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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
An
Non classifié
35 147
Piano & claviers
Piano seul
47 559
Piano, Voix et Guitare
44 879
Piano, Voix
28 263
Piano Facile
15 098
Piano grosses notes
2 871
Orgue
2 489
Instruments en Do
1 835
1 Piano, 4 mains
1 635
Accompagnement Piano
1 266
Ligne De Mélodie, Piano
564
Piano Trio: piano, violon, violoncelle
328
2 Pianos, 4 mains
264
Accordéon
210
Accordéon, Voix
157
Orgue, Piano (duo)
131
Piano (partie séparée)
128
Piano Quatuor: piano, 2 violons, violoncelle
97
Piano Quatuor: piano, violon, alto, violoncelle
77
Instrument seul et Orgue
62
Piano Quintette: piano, 2 violons, alto, violoncelle
54
Orgue, Trompette (duo)
46
1 Piano, 6 mains
30
Clavecin
25
Orgue, Voix
23
Clavier
13
2 Accordéons
13
2 Pianos, 8 mains
9
Fake Book
3
2 Orgues (duo)
1
Accordéon, Piano
1
Accordéon, Corde(s)
1
Orgue et Orchestre
1
Concertina
1
+ 28 instrumentations
Retracter
Guitares
Guitare notes et tablatures
14 924
Ligne De Mélodie, (Paroles) et Accords
9 859
Ukulele
2 458
Guitare
1 893
Basse electrique
997
Piano, Guitare (duo)
384
Guitare (partie séparée)
268
2 Guitares (duo)
241
4 Guitares (Quatuor)
79
Ukulele Baryton
75
Banjo
74
Mandoline
68
Paroles et Accords
66
Dulcimer
46
3 Guitares (trio)
34
Ensemble de guitares
31
Guitare Pedal Steel
30
Mandoline, Guitare (duo)
9
2 Ukuleles
9
Partitions De Groupes
8
Guitare, Violon, Violoncelle (trio)
7
Ensemble de Ukulélés
4
2 Dulcimers (duo)
4
2 Mandolines (duo)
2
Dobro
2
Basse électrique (partie séparée)
1
Mandoline, Piano (duo)
1
Cithare
1
Guitare, Orchestre
1
Luth
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
12 352
Chorale 3 parties
5 160
Chorale 2 parties
4 165
Chorale Unison
2 393
Voix duo, Piano
2 022
Chorale TTBB
1 758
Chorale SSAA
1 067
Voix duo
502
Voix Soprano, Piano
338
Voix Alto, Piano
261
Voix, Guitare
221
Voix Tenor, Piano
214
Voix haute
207
Chorale
152
Pack Instrumental pour Chorale
144
Voix seule
142
Chorale SSATBB
124
Voix moyenne, Piano
114
Voix Baryton, Piano
96
Chorale SATTB
93
Voix basse, Piano
50
Chorale SSAATTBB
34
Voix et basse continue
31
Voix Tenor
31
Chorale SAATB A Cappella
25
Chorale SSATTB
22
Voix basse
21
Chorale SSATB
19
Chorale SSAB, Piano
18
Voix Soprano
13
Chorale SATTBB, Clavier
11
Voix Mezzo-Soprano, Piano
11
Chorale SSAB a cappella
10
Soli, choeur mixte et accompagnement
9
Male Voice
7
Chorale SATTBB A Cappella
2
Voix haute, Piano
1
Voix d'Enfants
1
Chorale SSAATB
1
Voix duo, Orgue
1
+ 35 instrumentations
Retracter
Vents
Flûte traversière et Piano
3 043
Saxophone Alto
2 649
Clarinette et Piano
2 493
Flûte traversière
2 474
Saxophone (partie séparée)
2 427
Clarinette
2 292
Saxophone Alto et Piano
2 178
Hautbois, Piano (duo)
2 015
2 Saxophones (duo)
2 012
Saxophone Tenor
2 006
Quatuor de Saxophones: 4 saxophones
1 954
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 736
Flûte, Hautbois, Clarinette, Basson
1 381
Saxophone Tenor et Piano
1 340
2 Flûtes traversières (duo)
1 143
Quatuor de Clarinettes: 4 clarinettes
1 027
2 Clarinettes (duo)
942
Quintette de Saxophone: 5 saxophones
869
Hautbois (partie séparée)
791
Saxophone Soprano et Piano
782
Clarinette (partie séparée)
606
Quatuor de Flûtes : 4 flûtes
551
Flûte, Clarinette (duo)
537
Flute (partie séparée)
536
3 Saxophones (trio)
480
Saxophone, Clarinette (duo)
457
Flûte à bec Soprano
405
2 Hautbois (duo)
377
Saxophone Baryton, Piano
364
Clarinette, Violon (duo)
360
3 Clarinettes (trio)
349
Ensemble de Clarinettes
331
Flûte et Guitare
306
Flûte à bec Alto
292
Ocarina
292
Instruments en Mib
286
Ensemble de saxophones
285
Hautbois, Basson (duo)
269
