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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At Wit
Non classifié
9 232
Piano & claviers
Piano seul
4 359
Piano, Voix
1 883
Piano Facile
1 625
Piano, Voix et Guitare
963
Instruments en Do
678
Orgue
635
Accompagnement Piano
333
1 Piano, 4 mains
201
Piano Trio: piano, violon, violoncelle
122
2 Pianos, 4 mains
71
Piano (partie séparée)
68
Accordéon
42
Piano Quatuor: piano, violon, alto, violoncelle
30
Piano Quatuor: piano, 2 violons, violoncelle
25
Clavecin
15
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Clavier
9
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
6
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
Accordéon et Orchestre
1
Fake Book
1
+ 19 instrumentations
Retracter
Guitares
Guitare
730
Guitare notes et tablatures
516
Ukulele
455
Basse electrique
362
Guitare (partie séparée)
143
Piano, Guitare (duo)
139
Ligne De Mélodie, (Paroles) et Accords
122
2 Guitares (duo)
48
Mandoline
32
4 Guitares (Quatuor)
27
Dulcimer
21
Banjo
11
3 Guitares (trio)
8
Paroles et Accords
6
2 Ukuleles
5
Ensemble de guitares
5
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Guitare, Orchestre
2
Luth
1
Ukulele Baryton
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
2 583
Chorale 3 parties
911
Chorale 2 parties
807
Chorale TTBB
405
Chorale Unison
332
Voix duo, Piano
294
Chorale SSAA
251
Voix Soprano, Piano
120
Voix duo
115
Voix Tenor, Piano
77
Voix Alto, Piano
77
Voix Baryton, Piano
63
Voix seule
49
Voix haute
48
Voix basse, Piano
25
Voix moyenne, Piano
14
Voix basse
9
Chorale SSAATTBB
9
Voix Soprano
6
Voix Mezzo-Soprano, Piano
6
Voix Tenor
4
Chorale
3
Chorale SSATB
3
Chorale SSATTB
3
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SSAB, Piano
1
Pack Instrumental pour Chorale
1
Chorale SATTBB A Cappella
1
Voix duo, Orgue
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
+ 27 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 102
Flûte traversière et Piano
767
Clarinette et Piano
720
Saxophone Alto et Piano
661
Quatuor de Saxophones: 4 saxophones
659
Hautbois, Piano (duo)
638
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
530
Saxophone (partie séparée)
500
2 Clarinettes (duo)
491
Saxophone Tenor et Piano
487
2 Flûtes traversières (duo)
447
Flûte, Hautbois, Clarinette, Basson
418
Saxophone, Clarinette (duo)
410
Flûte traversière
408
Clarinette
384
Saxophone Soprano et Piano
301
Clarinette, Violon (duo)
298
Saxophone Alto
289
Quintette de Saxophone: 5 saxophones
288
Ocarina
275
Quatuor de Clarinettes: 4 clarinettes
269
Saxophone
253
Clarinette, Trompette (duo)
246
Flûte, Clarinette (duo)
234
Saxophone Tenor
231
2 Hautbois (duo)
210
Hautbois, Basson (duo)
183
Saxophone Baryton, Piano
177
Hautbois, Clarinette (duo)
163
Hautbois (partie séparée)
159
Flûte, Violon
151
Clarinette et Alto
148
Flûte, Saxophone (duo)
144
Quatuor de Flûtes : 4 flûtes
140
Hautbois, Flûte
127
Flûte, Alto (duo)
122
3 Saxophones (trio)
116
Flûte, Trompette (duo)
110
Ensemble de Clarinettes
98
Hautbois
89
2 Flûte à bec (duo)
87
Ensemble de Flûtes
77
3 Clarinettes (trio)
76
Cor anglais, Piano
73
Flûte à bec Soprano
69
Quintette de Clarinettes: 5 clarinettes
66
Flûte et Guitare
65
Flute (partie séparée)
64
Saxophone Soprano
61
Clarinette Basse, Piano
57
Flûte à Bec
55
Trio de Flûtes: 3 flûtes
55
