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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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CLARINETTE
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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expert
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Non classifié
2990
PIANO & CLAVIERS
Piano seul
8838
Piano Facile
4003
Piano, Voix
1275
Piano, Voix et Guitare
1015
Orgue
867
1 Piano, 4 mains
295
Instruments en Do
219
Accompagnement Piano
74
2 Pianos, 4 mains
70
Piano Trio: piano, violon, violoncelle
46
Accordéon
39
Orgue, Trompette (duo)
22
Piano Quatuor: piano, violon, alto, violoncelle
21
Clavecin
20
Piano grosses notes
16
Orgue, Piano (duo)
14
Piano (partie séparée)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
4
1 Piano, 6 mains
4
Accordéon, Voix
3
2 Pianos, 8 mains
3
Accordéon, Piano
2
Ensemble de Pianos
1
Ligne De Mélodie, Piano
1
Orgue, Voix
1
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GUITARES
Guitare notes et tablatures
452
Guitare
348
Ligne De Mélodie, (Paroles) et Accords
200
Piano, Guitare (duo)
122
Paroles et Accords
70
2 Guitares (duo)
63
Ukulele
63
Basse electrique
44
4 Guitares (Quatuor)
19
Guitare (partie séparée)
19
Mandoline
13
3 Guitares (trio)
12
Ensemble de guitares
11
Guitare, Violon, Violoncelle (trio)
6
Banjo
5
Basse électrique (partie séparée)
4
Ensemble de Ukulélés
3
Dulcimer
3
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
985
Chorale 3 parties
291
Chorale TTBB
227
Chorale 2 parties
187
Chorale SSAA
103
Chorale Unison
79
Voix seule
50
Voix Soprano, Piano
44
Chorale
35
Voix, Guitare
33
Voix duo, Piano
29
Voix duo
27
Voix basse, Piano
16
Voix haute
14
Voix moyenne, Piano
10
Voix Alto, Piano
8
Chorale SSAATTBB
8
Voix Mezzo-Soprano, Piano
5
Voix Tenor, Piano
5
Voix basse
4
Chorale SSATB
3
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix Soprano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix Moyenne
1
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VENTS
Flûte traversière et Piano
525
Hautbois, Piano (duo)
373
Clarinette
321
Saxophone Alto et Piano
308
Clarinette et Piano
291
Saxophone Tenor et Piano
245
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
138
Saxophone (partie séparée)
132
Flûte traversière
115
Quatuor de Saxophones: 4 saxophones
113
Flûte, Hautbois, Clarinette, Basson
110
Quatuor de Clarinettes: 4 clarinettes
92
Saxophone Soprano et Piano
91
Quintette de Saxophone: 5 saxophones
83
2 Saxophones (duo)
78
2 Flûtes traversières (duo)
75
Saxophone Alto
57
Quatuor de Flûtes : 4 flûtes
55
Flûte à bec Soprano
49
Flûte et Guitare
45
Ensemble de Clarinettes
45
2 Clarinettes (duo)
40
Clarinette, Guitare (duo)
38
Saxophone Baryton, Piano
37
Clarinette (partie séparée)
35
Flûte à bec Alto
34
3 Saxophones (trio)
34
Cor anglais, Piano
33
Hautbois (partie séparée)
31
3 Clarinettes (trio)
29
Saxophone Tenor
27
Ensemble de Flûtes
23
Quintette de Clarinettes: 5 clarinettes
23
Clarinette Basse, Piano
22
Ensemble de saxophones
19
2 Flûte à bec (duo)
18
Quintette de Flûte : 5 flûtes
18
Flute (partie séparée)
17
Flûte à Bec, Piano
15
Flûte, Clarinette (duo)
15
Harmonica
12
Trio de Flûtes: 3 flûtes
10
2 Clarinettes, Piano
10
Saxophone et Harpe
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Violon, Piano
8
Hautbois
7
Saxophone et Orgue
7
2 Hautbois (duo)
7
Flûte, Clarinette, Piano (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Alto et Piano
6
Flûte traversière, Orgue (duo)
6
Piccolo, Piano
6
Clarinette, Harpe (duo)
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon
5
Hautbois, Harpe
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Hautbois, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Instruments en Mib
5
3 Flûtes à bec (trio)
5
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Saxophone Soprano
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano, Piano
3
Clarinette, Orgue
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Basson
3
Cor Anglais
3
5 Flûtes à bec
2
Saxophone Baryton
2
Saxophone, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Piccolo
2
Flûte, Violoncelle
2
Ocarina
2
Flûte à bec, Guitare (duo)
2
Flûte, Basson et Piano
2
2 Saxophones, Piano
2
Flûte irlandaise
2
Clarinette, Alto et Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte et Quatuor à Cordes
1
4 Hautbois
1
Cor anglais et Harpe (duo)
1
Saxophone et Guitare
1
Clarinette, Violoncelle (duo)
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Hautbois, Orgue
1
Flûte de Pan
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Trombone et Piano
301
Trompette, Piano
234
Trompette
182
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
178
Cor et Piano
126
Trompette (partie séparée)
