Partitions Numériques de Always pour Euphonium, Piano (duo)

Always

Always On My Mind

#Always On My Mind

Always On My Mind #Euphonium, Piano (duo) #INTERMÉDIAIRE #Elvis Presley #Kevin P Holdgate #UK pop Top Ten) #Always On My Mind #Kevin P Holdgate #SheetMusicPlus

Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th ...(+)

Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #919221. Published by Kevin P Holdgate (A0.1332793). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.

People of the Living God for Baritone/Euphonium #Euphonium, Piano (duo) #INTERMÉDIAIRE #Musique Sacrée #Christian contemporain #E #Lawrence H #People of the Living God for B #Lawrence H Underwood #SheetMusicPlus

Euphonium,Piano - Level 3 - SKU: A0.968510 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred....(+)

Euphonium,Piano - Level 3 - SKU: A0.968510 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6570915. Published by Lawrence H Underwood (A0.968510). Arranged by veteran performer and music educator, Lawrence Underwood, as the twelfth installment in his 2021 Hymn Song Collection series, this brand-new setting of People of the Living God is, at turns, lilting and playful, light and wistful, forceful and dynamic. . .but always compelling! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!

Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano #Euphonium, Piano (duo) #FACILE #J S Bach-Gounod #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Bar #Colin Kirkpatrick Publications #SheetMusicPlus

Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...(+)

Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the â€œcombinedâ€ piece was MÃ©ditation sur le Premier PrÃ©lude de Piano de S. Bach. Gounodâ€™s original arrangement transposed Bachâ€™s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-LÃ©opold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a â€œharmonic weaknessâ€ (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.