Flûte, Violon, Piano
47
Ensemble de saxophones
46
Saxophone Baryton
42
Clarinette (partie séparée)
41
Flûte à bec Alto
37
Quintette de Flûte : 5 flûtes
36
Hautbois, Clarinette, Basson (trio d'anches)
34
Flûte, Hautbois, Clarinette (trio)
34
Flûte, Hautbois (duo)
31
Quatuor de Flûtes à bec
31
Clarinette, Basson (duo)
24
Flûte à bec Tenor
24
Ensemble De Flûte à bec
24
Cor Anglais
19
Flûte, Clarinette, Piano (trio)
17
Hautbois, violon (duo)
17
Harmonica
17
Flûte, Clarinette et Basson
16
5 Flûtes à bec
16
Clarinette, Violoncelle (duo)
15
Flûte, Violoncelle
14
Clarinette, Guitare (duo)
14
3 Flûtes à bec (trio)
13
2 Clarinettes, Piano
13
2 Saxophones, Piano
12
Flûte, Hautbois, Piano (trio)
12
Hautbois, Violoncelle
11
Flûte, Hautbois, Basson
11
Clarinette, Trombone (duo)
10
Clarinette, Violoncelle, Piano (trio)
9
Flûte à bec Alto, Piano
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Basson et Piano
8
Saxophone et Orgue
8
Flûte à bec Soprano, Piano
8
Instruments en Mib
8
Hautbois, Clarinette et Piano (Trio)
6
Clarinette, Harpe (duo)
6
Piccolo
6
Ensemble à vent
6
Hautbois, Guitare (duo)
5
Hautbois, Basson et Piano
5
2 Flûtes traversières, Piano
5
Piccolo, Piano
5
Hautbois, Violoncelle et Piano
4
Saxophone et Harpe
4
Clarinette, Basson, Piano (trio)
4
Clarinette, Alto et Piano (trio)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Saxophone et Guitare
4
Flûte, Alto et Piano
4
Flûte, Violon, Violoncelle et Piano
3
Hautbois, Harpe
3
Flûte traversière, Orgue (duo)
3
Clarinette, Orgue
3
Flûte à Bec, Piano
3
2 Hautbois, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte irlandaise
2
Hautbois, Violon, Piano
2
Ensemble de Hautbois
2
Hautbois et alto (duo)
2
Clarinette Basse
2
Flûte et Trio à cordes
2
Flute, harpe et violon
2
Flûte à bec, Guitare (duo)
1
Clarinette, Tuba
1
Hautbois et Orchestre
1
Flûte, Harpe et Violoncelle
1
Flûte, Trombone (duo)
1
Flûte et Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
4 Hautbois
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
2 Flûtes à bec, Piano
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
626
Trombone et Piano
541
Trompette
492
Trompette, Piano
468
Trombone (partie séparée)
339
Cor et Piano
327
Trombone
305
Quatuor de Cuivres : 2 trompettes, trombone, tuba
304
Trompette (partie séparée)
303
Trompette, Saxophone (duo)
296
2 Trombones (duo)
239
2 Trompettes (duo)
229
Tuba et Piano
192
Trompette, Trombone (duo)
188
Cor
178
Quatuor de Cuivres: 2 trompettes, Cor, trombone
136
Tuba
128
Quatuor de cuivres: 4 trombones
95
Euphonium, Piano (duo)
87
Ensemble de Trompettes
77
Cor anglais, Piano
73
Quatuor de Cuivres
65
Cor (partie séparée)
64
2 Cors (duo)
59
Tuba (partie séparée)
57
Ensemble de Trombones
48
2 Tubas (duo)
28
Trompette, Cor (duo)
22
Quatuor de cuivres: 4 cors
22
Euphonium
20
3 Trompettes (trio)
19
Cor Anglais
19
2 Euphoniums et 2 Tubas
13
Ensemble de Cors
12
Quatuor de cuivres: 4 trompettes
12
Trio de Cuivres
11
2 Euphoniums (duo)
11
4 Tubas
10
Bass Clef Instruments
10
Instruments en Sib
9
Tuba et Orgue
9
Trompette, Trombone, Piano
9
Trombone basse et Piano
8
3 Trombones (trio)
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Instruments en Fa
7
Euphonium, Tuba (duo)
6
Trombone basse
6
Trompette, Tuba (duo)
6
Cor, Violoncelle (duo)
6
Trompette, Violoncelle (duo)
5
3 Cors (trio)
5
Trombone, Orgue
5
