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30
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28
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2
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1
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197
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93
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52
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7
Chorale
7
Voix moyenne, Piano
7
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6
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6
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4
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155
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147
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130
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93
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87
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86
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70
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69
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67
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65
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57
Saxophone, Clarinette (duo)
47
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45
Flûte, Clarinette (duo)
42
Saxophone Soprano et Piano
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37
2 Hautbois (duo)
34
Clarinette
31
Hautbois, Clarinette (duo)
27
Flûte, Violon
26
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26
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23
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17
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16
3 Clarinettes (trio)
16
Hautbois, Flûte
15
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15
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15
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13
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13
Clarinette, Guitare (duo)
12
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10
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9
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9
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9
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9
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8
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7
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7
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6
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5
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5
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5
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5
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4
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4
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4
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4
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4
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3
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2
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1
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1
Piccolo
1
Flûte de Pan
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Clarinette, Tuba
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
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49
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38
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37
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33
Trompette
31
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27
Quatuor de Cuivres
24
Cor anglais, Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Tuba et Piano
17
Cor
17
Ensemble de Trompettes
16
Trombone
16
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
9
Trompette (partie séparée)
9
Euphonium, Piano (duo)
9
Tuba
8
Trompette, Harpe
8
Cor et Harpe
7
Trombone (partie séparée)
6
Quatuor de cuivres: 4 cors
6
Ensemble de Trombones
5
2 Tubas (duo)
4
Trompette, Cor (duo)
3
Cor (partie séparée)
3
Euphonium
3
2 Euphoniums (duo)
2
2 Cors, Piano
2
Trombone, violoncelle (duo)
2
Cor Anglais
2
Ensemble de Cors
2
Instruments en Sib
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
1
Trombone basse et Piano
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3 Trombones (trio)
1
Trompette, Trombone, Piano
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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Quatuor à cordes: 2 violons, alto, violoncelle
192
Violon et Piano
156
2 Harpes (duo)
131
Alto, Piano
117
Violoncelle, Piano
111
Harpe
108
Violon, Violoncelle (duo)
57
2 Violons (duo)
52
Violon
48
2 Violoncelles (duo)
41
Violon, Alto (duo)
40
2 Altos (duo)
38
Trio à Cordes: violon, alto, violoncelle
32
Violoncelle
28
Trio à Cordes: 2 violons, violoncelle
24
Alto seul
21
Contrebasse, Piano (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
9
Harpe, Flûte (duo)
9
Harpe, Violon (duo)
9
4 Violoncelles
8
Alto, Guitare (duo)
5
Alto (partie séparée)
5
Violon, Guitare (duo)
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
2 Violons, Piano
2
2 Altos, Piano
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Harpe, Trombone (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes
1
Ensemble de Violons
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
131
Orchestre à Cordes
101
Ensemble de cuivres
46
Orchestre
35
Orchestre de chambre
27
Ensemble Jazz
17
Batterie
16
Cloches
15
Jazz combo
10
Ensemble de Percussions
8
Fanfare
7
Percussion (partie séparée)
2
Vibraphone
2
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
1
Xylophone
1
2 Xylophones
1
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.62 €
#
Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.62 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Adagio from BWV 974 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Seb…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 6 pages. Diego Marani #806495. Published by Diego Marani (A0.1208386). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for C or Bb euphonium with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.08 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
I Write The Songs
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Br…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
35.91 €
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Euphonium, Piano (duo)
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.93 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.93 €
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Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Rose-Noskowski-Euphonium/Baritone Horn-Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #6786389. Published by Phil Beaman (A0.845336). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part provided in both clefs2:35 minutes
$5.99
5.38 €
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Euphonium, Piano (duo)
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Z Noskowski
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Phil Beaman
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Rose-Noskowski-Euphonium/Baritone Horn-Piano
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Phil Beaman
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SheetMusicPlus
All By Myself
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.548090 By Celine Dion. By Eric…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.548090 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 11 pages. Jmsgu3 #3130439. Published by jmsgu3 (A0.548090). Score: 6 pages. Solo part: 2 pages. Piano part: 3 pages. Duration: 4'41 Extremely popular song, well suited for a variety of venues: church, concert hall, nightclub, etc. Interesting crossover production with Sergei Rachmaninoff. Features a very wide tessitura of nearly 2 1/2 octaves.
$49.95
44.89 €
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Euphonium, Piano (duo)
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Celine Dion
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James M
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All By Myself
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.62 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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