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ACCORDEON
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PIANO & CLAVIERS
Piano seul
593
Piano, Voix
29
1 Piano, 4 mains
28
Orgue
16
Piano Facile
16
2 Pianos, 4 mains
15
Piano, Voix et Guitare
11
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
3
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
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Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
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157
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138
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90
Mandoline
12
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8
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6
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5
4 Guitares (Quatuor)
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2
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1
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1
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1
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VOIX
Chorale SATB
127
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41
Chorale SSAA
24
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15
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13
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7
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3
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3
Voix basse, Piano
2
Male Voice
2
Voix Soprano
2
Voix Alto, Piano
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Chorale SSAB a cappella
1
Voix moyenne, Piano
1
Voix, Guitare
1
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2 Flûtes traversières (duo)
94
2 Saxophones (duo)
84
2 Clarinettes (duo)
71
Quatuor de Clarinettes: 4 clarinettes
65
Flûte traversière et Piano
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Quatuor de Saxophones: 4 saxophones
48
Hautbois, Piano (duo)
41
Clarinette et Piano
37
Flûte, Hautbois, Clarinette, Basson
36
Saxophone, Clarinette (duo)
34
Clarinette
34
Saxophone Alto et Piano
23
Saxophone Tenor et Piano
21
2 Hautbois (duo)
21
Clarinette, Violon (duo)
21
Flûte traversière
19
3 Saxophones (trio)
18
Saxophone Soprano et Piano
18
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16
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16
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14
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12
Saxophone Alto
12
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12
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11
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11
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11
Flûte, Saxophone (duo)
10
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10
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10
3 Clarinettes (trio)
10
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9
Flûte, Violon
9
Saxophone Baryton, Piano
9
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8
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8
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8
2 Flûte à bec (duo)
8
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7
Saxophone
7
2 Clarinettes, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Flûte, Clarinette, Piano (trio)
5
Ensemble de saxophones
5
Flûte à Bec
5
Flûte à bec Tenor
5
Flûte à bec Soprano
5
Flûte à bec Alto
5
Clarinette Basse, Piano
4
Saxophone Tenor
4
Ensemble à vent
4
Saxophone Baryton
4
Flûte et Guitare
4
Saxophone Soprano
4
2 Flûtes traversières, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
Clarinette, Basson (duo)
3
Flûte, trombone et piano
3
Flûte à bec Alto, Piano
3
Cor Anglais
2
Flûte, Clarinette et Basson
2
Harmonica
2
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2
Clarinette, Basson, Piano (trio)
2
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2
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2
Hautbois
2
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2
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1
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1
Flûte, Alto et Piano
1
3 Hautbois
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trompette
28
Trompette, Piano
27
Trombone et Piano
23
2 Trompettes (duo)
22
2 Trombones (duo)
21
Trompette, Saxophone (duo)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Ensemble de Trompettes
18
Trombone
17
Cor et Piano
13
2 Cors (duo)
12
Trompette, Trombone (duo)
9
2 Tubas (duo)
8
Cor
8
Tuba et Piano
7
Quatuor de cuivres: 4 trombones
7
Cor anglais, Piano
6
4 Tubas
6
Euphonium, Piano (duo)
6
Ensemble de Trombones
6
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
4
Tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor Anglais
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Ensemble de Cors
2
Trio de Cuivres
2
Euphonium, Tuba (duo)
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
Cor, Tuba (duo)
2
Trombone basse
2
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Orgue
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
172
Violon et Piano
90
Harpe
67
Alto, Piano
43
Violon
42
Violoncelle, Piano
37
Violon, Violoncelle (duo)
30
2 Violons (duo)
29
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
23
2 Altos (duo)
23
Violon, Alto (duo)
22
Violoncelle (partie séparée)
19
Alto seul
16
Violoncelle
8
Contrebasse, Piano (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
4 Violoncelles
6
Trio à cordes: 3 violins
5
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 3 violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
4
Alto (partie séparée)
4
2 Harpes (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Contrebasse (duo)
1
3 Contrebasses
1
Violon (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
66
Orchestre à Cordes
62
Ensemble Jazz
37
Ensemble de cuivres
31
Orchestre
18
Cloches
14
Ensemble de Percussions
13
Orchestre de chambre
12
Batterie
10
Jazz combo
8
Fanfare
4
Percussion
4
Xylophone, Piano
2
Marimba
2
2 Xylophones
1
Vibraphone
1
Piano et Orchestre
1
Bodhran
1
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AUTRES
Formation musicale - Solfège
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Euphonium, Piano (duo)
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Canon - Johann Pachebel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760345 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Wedding. Score and parts. 26 pages. Raymond Fenech #3578135. Published by Raymond Fenech (A0.760345). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. This piece could be played during Christmas; Easter and also during school events.The duration is 6.05 minutes and it is an Intermediate/Advanced Intermediate level.
$5.50
5.09 €
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Euphonium, Piano (duo)
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Johann Pachebel
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Raymond Fenech
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Canon - Johann Pachebel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
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Raymond Fenech
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SheetMusicPlus
Canon - Johann Pachelbel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760369 Composed by Johann Pachelbel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Wedding. Score and parts. 26 pages. Raymond Fenech #3593977. Published by Raymond Fenech (A0.760369). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. This piece could be played during Christmas; Easter and also during school events. The duration is 6.05 minutes and it is an Intermediate/Advanced Intermediate level.
$5.50
5.09 €
#
Euphonium, Piano (duo)
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Johann Pachelbel
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Raymond Fenech
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Canon - Johann Pachelbel - 2 Euphoniums and Piano - Intermediate/Advanced Intermediate level
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Raymond Fenech
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Jopl…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.24 €
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Euphonium, Piano (duo)
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Festival Piece in Classical Style for Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1311839 Composed by Kenneth Ba…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
10.16 €
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Euphonium, Piano (duo)
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Kenneth Baird
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Festival Piece in Classical Style for Euphonium
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Kenneth Baird Music
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.45 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.45 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
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