Trompette, Basson (duo)
5
Trompette, Harpe
4
Cor et Basson (duo)
4
Trombone, Cor (duo)
4
Cor et Harpe
4
3 Tubas (trio)
3
Trombone, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Orgue
2
Trombone, Violon (duo)
2
2 Cors, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Tuba (duo)
2
Trombone et orchestre
2
3 Euphoniums
2
Trompette, Euphonium (duo)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, violon (duo)
1
+ 68 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 638
Violon et Piano
1 093
Violoncelle, Piano
719
Alto, Piano
710
Violon
666
Violon, Violoncelle (duo)
563
Trio à Cordes: violon, alto, violoncelle
450
Violoncelle
431
2 Violons (duo)
337
Alto seul
273
Harpe
267
2 Violoncelles (duo)
263
Violon, Alto (duo)
261
2 Altos (duo)
239
Quintette à cordes: 2 violons, alto, violoncelle, basse
167
Trio à Cordes: 2 violons, violoncelle
159
Contrebasse, Piano (duo)
152
Contre Basse
136
Contrebasse (partie séparée)
97
Alto (partie séparée)
67
Violon (partie séparée)
56
Alto, Violoncelle (duo)
47
Piano Trio: Violon, Alto, Piano
45
4 Violoncelles
39
Trio à cordes: 3 violins
37
Violon, Guitare (duo)
34
2 Contrebasses (duo)
31
2 Harpes (duo)
29
Quatuor à cordes: 4 violons
25
Trio à Cordes: 3 violoncelles
24
Harpe, Flûte (duo)
21
Harpe, Violon (duo)
15
Quatuor à cordes : 4 altos
15
Trio à cordes: 3 altos
13
Ensemble de Violons
11
Alto et Harpe
10
Violoncelle , Guitare (duo)
9
Ensemble d'Altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violon, Basson (duo)
7
Violoncelle, Orgue
7
Harpe, Voix
7
Violoncelle (partie séparée)
7
Violoncelle, Contrebasse (duo)
6
2 Violons, Piano
6
Harpe, Violoncelle (duo)
5
Violon, Clarinette, Piano (trio)
5
Ensemble de Violoncelles
5
Trio à Cordes: 2 violons, alto
5
2 Altos, Piano
4
Alto, Orgue
3
Alto, Guitare (duo)
3
Violon, Orgue
3
Harpe et mandoline
3
4 Contrebasses
3
Autoharp
2
2 Violoncelles, Piano
2
4 Harpes
1
Flûte, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Violon, Tuba (duo)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Violoncelle, Basse continue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto et orchestre
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 269
Orchestre à Cordes
724
Ensemble Jazz
650
Orchestre
581
Cloches
383
Ensemble de cuivres
364
Orchestre de chambre
235
Jazz combo
152
Fanfare
117
Ensemble de Percussions
88
Batterie (partie séparée)
73
Batterie
68
Marimba
22
2 Xylophones
22
Xylophone, Piano
22
Percussion (partie séparée)
22
Xylophone
21
Vibraphone
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Big band
8
Ensemble d'École
6
Orchestre, Violon
4
Percussion
4
Quintette de Cuivres: autres combinaisons
2
Conga
1
Xylophone (partie séparée)
1
Marimba ou Xylophone et Piano
1
2 Marimbas
1
Bodhran
1
Caisse Claire
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
+ 27 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Three Romances Without Words Opus 17 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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FaureÌ, Gabrie
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Sauer, Ralph
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Three Romances Without Words O
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.792277 Composed by FaureÌ, Gabrie. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. ...
