968433 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Wo...
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Euphonium,Piano - Level 3 - SKU: A0.968433 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6566649. Published by Lawrence H Underwood (A0.968433). Arranged by veteran performer and music educator, Lawrence Underwood, as the eighth installment in his 2021 Hymn Song Collection series, this brand-new setting of the traditional English melody This Is My Father's World begins as a wistful ballad, moving into a lilting waltz feel, before its rousing march finale. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Come, Thou Fount of Every Blessing (Jupiter) - Solo Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Bles
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Lagom Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,...
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Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083269. Published by Lagom Music (A0.723280). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Gounod / Bach: Ave Maria (for Euphonium in C and Piano)
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Charles Gounod, J
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Harry Walker
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Gounod / Bach: Ave Maria
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SCORE EDITIONS
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SheetMusicPlus
Composed by Charles Gounod, J. S. Bach. Arranged by Harry Walker. Christian, Repertoire, Wedding, Recital. Score, Set of Parts. 6 pages. Published by ...
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Composed by Charles Gounod, J. S. Bach. Arranged by Harry Walker. Christian, Repertoire, Wedding, Recital. Score, Set of Parts. 6 pages. Published by SCORE EDITIONS
$5.99
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S.-Kaspin Christian
