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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Through the Night - Flute Duet
Non classifié
22
Piano & claviers
Piano, Voix
3
1 Piano, 4 mains
3
Piano seul
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano, Voix et Guitare
2
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
2 Guitares (duo)
3
Voix
Voix duo, Piano
6
Chorale SATB
4
Voix duo
2
Chorale 2 parties
2
Vents
2 Saxophones (duo)
40
2 Clarinettes (duo)
15
Hautbois, Piano (duo)
10
2 Hautbois (duo)
6
Saxophone Alto et Piano
3
Clarinette, Violon (duo)
3
Saxophone Tenor et Piano
3
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Harpe (duo)
2
2 Saxophones, Piano
2
Clarinette et Piano
2
Hautbois, Clarinette (duo)
2
Clarinette, Guitare (duo)
1
Flûte à bec Soprano
1
+ 10 instrumentations
Retracter
Cuivres
2 Trompettes (duo)
13
2 Trombones (duo)
12
2 Cors (duo)
9
Trompette, Trombone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
Euphonium, Piano (duo)
4
2 Tubas (duo)
3
Tuba et Piano
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
Trombone et Piano
1
+ 10 instrumentations
Retracter
Cordes
2 Violons (duo)
20
2 Violoncelles (duo)
14
2 Altos (duo)
8
Violon, Alto (duo)
6
Contrebasse, Piano (duo)
6
Violon, Violoncelle (duo)
6
Violon et Piano
5
2 Contrebasses (duo)
3
2 Harpes (duo)
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle, Piano
1
Violon, Basson (duo)
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1
Ensemble de cuivres
1
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Instruments
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
All Through the Night - Flute Duet
Euphonium, Piano (duo)
Partitions à imprimer
4 partitions trouvées
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Can You Feel The Love Tonight
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Euphonium, Piano (duo)
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FACILE
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Elton John
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Harry Walker
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Can You Feel The Love Tonight
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Music...
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Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score and part. 9 pages. SCORE EDITIONS #1048953. Published by SCORE EDITIONS (A0.1471292). Can You Feel the Love Tonight is a song composed by Elton John with lyrics by Tim Rice, featured in Disney's animated film The Lion King (1994). The song captures a pivotal moment in the movie, reflecting themes of love, unity, and harmony. It has become one of Elton John’s most beloved ballads and a timeless classic in both pop and film music. Can You Feel the Love Tonight is more than just a song from a movie; it is a celebration of love and connection. Its ability to convey deep emotions through its melody and lyrics has made it a beloved classic. The song’s impact on popular culture and its enduring legacy highlight the genius of Elton John and Tim Rice, and their contribution to the magical world of The Lion King. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
3 Easy Christmas Pieces for Euphonium and Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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Traditional, William Kirkpatri
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David Burndrett
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3 Easy Christmas Pieces for Eu
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David Burndrett
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SheetMusicPlus
Baritone Horn TC/Euphonium,Piano - Level 1 - SKU: A0.1335676 Composed by Traditional, William Kirkpatrick. Arranged by David Burndrett. Christmas. Score...
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Baritone Horn TC/Euphonium,Piano - Level 1 - SKU: A0.1335676 Composed by Traditional, William Kirkpatrick. Arranged by David Burndrett. Christmas. Score and part. 15 pages. David Burndrett #921498. Published by David Burndrett (A0.1335676). We Wish you a Merry Christmas, Away in a Manger and All Through the Night (Ar Hyd y Nos)These pieces work well as concert pieces or just for fun!Download includes the score and both of the parts.
$6.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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