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Euphonium,Piano - Level 4 - SKU: A0.792277 Composed by FaureÌ, Gabrie. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803789. Published by Gordon Cherry (A0.792277). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while FaureÌ was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to. These 3 short works can be performed by intermediate to advanced performers.
$17.50
Three Romances Without Words, Op. 17 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Sauer, Ralph
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Three Romances Without Words,
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.810920 Composed by Gabriel Faure. Arranged by Sauer, Ralph. 20th Century. Score and part. 15 pages. Gordon Cherry #3...
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Euphonium,Piano - Level 4 - SKU: A0.810920 Composed by Gabriel Faure. Arranged by Sauer, Ralph. 20th Century. Score and part. 15 pages. Gordon Cherry #3820429. Published by Gordon Cherry (A0.810920). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while Fauré was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to.These 3 short works can be performed by intermediate to advanced performers.
$15.00
EVENTIDE (Abide With Me) - for Euphonium and Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Musique Sacrée
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William Henry Monk
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Ivan Marini
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EVENTIDE
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www.dalsegno.eu
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.770507 Composed by William Henry Monk. Arranged by Ivan Marini. Classical,Instructional,Praise & Worship,Sacred. Sco...
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Euphonium,Piano - Level 1 - SKU: A0.770507 Composed by William Henry Monk. Arranged by Ivan Marini. Classical,Instructional,Praise & Worship,Sacred. Score and part. 5 pages. Www.dalsegno.eu #6027787. Published by www.dalsegno.eu (A0.770507). Easy arrangement of this beloved Hymn, ideal for every Euphonium player.Ideal as lovely concert piece, sweet encore or for every worship events.Complete set with Piano score and two Euphonium parts (Treble Clef and Bass Clef).Duration approx. 2 mins., 5 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
In This Place, At This Hour
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Lawrence H Underwood
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In This Place, At This Hour
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1373640 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pa...
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Euphonium,Piano - Level 3 - SKU: A0.1373640 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958029. Published by Lawrence H Underwood (A0.1373640). This original composition by veteran performer and music educator, Lawrence Underwood, is the second installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â In This Place, At This Hour is an exercise is contemplative expression - a showcase for lyrical, emotive playing. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new arrangement is sure to be a favorite of performers and listeners alike!
$6.99
"Reflection" for Euphonium with Piano Accompaniment
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Robert Chamberlin
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"Reflection" for Eup
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Robert Chamberlin
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.917279 Composed by Robert Chamberlin. 20th Century,Standards. Score and part. 9 pages. Robert Chamberlin #4829927. P...
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Euphonium,Piano - Level 3 - SKU: A0.917279 Composed by Robert Chamberlin. 20th Century,Standards. Score and part. 9 pages. Robert Chamberlin #4829927. Published by Robert Chamberlin (A0.917279). Reflection is an evocative solo for euphonium with piano accompaniment. It is appropriate for high school solo contests at the intermediate level. The euphonium part is included with this listing.
$4.00
Blue Boogie - Beginner Baritone/Euphonium Solo with piano accompaniment
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Euphonium, Piano (duo)
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DÉBUTANT
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Stella ter Hart
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Blue Boogie - Beginner Bariton
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Stella terHart
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.890665 Composed by Stella ter Hart. Contemporary,Instructional,Jazz,Standards. Score and part. 4 pages. Stella terHa...
