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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sua
Non classifié
1 514
Piano & claviers
Piano seul
4 344
Piano, Voix
2 384
Piano Facile
163
Piano, Voix et Guitare
100
Orgue
73
1 Piano, 4 mains
55
Instruments en Do
52
Piano (partie séparée)
15
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 4 mains
3
2 Accordéons
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
98
Guitare
84
Guitare (partie séparée)
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
9
Ukulele
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 021
Chorale 2 parties
69
Chorale Unison
54
Chorale 3 parties
54
Chorale TTBB
31
Chorale SSAA
27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
25
Saxophone Alto et Piano
23
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Saxophone, Clarinette (duo)
16
Flûte, Clarinette (duo)
16
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Saxophone Tenor
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette, Trompette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Flûte, Alto (duo)
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte et Guitare
8
Cor anglais, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
5
5 Flûtes à bec
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Flûte, Violoncelle
4
Hautbois (partie séparée)
4
Clarinette, Basson (duo)
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Trombone (duo)
3
Flûte à bec Alto
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois
2
Flûte, Violon, Piano
2
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Orchestre
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
16
Tuba (partie séparée)
16
Trombone
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
5
Cor Anglais
5
Tuba
5
Quatuor de Cuivres
5
Cor
4
Trombone, Orgue
4
Trio de Cuivres
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
4 Tubas
2
Clarinette, Cor (duo)
2
Trombone basse
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle
39
Violoncelle, Piano
39
Violon, Alto (duo)
26
Alto, Piano
26
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
16
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Cloches
26
Jazz combo
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Ensemble d'École
1
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Instruments
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CONTREBASSE
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EUPHONIUM
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
style (tous)
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POP ROCK - ROCK CLAS…
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PUNK
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Crtitères actifs :
A Sua
Euphonium, Piano (duo)
Partitions à imprimer
12 partitions trouvées
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1
囹圄之鳥至自由-致香港 Caged bird to freedom-Dedicated to HK
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Meng-Hsuan Gloria Lin
#
囹圄之鳥è
#
Meng-Hsuan Gloria Lin
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.925403 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and part. 6 pages. Meng-Hsuan Gloria Lin #4966137. Pub...
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Euphonium,Piano - Level 4 - SKU: A0.925403 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and part. 6 pages. Meng-Hsuan Gloria Lin #4966137. Published by Meng-Hsuan Gloria Lin (A0.925403). I created the idea about this song which about my mental journey at the supposed final year (I hope so) of my PhD career. But, while I was writing this music, the situation of the HongKong protest became more and more terrible. So this song also dedicated to HongKong. Number of the price 20.191112 represents the date HK police attacked the campuses of three universities in HK. At last, as a Taiwanese, wish Taiwan wouldn't allow that kind of government take our island.
$20.19
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duo)
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AVANCÉ
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standar...
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Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Five Songs Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Sergei Prokofiev
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Sauer, Ralph
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Five Songs Without Words for E
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 3...
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Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 32 pages. Gordon Cherry #4820307. Published by Gordon Cherry (A0.811056). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire. The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Euphonium and Piano.
$22.50
Intermezzo and Tarantella for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Reinhold Moritzovich Gliere
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Ralph Sauer
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Intermezzo and Tarantella for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792508 Composed by Reinhold Moritzovich Gliere. Arranged by Ralph Sauer. 20th Century,Multicultural,Romantic Period,...
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Euphonium,Piano - Level 5 - SKU: A0.792508 Composed by Reinhold Moritzovich Gliere. Arranged by Ralph Sauer. 20th Century,Multicultural,Romantic Period,World. Score and part. 36 pages. Gordon Cherry #4988439. Published by Gordon Cherry (A0.792508). Gliere's Two Pieces, Op. 9 is an early work, originally written for double bass with the two movements having been beautifully arranged for Euphonium and Piano by Ralph Sauer. The Intermezzo is lyrical, sensual and Eastern sounding. The Tarantella is a sprightly folk dance of southern Italy. The curious name comes from the wolf spider or Tarantula whose bite is highly poisonous and in earlier times was believed to cause the victims to engage in a frenzied dance. The two movements are about 9.5 minutes in length and are appropriate for advanced performers.
$22.50
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
O Sole Mio - 2 Euphoniums and Piano
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Euphonium, Piano (duo)
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FACILE
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Eduardo Di Capua
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Raymond Fenech
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O Sole Mio - 2 Euphoniums and
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760182 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,I...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760182 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Standards,Wedding. Score and parts. 10 pages. Raymond Fenech #3514457. Published by Raymond Fenech (A0.760182). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert. Please note that this piece could be played either as a duet or as a Solo Piece with piano accompaniment.
$4.99
The Nightingale (Le Rossignol) for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score...
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Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium &am
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry ...
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Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
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