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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Signature Score
Non classifié
312
Piano & claviers
Piano seul
319
Piano, Voix
35
Piano Facile
17
Piano, Voix et Guitare
11
Orgue
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Guitare
7
Ensemble de guitares
5
Basse electrique
4
Mandoline
2
Ukulele
1
Dulcimer
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale 3 parties
4
Chorale SATB
3
Chorale SSAA
1
Chorale 2 parties
1
Vents
Flûte traversière et Piano
18
Clarinette et Piano
17
Saxophone Alto et Piano
16
Hautbois, Piano (duo)
15
Saxophone Soprano et Piano
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
6
Saxophone Baryton, Piano
6
3 Saxophones (trio)
5
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Saxophones (duo)
3
Cor anglais, Piano
3
Quintette de Saxophone: 5 saxophones
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Flûtes
3
2 Clarinettes (duo)
2
Flûte et Guitare
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violon et Violoncelle
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble à vent
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trombone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Tuba
1
Cor anglais, Guitare (duo)
1
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Ensemble de saxophones
1
Saxophone et Guitare
1
+ 27 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone et Piano
14
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
10
Tuba et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
2 Trompettes (duo)
2
Trompette
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle, Piano
20
Alto, Piano
17
Violon, Violoncelle (duo)
5
Harpe
5
Violon et Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon
3
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
2
Flûte, Contrebasse (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
14
Ensemble Jazz
14
Orchestre d'harmonie
13
Ensemble de cuivres
9
Orchestre
8
Orchestre de chambre
5
Cloches
5
Batterie
4
Ensemble de Percussions
4
Jazz combo
2
Fanfare
1
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TROMPETTE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
Signature Score
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Euphonium, Piano (duo)
Partitions à imprimer
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A Whole New World
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Son...
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Euphonium,Piano - Level 3 - SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037220. Published by SCORE EDITIONS (A0.1458243). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Euphonium B.C: and Piano by Harry Walker.
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Heaven Is A Place On Earth
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,F...
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Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962974. Published by Kevin P Holdgate (A0.1378350). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
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