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
Trombone (partie séparée)
72
Tuba et Piano
55
Trombone
54
Cor anglais, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Euphonium, Piano (duo)
32
Cor
27
Quatuor de Cuivres
26
Tuba
26
2 Trompettes (duo)
21
Cor (partie séparée)
20
Ensemble de Trombones
20
2 Trombones (duo)
20
Ensemble de Trompettes
14
Quatuor de cuivres: 4 trombones
11
Quatuor de cuivres: 4 cors
9
2 Cors (duo)
9
Trompette, Trombone (duo)
8
Tuba et Orgue
8
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Tuba (partie séparée)
6
Cor et Harpe
6
Cor et Orgue
5
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
5
Trombone basse et Piano
5
Trompette, Harpe
5
Ensemble de Cors
4
Instruments en Sib
4
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba ou Euphonium ou Saxhorn
3
Trompette, Cor (duo)
3
Cor Anglais
3
Instruments en Fa
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone basse
2
4 Tubas
2
Trio de Cuivres
2
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Saxophone (duo)
1
2 Trombones, Piano
1
Cor, Trompette, Trombone (trio)
1
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CORDES
Violon et Piano
580
Alto, Piano
402
Violoncelle, Piano
392
Quatuor à cordes: 2 violons, alto, violoncelle
383
Violon
154
Harpe
91
Violoncelle (partie séparée)
63
Trio à Cordes: violon, alto, violoncelle
61
Alto seul
58
Violon, Guitare (duo)
57
2 Violons (duo)
53
Violon, Violoncelle (duo)
52
Violon (partie séparée)
43
Violoncelle
42
Alto (partie séparée)
38
Contrebasse, Piano (duo)
36
Alto, Guitare (duo)
33
Violoncelle , Guitare (duo)
31
2 Violoncelles (duo)
28
Contrebasse (partie séparée)
28
Violon, Alto (duo)
24
2 Altos (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
4 Violoncelles
19
Trio à Cordes: 2 violons, violoncelle
18
2 Harpes (duo)
16
Ensemble d'Altos
11
Violoncelle, Orgue
11
Contre Basse
10
Harpe, Violon (duo)
10
Ensemble de Violons
10
Harpe, Flûte (duo)
8
Piano Trio: Violon, Alto, Piano
8
Alto, Violoncelle (duo)
7
Violon, Orgue
7
Trio à cordes: 3 violins
7
2 Contrebasses (duo)
6
Harpe, Violoncelle (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
5
Alto et Harpe
5
Quatuor à cordes : 4 altos
5
Harpe, Trombone (duo)
4
Trio à cordes
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
3 Harpes
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Orgue
2
Violon, Clarinette, Piano (trio)
2
Alto, Orgue
2
Harpe, Voix
2
Ensemble de Violoncelles
1
Harpe et mandoline
1
Harpe (partie séparée)
1
Harpe et Piano
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
601
Orchestre à Cordes
235
Orchestre
170
Cloches
110
Orchestre de chambre
99
Ensemble Jazz
92
Ensemble de cuivres
80
Batterie
43
Percussion (partie séparée)
27
Ensemble de Percussions
19
Fanfare
19
Batterie (partie séparée)
16
Jazz combo
16
Percussion
15
Piano et Orchestre
5
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
4
Xylophone
4
Marimba
2
Timbales
2
Voix et Orchestre
1
Quintette à Vent
1
Bongos
1
Marimba, Piano (duo)
1
Cajon
1
2 Marimbas
1
2 Xylophones
1
Xylophone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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Euphonium, Piano (duo)
Partitions à imprimer
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Two Spanish Dances for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792287 Composed by Granados, E…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792287 Composed by Granados, Enrique. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and part. 10 pages. Gordon Cherry #4803899. Published by Gordon Cherry (A0.792287). Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya. The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas españolas, volume I from 1890, for Piano.Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Euphnium and Piano. Euphonium performers will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire. The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
$20.00
18.47 €
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Euphonium, Piano (duo)
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Granados, Enrique
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Sauer, Ralph
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Two Spanish Dances for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Spanish Dance
Euphonium, Piano (duo)
Euphonium & Piano - Grade 4 - Digital Download SKU: R0.45410 Composed by Rodion Shc…
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Euphonium & Piano - Grade 4 - Digital Download SKU: R0.45410 Composed by Rodion Shchedrin. Euphonium & Piano. Score and parts. 9 pages. Duration 2'45. Editions Marc Reift - Digital #45410. Published by Editions Marc Reift - Digital (R0.45410).
