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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ALTO
Sheetmusicplus
Non classifié
18 028
Piano & claviers
Piano, Voix
1 002
Piano Quatuor: piano, violon, alto, violoncelle
547
Piano Quintette: piano, 2 violons, alto, violoncelle
527
Piano seul
424
Accompagnement Piano
421
Piano, Voix et Guitare
402
Piano Facile
146
Piano (partie séparée)
133
Instruments en Do
89
Orgue
64
Orgue, Trompette (duo)
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Accordéon
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Accordéon, Voix
1
+ 15 instrumentations
Retracter
Guitares
Guitare (partie séparée)
264
Guitare notes et tablatures
33
Guitare
30
Paroles et Accords
19
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
9
Ukulele
2
Ensemble de guitares
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
3 Guitares (trio)
1
Banjo
1
Ukulele Baryton
1
2 Guitares (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 619
Chorale 2 parties
1 492
Chorale 3 parties
1 038
Voix duo, Piano
968
Voix Alto, Piano
756
Pack Instrumental pour Chorale
660
Voix duo
407
Chorale SSAA
301
Chorale
60
Chorale TTBB
46
Voix seule
45
Chorale Unison
40
Voix Tenor, Piano
31
Voix Soprano, Piano
26
Voix Mezzo-Soprano, Piano
22
Voix, Guitare
16
Voix Baryton
15
Voix basse, Piano
13
Chorale SSAB a cappella
12
Voix moyenne, Piano
8
Voix Tenor
8
Chorale SSAB, Piano
6
Voix basse
5
Soli, choeur mixte et accompagnement
4
Voix Soprano
3
Chorale SSAATTBB
3
Voix Baryton, Piano
3
Voix duo, Orgue
2
Voix haute
1
Chorale SATBB
1
Chorale SAATB A Cappella
1
+ 26 instrumentations
Retracter
Vents
Saxophone (partie séparée)
9 911
Saxophone Alto
7 968
Quatuor de Saxophones: 4 saxophones
7 914
Saxophone Alto et Piano
7 359
2 Saxophones (duo)
4 326
Quintette de Saxophone: 5 saxophones
1 862
3 Saxophones (trio)
1 774
Clarinette (partie séparée)
1 169
Ensemble de saxophones
1 067
Quatuor de Flûtes : 4 flûtes
862
Ensemble de Flûtes
689
Quatuor de Clarinettes: 4 clarinettes
613
Flûte à bec Alto
536
Flûte traversière et Piano
503
2 Flûte à bec (duo)
446
2 Flûtes traversières (duo)
445
Saxophone Soprano et Piano
432
Saxophone Tenor et Piano
422
Ensemble de Clarinettes
403
Flûte à bec Alto, Piano
344
Flûte, Alto (duo)
322
Clarinette et Alto
306
Clarinette et Piano
282
Clarinette
261
Saxophone, Clarinette (duo)
256
2 Saxophones, Piano
251
Quintette de Flûte : 5 flûtes
245
Flûte, Saxophone (duo)
230
Quatuor de Flûtes à bec
224
2 Clarinettes (duo)
211
Quintette de Clarinettes: 5 clarinettes
201
Flûte traversière
198
Trio de Flûtes: 3 flûtes
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
3 Flûtes à bec (trio)
144
Saxophone et Guitare
138
Ensemble De Flûte à bec
131
Flûte, Hautbois, Clarinette, Basson
129
Flute (partie séparée)
111
Hautbois, Piano (duo)
107
Flûte et Guitare
103
Saxophone et Piano
95
Saxophone Tenor
92
Flûte à Bec
84
Flûte, Alto et Piano
81
Hautbois et alto (duo)
77
3 Clarinettes (trio)
75
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Saxophone
50
Clarinette, Alto et Piano (trio)
45
Flûte et Trio à cordes
45
Flûte à bec Alto, Basse continue
42
Flûte à bec, Guitare (duo)
42
Saxophone Baryton, Piano
39
Flûte, alto et harpe
37
5 Flûtes à bec
31
Saxophone et Harpe
30
2 Hautbois (duo)
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Saxophone et Orgue
27
Clarinette, Guitare (duo)
26
Hautbois (partie séparée)
26
Clarinette, Violon (duo)
25
Flûte, Clarinette (duo)
22
Saxophone, Violon (duo)
18
Clarinette Basse, Piano
17
Saxophone et Orchestre
15
Flûte, Violon
14
Cor anglais, Guitare (duo)
13
Clarinette, Trompette (duo)
12
Flûte, Alto et Violoncelle
11
Ensemble à vent
10
Flûte à bec Soprano
10
Hautbois, Basson (duo)
9
Saxophone, Tuba (duo)
9
Flûte à bec, Harpe
9
Hautbois, Flûte
8
4 Hautbois
8
Flûte à bec Tenor
8
3 Hautbois
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Cor anglais, Piano
6
2 Flûtes traversières, Piano
5
Hautbois, Harpe
4
Clarinette, Harpe (duo)
4
Flûte, Clarinette et Basson
4
Ocarina
3
Saxophone Soprano
3
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
2 Flûtes à bec, Piano
3
Flûte, Violon, Piano
3
Hautbois
2
Cor Anglais
2
Clarinette, Basson (duo)
2
Hautbois, violon (duo)
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Flûtes traversières, Guitare
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flute, alto, violoncelle et guitare
1
Clarinette, Saxophone, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec, Piano
1
Saxophone et violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Melodica
1
2 Flûtes à bec, Guitare
1
Instruments en Mib
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Flûte, Hautbois, Piano (trio)
1
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