Trio de Flûtes: 3 flûtes
265
Clarinette, Trompette (duo)
264
Ensemble de Flûtes
243
Hautbois, Clarinette (duo)
235
Quintette de Clarinettes: 5 clarinettes
232
2 Flûte à bec (duo)
231
Hautbois
226
Flûte, Violon
205
Cor anglais, Piano
198
Saxophone
179
Clarinette et Alto
167
Flûte, Saxophone (duo)
159
Hautbois, Flûte
156
Saxophone Soprano
146
Flûte, Alto (duo)
143
Flûte, Trompette (duo)
133
Flûte, Violon, Piano
129
Harmonica
120
Clarinette, Guitare (duo)
117
Flûte à Bec
113
Quatuor de Flûtes à bec
110
Flûte, Hautbois, Clarinette (trio)
110
Quintette de Flûte : 5 flûtes
109
Clarinette Basse, Piano
104
Flûte, Clarinette et Basson
101
Saxophone Baryton
95
Clarinette, Basson (duo)
95
Flûte, Violoncelle
82
Flûte, Violon et Violoncelle
79
Hautbois, Clarinette, Basson (trio d'anches)
77
Ensemble De Flûte à bec
76
Cor Anglais
75
Flûte, Violoncelle, Piano (trio)
66
Flûte, Hautbois (duo)
65
Clarinette, Violoncelle (duo)
58
Flûte, Clarinette, Piano (trio)
48
Flûte, Basson et Piano
46
Flûte, Hautbois, Basson
46
2 Clarinettes, Piano
43
Flûte à bec Tenor
43
Flûte à bec Alto, Piano
42
Hautbois, Violoncelle
41
Flûte, Trombone (duo)
39
2 Flûtes traversières, Piano
39
Clarinette, Violoncelle, Piano (trio)
37
Flûte à Bec, Piano
36
Flûte, Hautbois, Piano (trio)
36
Cornemuse
34
5 Flûtes à bec
32
Cor anglais, Guitare (duo)
32
Saxophone et Orgue
32
3 Flûtes à bec (trio)
31
Flûte, Alto et Piano
30
2 Saxophones, Piano
29
Hautbois, violon (duo)
29
Saxophone et Guitare
27
Flûte, Clarinette, Cor, Basson (Quartet)
24
Clarinette, Harpe (duo)
23
Flûte, Harpe et Violoncelle
21
Flûte, trombone et piano
21
Clarinette, Trombone (duo)
21
Hautbois, Guitare (duo)
18
Clarinette Basse
16
Flûte, Violon, Violoncelle et Piano
16
Piccolo
16
Hautbois et alto (duo)
15
Flûte à bec Soprano, Piano
14
3 Hautbois
13
Piccolo, Piano
13
2 Clarinettes, Basson
13
Flûte traversière, Orgue (duo)
11
4 Hautbois
11
Flûte et Trio à cordes
9
Clarinette, trompette et piano
9
Clarinette, Basson, Piano (trio)
9
Ensemble à vent
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Tuba (duo)
7
Clarinette, Orgue
7
Flute, Cor (duo)
6
Clarinette, Tuba
6
2 Cors Anglais Et Pianoforte
6
Flûte irlandaise
6
Flûte, Violoncelle, Guitare
6
Hautbois, Clarinette et Piano (Trio)
6
Flute, harpe et violon
5
Clarinette, Alto et Piano (trio)
5
Flûte, Violon, Guitare
4
Flûte à bec, Guitare (duo)
4
Clarinette, Contrebasse (duo)
4
Hautbois, trombone (duo)
4
Hautbois, Harpe
4
Flûte, Hautbois, Violon
4
Hautbois, Basson et Piano
4
Flûte traversière, Basse continue
4
Saxophone et Harpe
3
Flûte, Clarinette, Violon (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte de Pan
2
Ensemble de Hautbois
2
Hautbois, Trompette (duo)
2
Flûte à bec Alto, Basse continue
2
Saxophone, Basson (duo)
2
Hautbois, Violon, Piano
2
Saxophone et Piano
2
2 Hautbois, Piano
2
Saxophone, Violon (duo)
2
Cor anglais et Harpe (duo)
2
Flûte, Alto et Violoncelle
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle et Piano
1
2 Flûtes à bec, Piano
1
2 Harmonicas
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Flûte, alto et harpe
1
Clarinette, Orchestre
1
Melodica
1
Saxophone et violoncelle
1
Clarinette, Saxophone, Piano
1
+ 155 instrumentations
Retracter
Cuivres
Trompette
2 447
Trompette, Piano
1 835
Trombone
1 811
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 798
Trombone et Piano
1 650
Cor
1 516
Cor et Piano
1 146
Trompette (partie séparée)
1 124
Trombone (partie séparée)
1 003
Quatuor de Cuivres : 2 trompettes, trombone, tuba
972
2 Trombones (duo)
648
Tuba
635
2 Trompettes (duo)
567
Quatuor de Cuivres
539
Tuba et Piano
534
Quatuor de Cuivres: 2 trompettes, Cor, trombone
