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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About Time Music
Sheetmusicplus
Non classifié
1 160
Piano & claviers
Piano seul
4 316
Piano, Voix
2 599
Piano, Voix et Guitare
441
Piano Facile
312
Accompagnement Piano
107
Piano grosses notes
58
Orgue
50
1 Piano, 4 mains
46
Instruments en Do
25
Piano Trio: piano, violon, violoncelle
19
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavecin
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
42
2 Guitares (duo)
18
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
6
Guitare (partie séparée)
6
Mandoline
6
Ukulele
4
Piano, Guitare (duo)
3
Paroles et Accords
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 030
Chorale 2 parties
161
Chorale 3 parties
131
Voix Tenor, Piano
60
Chorale Unison
56
Voix duo, Piano
44
Voix Soprano, Piano
41
Voix Alto, Piano
37
Chorale TTBB
32
Voix duo
30
Voix Baryton, Piano
26
Chorale SSAA
23
Voix Tenor
9
Voix haute
7
Voix moyenne, Piano
3
Chorale SAATB A Cappella
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
122
Flûte traversière et Piano
86
Quintette de Saxophone: 5 saxophones
83
Hautbois, Piano (duo)
75
Clarinette et Piano
66
Saxophone Alto et Piano
65
Flûte traversière
54
Quatuor de Saxophones: 4 saxophones
53
Clarinette
52
Flûte, Hautbois, Clarinette, Basson
52
Saxophone Soprano et Piano
45
Saxophone Alto
41
2 Saxophones (duo)
41
Saxophone Tenor et Piano
34
2 Clarinettes (duo)
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone (partie séparée)
25
Hautbois
24
Saxophone Baryton, Piano
24
Flûte, Clarinette (duo)
24
Hautbois (partie séparée)
21
3 Saxophones (trio)
21
2 Flûtes traversières (duo)
21
Saxophone Tenor
17
2 Hautbois (duo)
16
Quatuor de Flûtes : 4 flûtes
16
Ensemble de Clarinettes
13
Ensemble de saxophones
11
Cor anglais, Piano
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette Basse, Piano
9
Quintette de Flûte : 5 flûtes
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flute (partie séparée)
8
Harmonica
8
Saxophone, Clarinette (duo)
8
Ensemble de Flûtes
8
Trio de Flûtes: 3 flûtes
7
Hautbois, Clarinette (duo)
7
Hautbois, Basson (duo)
7
Saxophone Soprano
7
Flûte à bec Soprano
6
Clarinette, Violon (duo)
6
Clarinette, Trompette (duo)
6
Saxophone Baryton
5
Hautbois, Flûte
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Quintette de Clarinettes: 5 clarinettes
5
3 Clarinettes (trio)
4
2 Clarinettes, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
2 Flûte à bec (duo)
3
Clarinette (partie séparée)
3
2 Flûtes traversières, Piano
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Flûte, Trompette (duo)
3
Ensemble à vent
2
Flûte à bec Alto
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Violon (trio)
1
Cor Anglais
1
Flûte traversière, Orchestre
1
Saxophone et Orgue
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Alto (duo)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
2 Hautbois, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trombone et Piano
70
Trompette, Piano
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Trompette
56
Cor et Piano
50
Trombone
42
Tuba et Piano
38
Cor
36
Tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
2 Trompettes (duo)
18
Trompette, Trombone (duo)
17
Euphonium, Piano (duo)
17
Trompette, Cor (duo)
16
Trompette (partie séparée)
16
Quatuor de Cuivres
16
Trombone (partie séparée)
16
2 Trombones (duo)
14
Ensemble de Trombones
14
2 Cors (duo)
12
Cor anglais, Piano
10
Cor (partie séparée)
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
4
Tuba (partie séparée)
4
Trio de Cuivres
4
2 Tubas (duo)
4
Tuba et Orgue
3
Quatuor de cuivres: 4 trombones
3
Euphonium
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
2
Cor anglais et Harpe (duo)
1
Cor Anglais
1
3 Trombones (trio)
1
Ensemble de Tubas
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trompettes
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
159
Violon
102
Violon et Piano
100
Violoncelle, Piano
72
Alto, Piano
70
Violon, Violoncelle (duo)
67
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Violoncelle
57
Alto seul
47
Trio à Cordes: violon, alto, violoncelle
45
Harpe
31
2 Violons (duo)
29
Violon, Alto (duo)
26
2 Violoncelles (duo)
18
Contrebasse, Piano (duo)
16
2 Altos (duo)
15
Trio à Cordes: 2 violons, violoncelle
12
Piano Trio: Violon, Alto, Piano
10
Contre Basse
10
Alto (partie séparée)
8
Ensemble de Violons
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
7
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
2 Altos, Piano
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
4 Harpes
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
318
Orchestre à Cordes
77
Orchestre
76
Ensemble de cuivres
46
Ensemble Jazz
36
Jazz combo
18
Orchestre de chambre
16
Cloches
11
Batterie
9
Fanfare
7
Ensemble de Percussions
6
Ensemble d'École
4
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Partitions à imprimer
17 partitions trouvées
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1
Euphonistic Dance - Piano and Euphonium
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Euphonium, Piano (duo)
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FACILE
#
Jazz
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Gregory Fritze
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Euphonistic Dance - Piano and
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA...