$16.95
15.65 €
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Euphonium, Piano (duo)
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Rodion Shchedrin
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Spanish Dance
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Editions Marc Reift - Digital
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.74 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bob's Lament (Second Theme of Bob Hada)
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.796204 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Classical,Contemporary,Romantic Period,Wedding. Score and parts. 25 pages. Bob Hada (Schoolspianist246) #402654. Published by Bob Hada (Schoolspianist246) (A0.796204).
$49.99
46.17 €
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Euphonium, Piano (duo)
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Bob Hada
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Bob's Lament
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Bob Hada
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SheetMusicPlus
Variations on a Theme by Bellini
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.842577 Composed by Stanislas V…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.842577 Composed by Stanislas Verroust. Arranged by Sean Brennan. Concert,Graduation,Instructional,Romantic Period,Standards. Score and part. 16 pages. Bl_music #6645071. Published by bl_music (A0.842577). Louis Stanislas Xavier Verroust (10 May 1814 – 9 or 11 April 1863) was a French composer and oboist.This arrangement is suitable for Euphonium, Baritone or Ophicleide.
$16.99
15.69 €
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Euphonium, Piano (duo)
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Stanislas Verroust
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Sean Brennan
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Variations on a Theme by Bellini
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bl_music
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SheetMusicPlus
Japanese Melodies Vol. 3
Euphonium, Piano (duo)
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49794 Melodies Japonaises…
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Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49794 Melodies Japonaises / Japanische Melodien. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 29 pages. Duration 19'49. Editions Marc Reift - Digital #49794. Published by Editions Marc Reift - Digital (R0.49794).
$27.95
25.81 €
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Euphonium, Piano (duo)
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Timofei Dokshitser
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Japanese Melodies Vol. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Japanese Melodies Vol. 1
Euphonium, Piano (duo)
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49771 Melodies Japonaises…
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Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49771 Melodies Japonaises / Japanische Melodien. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 27 pages. Duration 12'02. Editions Marc Reift - Digital #49771. Published by Editions Marc Reift - Digital (R0.49771).
$27.95
25.81 €
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Euphonium, Piano (duo)
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Timofei Dokshitser
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Japanese Melodies Vol. 1
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Editions Marc Reift - Digital
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SheetMusicPlus
Japanese Melodies Vol. 2
Euphonium, Piano (duo)
Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49783 Melodies Japonaises…
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Euphonium & Piano - Grade 5 - Digital Download SKU: R0.49783 Melodies Japonaises / Japanische Melodien. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 31 pages. Duration 11'20. Editions Marc Reift - Digital #49783. Published by Editions Marc Reift - Digital (R0.49783).
$27.95
25.81 €
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Euphonium, Piano (duo)
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Timofei Dokshitser
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Japanese Melodies Vol. 2
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.43 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.43 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.43 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.04 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.43 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierp…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.43 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grie…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.37 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.04 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549568 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Euphonium, Piano (duo)
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.551502 Composed by Edvard Grie…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.37 €
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Euphonium, Piano (duo)
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Edvard Grieg
#
James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
La Cucaracha
Euphonium, Piano (duo)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.41792 Spanish Folk Song
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.41792 Spanish Folk Song. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 10 pages. Duration 3'11. Editions Marc Reift - Digital #41792. Published by Editions Marc Reift - Digital (R0.41792).
$6.95
6.42 €
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Euphonium, Piano (duo)
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Jirka Kadlec
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La Cucaracha
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Editions Marc Reift - Digital
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SheetMusicPlus
Three Preludes for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792456 Composed by George Gers…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your recital.
$25.00
23.09 €
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Euphonium, Piano (duo)
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George Gershwin
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Ralph Sauer
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Piano
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Three Preludes for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Festival Piece in Classical Style for Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1311839 Composed by Kenneth Ba…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
10.15 €
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Euphonium, Piano (duo)
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Kenneth Baird
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Festival Piece in Classical Style for Euphonium
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Kenneth Baird Music
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1228546 Composed by Sergei Rac…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #824622. Published by Diego Marani (A0.1228546). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for euphonium (C bass clef and Bb treble clef) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
9.23 €
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Euphonium, Piano (duo)
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
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