449
Trompette, Saxophone (duo)
366
Trompette, Trombone (duo)
352
Bass Clef Instruments
344
Instruments en Sib
344
Euphonium
314
Cor (partie séparée)
307
2 Cors (duo)
277
Quatuor de cuivres: 4 trombones
253
Cor anglais, Piano
198
Euphonium, Piano (duo)
193
Trompette, Cor (duo)
175
Quatuor de cuivres: 4 cors
162
Tuba (partie séparée)
161
Ensemble de Trombones
150
Trio de Cuivres
104
3 Trombones (trio)
100
2 Tubas (duo)
88
Ensemble de Trompettes
85
Cor Anglais
75
Quatuor de cuivres: 4 trompettes
71
3 Trompettes (trio)
59
Quatuor de cuivres: 2 trompettes, 2 trombones
45
Ensemble de Cors
44
4 Tubas
42
2 Euphoniums et 2 Tubas
39
Tuba et Orgue
35
Cor anglais, Guitare (duo)
32
Trombone basse
31
Cor, Violoncelle (duo)
27
Euphonium, Tuba (duo)
25
Trombone, Orgue
25
Trombone basse et Piano
23
Trompette, Tuba (duo)
23
Trompette, Violoncelle et Piano
21
Trombone, Cor (duo)
19
Trompette, violon (duo)
19
2 Euphoniums (duo)
18
Trombone, Tuba (duo)
17
Trompette, Violoncelle (duo)
16
Clarinette, Cor (duo)
15
Cor, Tuba (duo)
14
3 Cors (trio)
14
Cor et Basson (duo)
11
Cor et Orgue
10
3 Tubas (trio)
10
Trompette, Basson (duo)
10
Instruments en Fa
8
2 Trompettes, Clavier (piano ou orgue)
7
Cor et Harpe
6
2 Cors Anglais Et Pianoforte
6
Trombone, Violon (duo)
5
Trompette, Trombone, Piano
4
Trompette et Guitare
3
Cornet A Pistons
3
Trompette, Harpe
3
3 Euphoniums
3
2 Cors, Piano
2
2 Trombones, Piano
2
Trompette, Euphonium (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trombone, Alto (duo)
2
Cor anglais et Harpe (duo)
2
Trombone et orchestre
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, violoncelle (duo)
1
+ 77 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 699
Violon et Piano
3 938
Violon
3 413
Violoncelle, Piano
2 607
Alto, Piano
2 445
Violoncelle
2 189
Alto seul
1 660
2 Violons (duo)
1 100
Violon, Violoncelle (duo)
1 034
Harpe
1 006
Trio à Cordes: violon, alto, violoncelle
983
2 Violoncelles (duo)
824
Alto (partie séparée)
740
Violon (partie séparée)
633
Quintette à cordes: 2 violons, alto, violoncelle, basse
595
Violon, Alto (duo)
555
2 Altos (duo)
549
Contrebasse, Piano (duo)
451
Trio à Cordes: 2 violons, violoncelle
358
Contre Basse
356
2 Harpes (duo)
292
Violoncelle (partie séparée)
279
Contrebasse (partie séparée)
246
Alto, Violoncelle (duo)
182
Piano Trio: Violon, Alto, Piano
173
Trio à cordes
154
Trio à cordes: 3 violins
148
4 Violoncelles
141
Violon, Guitare (duo)
115
Trio à Cordes: 3 violoncelles
99
2 Contrebasses (duo)
83
Trio à cordes: 3 altos
71
Quatuor à cordes: 4 violons
67
Quatuor à cordes : 4 altos
61
Violoncelle , Guitare (duo)
59
Harpe, Flûte (duo)
57
Trio à Cordes: 2 violons, alto
50
Violoncelle, Contrebasse (duo)
49
Alto, Guitare (duo)
43
Quintette à cordes: 2 violons, 2 altos, violoncelle
37
Violon, Basson (duo)
33
Harpe, Violon (duo)
27
Ensemble de Violons
25
Harpe, Violoncelle (duo)
22
Harpe, Voix
21
4 Contrebasses
21
Violon, Clarinette, Piano (trio)
21
Ensemble d'Altos
20
Violoncelle, Orgue
20
2 Violoncelles, Piano
18
Alto et Basson
18
Alto et Harpe
17
2 Violons, Piano
17
Ensemble de Violoncelles
15
Flûte, Contrebasse (duo)
11
Violon, Orgue
11
Harpe, Violon, Violoncelle
11
2 Altos, Piano
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
3 Contrebasses
6
3 Harpes
4
Violoncelle, Basse continue
4
Violoncelle, Orchestre
4
Alto, Orgue
3
Harpe, Trombone (duo)
3
Violon, Basse continue
3
Harpe et Piano
3
Violon, Violoncelle, Clarinette
3
5 Harpes
2
Violon, Tuba (duo)
2
Harpe et Orgue
2
Violon, Trompette et Piano
2
Harpe (partie séparée)
1
Autoharp
1
Harpe et mandoline
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 830
Orchestre à Cordes