+ 116 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
637
Trompette (partie séparée)
486
Trombone et Piano
370
Trompette, Saxophone (duo)
282
Cor (partie séparée)
112
Tuba (partie séparée)
100
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Trompette, Piano
81
Cor et Piano
58
Trombone
55
2 Trombones (duo)
50
Ensemble de Trombones
48
Trompette
37
2 Trompettes (duo)
34
Trombone, Alto (duo)
28
Quatuor de cuivres: 4 trombones
26
Tuba et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
2 Cors (duo)
22
2 Tubas (duo)
18
Trompette, Trombone (duo)
16
Tuba
16
Euphonium
14
Cor anglais, Guitare (duo)
13
Cor
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Cor et Harpe
4
Euphonium, Tuba (duo)
3
Trompette, Harpe
3
Trombone basse
3
Cor Anglais
2
Trombone, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Cor, Tuba (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trompette, violon (duo)
1
Quatuor de Cuivres
1
Instruments en Sib
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29 992
Alto, Piano
7 962
Alto seul
6 031
Trio à Cordes: violon, alto, violoncelle
4 208
Alto (partie séparée)
2 895
Violon, Alto (duo)
2 405
2 Altos (duo)
2 037
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 721
Alto, Violoncelle (duo)
1 319
Piano Trio: Violon, Alto, Piano
683
Trio à Cordes: 2 violons, alto
365
Quatuor à cordes : 4 altos
340
Trio à cordes: 3 altos
327
Alto, Guitare (duo)
308
Alto et Basson
165
Quintette à cordes: 2 violons, 2 altos, violoncelle
157
Violon et Piano
156
Contrebasse (partie séparée)
153
Quintette à cordes : 2 violons, alto et 2 violoncelles
91
Violoncelle, Piano
84
Alto et Harpe
72
2 Altos, Piano
63
Violon
63
Harpe
38
Harpe, Flûte (duo)
35
2 Violons (duo)
32
Ensemble d'Altos
29
2 Violoncelles (duo)
26
Alto et orchestre
19
Harpe, Violon (duo)
19
Violoncelle
16
2 Contrebasses (duo)
16
Alto, Orgue
16
Harpe, Violoncelle (duo)
15
Contrebasse, Piano (duo)
15
Harpe, Voix
12
2 Harpes (duo)
10
Violon, Guitare (duo)
10
Violon, Violoncelle (duo)
9
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
5
Contre Basse
5
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 597
Ensemble Jazz
2 901
Fanfare
1 456
Jazz combo
428
Orchestre
402
Orchestre de chambre
142
Batterie (partie séparée)
135
Ensemble de cuivres
115
Orchestre à Cordes
64
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Ensemble de Percussions
56
Percussion (partie séparée)
31
Batterie
23
Cloches
18
Vibraphone
15
Marimba
13
Xylophone, Piano
10
Timbales (partie séparée)
6
Big band
5
Quintette à Vent
3
Ensemble d'École
3
Percussion
2
Vibraphone (partie séparée)
1
Instrumentation Flexible
1
Piano et Orchestre
1
Xylophone
1
+ 21 instrumentations
Retracter
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BASSE
BASSON
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
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SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
G F Handel
#
David McKeown
#
How Beautiful are the Feet,
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David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pure Imagination
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Pop musique
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Mormon Tabernacle Choir
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Roger Wallace
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Pure Imagination
#
Roger Wallace
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score...
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Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score and part. 15 pages. Roger Wallace #951067. Published by Roger Wallace (A0.1366782). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse and Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano and Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Pure Imagination
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Mormon Tabernacle Choir
#
Roger Wallace
#
Pure Imagination
#
Roger Wallace
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,F...
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Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Score and part. 15 pages. Roger Wallace #951101. Published by Roger Wallace (A0.1366786). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano & Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Stacy's Mom
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
#
Lawrence H Underwood
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contempo...
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Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695404. Published by Lawrence H Underwood (A0.1091239). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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