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano ? about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.
There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Piano, S0
#
Bach-Gounod: Ave Maria for Eup
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Wichita Lineman
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Euphonium, Piano (duo)
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FACILE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and...
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Euphonium,Piano - Level 2 - SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Wichita Lineman
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Euphonium, Piano (duo)
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FACILE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and...
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Euphonium,Piano - Level 2 - SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Sicilienne (Maria-Theresia von Paradis) for Euphonium BC and Piano
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Euphonium, Piano (duo)
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. ...
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Euphonium,Piano - SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078420. Published by SCORE EDITIONS (A0.1502749). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Four Rags for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Ragtime
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Scott Joplin
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Ralph Sauer
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Four Rags for Euphonium and Pi
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792735 Composed by Scott Joplin. Arranged by Ralph Sauer. 20th Century,Blues,Jazz,Ragtime. Score and part. 24 pages....
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Euphonium,Piano - Level 5 - SKU: A0.792735 Composed by Scott Joplin. Arranged by Ralph Sauer. 20th Century,Blues,Jazz,Ragtime. Score and part. 24 pages. Gordon Cherry #6121509. Published by Gordon Cherry (A0.792735). Ralph Sauer has brilliantly arranged Four Rags for Euphonium and Piano by the great American King of Ragtime, Scott Joplin. They are:1. The Entertainer, 2. Reflection Rag, 3. Pleasant Moments, and 4. The CascadesThese works are so pleasant to perform and to listen to. They are appropriate for advanced performers and include about 15 minutes of music.
$22.50
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
The Nightingale (Le Rossignol) for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score...
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Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
This Little Light of Mine for Baritone/Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Lawrence H
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This Little Light of Mine for
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.968347 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Jazz,Praise & Worship,Sacred. Score and...
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Euphonium,Piano - Level 3 - SKU: A0.968347 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Jazz,Praise & Worship,Sacred. Score and part. 9 pages. Lawrence H Underwood #6537601. Published by Lawrence H Underwood (A0.968347). Arranged by veteran performer and music educator, Lawrence Underwood, as the third installment in his 2021 Hymn Song Collection series, this brand new setting of This Little Light of Mine is a rollicking good time! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be an audience favorite!About SMP Press
$5.99
Trois GymnopeÌdies for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Contemporain
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Erik Satie
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Sauer, Ralph
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Trois GymnopeÌdies for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792396 Composed by Erik Satie. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 12 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.792396 Composed by Erik Satie. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820377. Published by Gordon Cherry (A0.792396). Satie wrote these three short, atmospheric pieces originally for piano in 1888. They are all in 3/4 time, sharing a simple, soothing, common theme and gentle in nature. Ralph Sauer has done a beautiful job of arranging these exquisite works for Euphonium and Piano in bass clef. The simplicity of the music is its genius. For moderately advanced performers, each movement is about 2 to 3 minutes in length.
$17.50
Chorus and Dance of the Polovetsian Maidens for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Alexander Borodin
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Ralph Sauer
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Chorus and Dance of the Polove
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792457 Composed by Alexander Borodin. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period,World. Score and p...
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Euphonium,Piano - Level 5 - SKU: A0.792457 Composed by Alexander Borodin. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4988117. Published by Gordon Cherry (A0.792457). Alexander Borodin was actually trained as a chemist and physician and spent a good deal of his time promoting womens’ issues, much to the consternation of his fellow composers who wound up finishing up much of his work after his sudden death at the age of 53. The opera Prince Igor is possibly his greatest and boldest work with many beautiful melodies coming forth, especially the Chorus and Dance of the Polovetsain Maidens from Act II. The music has an mysterious Eastern sound which is very captivating.There is nothing like this written for the Euphonium and Mr. Sauer’s arrangement is wonderful.This work is about 7 minutes in length for advanced performers.
$17.50
Fantasy Piece Op. 3 No. 3 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Sauer, Ralph
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Fantasy Piece Op. 3 No. 3 for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.792393 Composed by Sergei Rachmaninoff. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part...
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Euphonium,Piano - Level 4 - SKU: A0.792393 Composed by Sergei Rachmaninoff. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 9 pages. Gordon Cherry #4820367. Published by Gordon Cherry (A0.792393). Fantasy Piece is an early work of Rachmaninoff, part of a grouping of five short pieces called Morceau de Fantasie. One of his most famous works, the PreÌlude in C-sharp minor is from this same group of music. Opus 3, No. 3 is also sometimes referred to as the Melody in E major. Its slow tempo allows the mood of the work to reach a giant climax. Rachmaninoff's lush harmonies and gorgeous melody work very well with this arrangement by Ralph Sauer.For moderately advanced performers this movement is about 4 3/4 minutes in length.
$15.00
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