2 089
Orchestre
1 701
Cloches
1 528
Ensemble Jazz
1 462
Ensemble de cuivres
1 073
Orchestre de chambre
633
Fanfare
445
Jazz combo
410
Ensemble de Percussions
230
Batterie
171
Percussion (partie séparée)
161
Batterie (partie séparée)
138
Marimba
46
Xylophone, Piano
37
Vibraphone
29
Timbales (partie séparée)
28
Xylophone
27
Percussion
24
2 Marimbas
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
2 Xylophones
10
Piano et Orchestre
10
Ensemble d'École
7
Timbales
5
Instrumentation Flexible
5
Orchestre, Violon
4
Quintette à Vent
4
3 Marimbas
3
Caisse Claire
3
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
2
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Bongos
1
Voix et Orchestre
1
Conga
1
Marimba et Orgue
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Marimba ou Xylophone et Piano
1
+ 36 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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An
Euphonium, Piano (duo)
Partitions à imprimer
193 partitions trouvées
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An die Musik
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Euphonium, Piano (duo)
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Franz Schubert
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David Werden
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An die Musik
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Cimarron Music Press
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SheetMusicPlus
By Franz Schubert (1797-1828). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press...
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By Franz Schubert (1797-1828). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$14.00
An American Portrait
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Euphonium, Piano (duo)
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Various
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Lewis Buckley
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An American Portrait
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Cimarron Music Press
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SheetMusicPlus
By Various. Arranged by Lewis Buckley. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By Various. Arranged by Lewis Buckley. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$18.00
Tales of an Old Grandmother, Op. 31 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sergei Prokofiev
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Sauer, Ralph
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others will never be erased
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Tales of an Old Grandmother, O
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.811047 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period,World. Scor...
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Euphonium,Piano - Level 4 - SKU: A0.811047 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803973. Published by Gordon Cherry (A0.811047). • Also known as Four Grandmother Songs and Old Granny Tales, this work was composed in New York in 1918 at the beginning of the composer’s self- imposed exile from Russia after its Revolution. • These short pieces were immediately successful and were performed worldwide. • In the epigraph to this work Prokofiev wrote, Some recollections had become half erased from her memory; others will never be erased. • Mr. Sauer once again, has produced a magnificent new work for Euphonium & Piano. • This work with its great character is a joy to perform, about 8 - 9 minutes in length for moderately advanced performers.
