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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Johann-Christian-Bach
Non classifié
776
Piano & claviers
Piano seul
138
Piano, Voix
117
Piano Facile
64
Orgue
58
Accompagnement Piano
53
Piano, Voix et Guitare
41
Orgue, Trompette (duo)
24
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
9
Instruments en Do
9
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Clavecin
2
Accordéon
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
30
Guitare
15
Ukulele
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
2
Mandoline
1
2 Guitares (duo)
1
Paroles et Accords
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
43
Voix Tenor, Piano
19
Chorale 3 parties
12
Voix Soprano, Piano
7
Voix Alto, Piano
5
Chorale TTBB
5
Voix duo
4
Chorale
4
Voix Tenor
3
Chorale SSATB
2
Chorale Unison
2
Voix, Guitare
1
Voix Baryton, Piano
1
Chorale 2 parties
1
Voix basse, Piano
1
Chorale SSAA
1
+ 11 instrumentations
Retracter
Vents
Flûte à Bec
87
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière et Piano
46
Clarinette et Piano
45
2 Saxophones (duo)
44
Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Quintette de Saxophone: 5 saxophones
36
2 Clarinettes (duo)
35
Flûte traversière
34
Quatuor de Clarinettes: 4 clarinettes
34
2 Flûtes traversières (duo)
33
Quatuor de Flûtes : 4 flûtes
32
Clarinette
32
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
29
Hautbois, Piano (duo)
29
Hautbois, Clarinette (duo)
25
3 Flûtes à bec (trio)
25
Quatuor de Flûtes à bec
22
Saxophone Alto et Piano
22
Saxophone Alto
20
Saxophone Tenor et Piano
19
Flûte, Violon
18
Saxophone, Violon (duo)
18
Flûte, Trompette (duo)
18
Flûte, Hautbois (duo)
18
Saxophone, Clarinette (duo)
17
Hautbois, violon (duo)
17
Hautbois, Trompette (duo)
17
2 Hautbois (duo)
17
Hautbois (partie séparée)
16
Saxophone Soprano et Piano
16
Hautbois, Basson (duo)
15
Clarinette, Violon (duo)
15
Clarinette, Basson (duo)
15
Saxophone Tenor
14
2 Flûte à bec (duo)
13
Trio de Flûtes: 3 flûtes
13
3 Clarinettes (trio)
13
Saxophone (partie séparée)
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
11
Flûte, Violoncelle
9
Clarinette, Violoncelle (duo)
9
Hautbois, Violoncelle
8
Quintette de Flûte : 5 flûtes
7
Flûte, Trombone (duo)
7
5 Flûtes à bec
6
Ensemble De Flûte à bec
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Clarinette Basse, Piano
6
Clarinette, Trombone (duo)
5
Saxophone Soprano
5
Flûte, Clarinette et Basson
5
Flûte et Guitare
5
Hautbois
5
Cor Anglais
5
Flûte, Basson et Piano
4
Flûte, Violoncelle, Piano (trio)
4
Ensemble de Hautbois
4
Ensemble de Flûtes
4
Flûte à bec Soprano
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Flûte
3
4 Hautbois
3
Ensemble de Clarinettes
3
Saxophone Baryton
3
Flûte, Violon et Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Basson, Piano (trio)
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Clarinette Basse
2
Flûte, Violon, Piano
2
2 Clarinettes, Basson
2
Ensemble de saxophones
1
Flûte et Trio à cordes
1
Hautbois, Harpe
1
Flûte à bec Alto, Piano
1
Piccolo
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Harpe
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Piccolo, Piano
1
2 Clarinettes, Piano
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
30
Trompette, Piano
29
Trombone et Piano
27
2 Trombones (duo)
25
Trombone
22
2 Trompettes (duo)
20
Trompette, Saxophone (duo)
19
Trombone, violoncelle (duo)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor
18
Trompette, Basson (duo)
17
Cor et Piano
17
Trompette, violon (duo)
16
Tuba
15
2 Cors (duo)
14
Tuba et Piano
13
Trompette, Trombone (duo)
12
Cor anglais, Piano
11
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Tubas (duo)
6
Cor, Violoncelle (duo)
5
Trompette, Violoncelle (duo)
5
Ensemble de Trompettes
5
Quatuor de cuivres: 4 cors
5
Cor Anglais
5
Euphonium, Piano (duo)
5
Trompette (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Trombone, Violon (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Trombones (trio)
4
4 Tubas
3
Trompette, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
3 Trompettes (trio)
3
3 Tubas (trio)
3
Trompette, Harpe
2
Ensemble de Trombones
2
Trombone basse et Piano
2
3 Cors (trio)
2
Trompette, Tuba (duo)
2
Cor et Harpe
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
1
Euphonium
1
Trombone basse
1
Trio de Cuivres
1
Cor, Tuba (duo)
1
Cor et Basson (duo)
1
4 Euphoniums
1
Trompette, Trombone, Piano
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
96
Violon et Piano
49
Violoncelle, Piano
43
Violon
39
Alto, Piano
38
Violon, Violoncelle (duo)
29
Violoncelle
27
2 Violoncelles (duo)
26
2 Violons (duo)
26
2 Altos (duo)
24
Alto, Violoncelle (duo)
24
Harpe
22
Alto seul
21
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: violon, alto, violoncelle
14
Contrebasse, Piano (duo)
13
Violon (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
Violon, Basson (duo)
8
Alto (partie séparée)
8
4 Violoncelles
8
Alto et Basson
8
Violon, Orgue
7
Trio à Cordes: 3 violoncelles
6
Trio à cordes
6
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
5
2 Harpes (duo)
5
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
3
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Violoncelle, Orchestre
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Harpe
1
2 Violons, Piano
1
Ensemble de Violons
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Harpe et Piano
1
2 Violoncelles, Piano
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
25
Ensemble de cuivres
14
Orchestre de chambre
9
Orchestre
8
Cloches
7
Orchestre d'harmonie
5
Quatuor à Vent : 4 instruments à vents
5
Xylophone, Piano
4
Marimba
1
Ensemble Jazz
1
Ensemble de Percussions
1
Vibraphone
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
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Vous avez sélectionné:
Johann-Christian-Bach
Euphonium, Piano (duo)
Partitions à imprimer
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1
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Arioso BWV 156 - Euphonium Solo w/ Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Ygor Nunes
#
Arioso BWV 156 - Euphonium Sol
#
Ygor Nunes
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1416094 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Romantic Period,Standards,Weddi...
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Euphonium,Piano - Level 3 - SKU: A0.1416094 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Romantic Period,Standards,Wedding. Score and part. 7 pages. Ygor Nunes #997785. Published by Ygor Nunes (A0.1416094). Here is an easy and beautiful arrangement for euphonium solo with piano accompaniment.
$5.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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