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Euphonium,Piano - Level 1 - SKU: A0.890665 Composed by Stella ter Hart. Contemporary,Instructional,Jazz,Standards. Score and part. 4 pages. Stella terHart #6209951. Published by Stella terHart (A0.890665). What a great solo for a young baritone or euphonium player! Only six notes, basic notes, rhythms and B flat+ key ensure confidence while the fun, boogie sound and feel make Blue Boogie a perfect first solo. Students will enjoy showing off with this piece at any concert, festival or recital. All expected first elements for beginning baritone/euphonium players are highlighted in the piece.Key: B flat +Tempo: moderato
$3.99
The Skye Boat Song (Theme from 'Outlander') - Euphonium Duet with Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Folk Song
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Kate Agioritis
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The Skye Boat Song
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Musika Publishing Australia
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.567241 Composed by Folk Song. Arranged by Kate Agioritis. Contemporary. Sc...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.567241 Composed by Folk Song. Arranged by Kate Agioritis. Contemporary. Score and parts. 20 pages. Musika Publishing Australia #6294265. Published by Musika Publishing Australia (A0.567241). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) to the Isle of Skye as he evaded capture following his defeat at the Battle of Culloden in 1746. More recently, this beautiful, lilting song has become known as the opening theme of television series 'Outlander'. Arranged by Kate Agioritis for Euphoniu, Duet with Piano Accompaniment, this moving rendition will be a welcome addition to your repertoire, for any occasion. Visit our website: www.musikapublishing.com.
$10.99
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
When We All Get to Heaven, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Eliza Hewitt, Emily Wilson
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David McKeown
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When We All Get to Heaven, Gos
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593490 Composed by Eliza Hewitt, Emily Wilson. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,S...
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Euphonium,Piano - Level 2 - SKU: A0.593490 Composed by Eliza Hewitt, Emily Wilson. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421299. Published by David McKeown (A0.593490). When We All Get To Heaven is a beautiful gospel hymn arranged here for Solo Euphonium and Piano.When We All Get To Heaven was written in 1898 by friends Eliza Hewitt and Emily Wilson after meeting at camp meetings in New Jersey.
$2.49
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Berceuse from Jocelyn - Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Godard, Benjamin
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Berceuse from Jocelyn - Euphon
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Music-Scores.com
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.722088 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Love,...
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Euphonium,Piano - Level 4 - SKU: A0.722088 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Love,Opera,Wedding. Score and part. 5 pages. Music-Scores.com #5748975. Published by Music-Scores.com (A0.722088). Berceuse is a beautiful aria that made a name for the opera Jocelyn, which would have probably been a failure without this masterpiece. It has been recorded by many famous singers and instrumentalists.This version is for Euphonium and Piano.3 minutes, 45 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
$6.95
Godard - Valse - No.3 from Op. 116 Suite de 3 Morceaux - Euphonium
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Euphonium, Piano (duo)
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AVANCÉ
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Godard, Benjamin
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Godard - Valse - No.3 from Op.
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Music-Scores.com
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.744841 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Contest,Festival,Holiday,Romantic ...
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Euphonium,Piano - Level 5 - SKU: A0.744841 Composed by Godard, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Contest,Festival,Holiday,Romantic Period. Score and part. 18 pages. Music-Scores.com #352723. Published by Music-Scores.com (A0.744841). This is the third and final piece from 'Suite de 3 morceaux', and has been transcribed for the Euphonium from the Flute part. Very challenging for the Euphonium, and needs to have enough pace so that the lyrical middle section flows without changing speed. Duration about 4 minutes, 45 seconds. Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$3.95
Imagine
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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John Lennon And The Plastic On
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Raymond Fenech
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Imagine
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760629 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged b...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760629 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Raymond Fenech. Multicultural,Pop,Rock,Standards,Wedding,World. Score and parts. 17 pages. Raymond Fenech #5725299. Published by Raymond Fenech (A0.760629). Imagine is a song written and performed by English musician John Lennon. The best-selling single of his solo career, its lyrics encourage the listener to imagine a world at peace without the barriers of borders or the divisions of religion and nationality and to consider the possibility that the whole of humanity would live unattached to material possessions. The Duration is approx. 3.09 minutes and the level is Intermediate.
$6.99
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. Da...
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Euphonium,Piano - Level 3 - SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
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