$20.00
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Festival Piece in Classical Style for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Kenneth Baird
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Festival Piece in Classical St
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Kenneth Baird Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185...
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Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bruma for euphonium and piano
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Euphonium, Piano (duo)
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DÉBUTANT
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JESUS DURAN
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Bruma for euphonium and piano
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JESUS DURAN
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.1023729 Composed by JESUS DURAN. Contemporary,Standards,World. Score and part. 8 pages. JESUS DURAN #6343367. Publis...
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Euphonium,Piano - Level 1 - SKU: A0.1023729 Composed by JESUS DURAN. Contemporary,Standards,World. Score and part. 8 pages. JESUS DURAN #6343367. Published by JESUS DURAN (A0.1023729). BRUMA (Mist in english) is an easy and cheerful piece for first years euphonium players.BRUMA will transport you to a paradise where the sounds of nature join to originate an amazing atmosphere.Euphonium part has an easy cantabile melody to encourage beginer players, while piano rolls on a funny jump acommpaniment that relax the melancholic character of the euphonium part.
$2.49
God Rest Ye Merry, Gentlemen
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Euphonium, Piano (duo)
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FACILE
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Noël
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Traditional
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Wesley S
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God Rest Ye Merry, Gentlemen
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Wesley S. Silva
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1499631 Composed by Traditional. Arranged by Wesley S. SIlva. Christmas. Score and part. 7 pages. Wesley S. Silva #1...
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Euphonium,Piano - Level 2 - SKU: A0.1499631 Composed by Traditional. Arranged by Wesley S. SIlva. Christmas. Score and part. 7 pages. Wesley S. Silva #1075699. Published by Wesley S. Silva (A0.1499631). God Rest Ye Merry, Gentlemen is a traditional Christmas carol that is well-suited for beginner musicians. Its melody is simple and repetitive, with a moderate tempo that makes it easy to follow. The song's straightforward structure allows beginners to focus on learning the notes and rhythm without being overwhelmed by complexity. This accessibility makes God Rest Ye Merry, Gentlemen an excellent choice for those looking to practice and perform an easy-level Christmas song that still captures the spirit of the holiday season.
$5.99
Freed From Desire
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gala
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Bruno Monteferrante
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Freed From Desire
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Bruno Monteferrante
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1487785 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Bruno Monteferrante. 21st Cent...
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Euphonium,Piano - Level 3 - SKU: A0.1487785 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Bruno Monteferrante. 21st Century,Disco,Pop. Score and part. 10 pages. Bruno Monteferrante #1064723. Published by Bruno Monteferrante (A0.1487785). Experience the vibrant energy of Gala's iconic hit Freed from Desire with our exclusive arrangement for tuba solo and piano accompaniment. Perfectly tailored for musicians looking to add a contemporary and dynamic piece to their repertoire, this arrangement captures the essence of the original song while providing a fresh and engaging musical experience.Key Features:Ideal for Musicians: This arrangement is perfect for those seeking a unique and exciting piece to showcase their skills, with an accompanying piano part that complements the solo beautifully.Authentic and Captivating: Faithfully adapted from Gala's original, this arrangement maintains the song's powerful rhythm and infectious melody, making it a standout choice for performances.Clear Notation: The sheet music features clear, easy-to-read notation for both the tuba and piano parts, ensuring a smooth and enjoyable playing experience.Perfect for Performances: Whether for a recital, concert, or personal enjoyment, this arrangement brings the spirited energy of Freed from Desire to any setting, captivating audiences and players alike.Why Choose This Arrangement?Our Freed from Desire arrangement for tuba solo with piano accompaniment is crafted to provide an exhilarating playing experience while staying true to the original song's vibrant character. Ideal for intermediate to advanced players, this piece is a must-have for anyone looking to add a contemporary classic to their music collection.Order Your Copy Today!Bring the infectious energy of Gala's Freed from Desire to life with this unique arrangement. Order now and let your performance shine with this captivating tuba and piano duo!
$5.99
Impromptu Op. 90, No. 3 for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for Eu
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1461948 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Weddin...
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Euphonium,Piano - Level 2 - SKU: A0.1461948 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 13 pages. Diego Marani #1040697. Published by Diego Marani (A0.1461948). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for baritone (B.C. and Bb T.C.) with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99
Pequena Fantasia
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gessé Souza
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Pequena Fantasia
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Gessé Souza
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and part. 18 pages. Ges...
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Euphonium,Piano - Level 3 - SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and part. 18 pages. Gessé Souza #974984. Published by Gessé Souza (A0.1391442). This piece was composed with the idea of ​​the soloist playing it as if he were having fun. The composer seeks to mix lyricism with an energetic character. In the last major section, a small challenge for the soloist, with an agile passage that soon leads to the predominant lyricism of the entire piece.
$15.00
Smooth and Mellow - Baritone / Euphonium Solo; Advanced Beginner/Junior Level
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Euphonium, Piano (duo)
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FACILE
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Stella ter Hart
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Smooth and Mellow - Baritone /
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Stella ter Hart
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.890647 Composed by Stella ter Hart. Jazz,Multicultural,Pop,Standards,World. Score and part. 4 pages. Stella ter Hart...
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Euphonium,Piano - Level 2 - SKU: A0.890647 Composed by Stella ter Hart. Jazz,Multicultural,Pop,Standards,World. Score and part. 4 pages. Stella ter Hart #3460401. Published by Stella ter Hart (A0.890647). Beautiful and sensitive solo for junior level baritone players. The mood is an easy listening pop feel with lush harmonies. Easy rhythms and range ensure confidence and assurance both during the learning phase and during performance. The middle section forms a counterpart with the piano taking the main melody and the baritone playing an accompanying counter melody; teaches listening and ensemble skills. Perfect for any concert, recital or festival opportunity.Duration: 1:35Key: Bflat +Time Signature: 4/4composer contact: www.stellaterhart.com
$4.99
Heaven Is A Place On Earth
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,F...
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Euphonium,Piano - Level 3 - SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962974. Published by Kevin P Holdgate (A0.1378350). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
Adagio from BWV 974 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Euphon
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Weddi...
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Euphonium,Piano - Level 3 - SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 6 pages. Diego Marani #806495. Published by Diego Marani (A0.1208386). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for C or Bb euphonium with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Gospel Celebration - Solo Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Contemporain
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Peter Boris Koval
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Peter Boris Koval
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Gospel Celebration - Solo Euph
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Peter Boris Koval
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter ...
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Euphonium,Piano - Level 5 - SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter Boris Koval #901212. Published by Peter Boris Koval (A0.1312358). Four Gospel Songs in the public domain have been arranged for solo Euphonium and Piano. The solo part is complex and difficult, requiring an advanced player and providing an exciting, rhythmic piece. Other arrangements are available for Euphonium and Brass Band, Euphonium and Concert Band and Euphonium with Orchestra (with optional saxophones).
$20.00
Luna, The Black Cat for Baritone T. C. (Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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William Pagan-Perez
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Luna, The Black Cat for Barito
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William Pagan-Perez
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.933850 Composed by William Pagan-Perez. Standards. Score and part. 7 pages. William Pagan-Perez #5712297. Published ...
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Euphonium,Piano - Level 2 - SKU: A0.933850 Composed by William Pagan-Perez. Standards. Score and part. 7 pages. William Pagan-Perez #5712297. Published by William Pagan-Perez (A0.933850). Luna, The Black Cat...This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
Rose-Noskowski-Euphonium/Baritone Horn-Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Z Noskowski
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Phil Beaman
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Rose-Noskowski-Euphonium/Barit
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Phil Beaman
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. P...
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Euphonium,Piano - Level 3 - SKU: A0.845336 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #6786389. Published by Phil Beaman (A0.845336). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part provided in both clefs2:35 minutes
$5.99
Little Lullaby (Pequeña nana) for Baritone T.C. and Piano
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Euphonium, Piano (duo)
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FACILE
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William Pagan-Perez
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Little Lullaby
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William Pagan-Perez
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.933874 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 14 pages. William Pagan-Perez #57128...
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Euphonium,Piano - Level 2 - SKU: A0.933874 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 14 pages. William Pagan-Perez #5712841. Published by William Pagan-Perez (A0.933874). This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
Sol, My Lovely Dog! for Baritone B.C. (Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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William Pagan-Perez
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Sol, My Lovely Dog! for Barito
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William Pagan-Perez
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.933860 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 6 pages. William Pagan-Perez #571234...
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Euphonium,Piano - Level 2 - SKU: A0.933860 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 6 pages. William Pagan-Perez #5712347. Published by William Pagan-Perez (A0.933860). This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
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