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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
But One
Sheetmusicplus
Non classifié
5 458
Piano & claviers
Piano seul
1 926
Piano, Voix
678
Piano Facile
451
Piano, Voix et Guitare
275
Orgue
220
Piano grosses notes
164
Instruments en Do
138
Accompagnement Piano
97
1 Piano, 4 mains
80
Accordéon
52
Piano (partie séparée)
36
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
26
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
6
Clavecin
4
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
1 Piano, 6 mains
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 19 instrumentations
Retracter
Guitares
Guitare
207
Guitare notes et tablatures
143
Guitare (partie séparée)
78
Ukulele
59
Ligne De Mélodie, (Paroles) et Accords
47
2 Guitares (duo)
35
Basse electrique
34
Dulcimer
17
4 Guitares (Quatuor)
12
Paroles et Accords
10
Mandoline, Piano (duo)
10
Ukulele Baryton
7
Mandoline
7
3 Guitares (trio)
6
Piano, Guitare (duo)
6
Ensemble de guitares
5
Banjo
5
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 009
Chorale 3 parties
332
Chorale 2 parties
202
Chorale TTBB
194
Chorale SSAA
128
Voix Baryton, Piano
78
Chorale Unison
70
Voix duo, Piano
50
Voix duo
49
Pack Instrumental pour Chorale
38
Voix Soprano, Piano
33
Voix haute
27
Voix moyenne, Piano
17
Voix Alto, Piano
13
Voix Tenor, Piano
12
Voix seule
12
Voix basse, Piano
11
Chorale
6
Chorale SSATTB
5
Voix Soprano
3
Chorale SSAATTBB
3
Voix Tenor
3
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Orchestre
1
Voix Baryton
1
Chorale SSATB
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
806
2 Saxophones (duo)
740
Saxophone (partie séparée)
466
Saxophone Alto et Piano
361
3 Saxophones (trio)
321
Quintette de Saxophone: 5 saxophones
292
Saxophone Tenor et Piano
276
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
274
Saxophone Soprano et Piano
219
Flûte traversière et Piano
213
Saxophone Alto
181
Flûte, Hautbois, Clarinette, Basson
169
2 Clarinettes (duo)
167
Clarinette et Piano
166
Ensemble de saxophones
154
2 Flûtes traversières (duo)
143
Hautbois, Piano (duo)
137
Saxophone Tenor
136
Saxophone, Clarinette (duo)
135
Quatuor de Clarinettes: 4 clarinettes
127
Saxophone Baryton, Piano
122
Clarinette
108
Clarinette, Violon (duo)
98
Flûte traversière
80
Ensemble de Clarinettes
77
Clarinette, Trompette (duo)
75
Flûte, Clarinette (duo)
70
Quatuor de Flûtes : 4 flûtes
69
Ensemble de Flûtes
64
2 Hautbois (duo)
58
Hautbois, Basson (duo)
54
Flûte, Saxophone (duo)
50
Flûte, Violon
48
Hautbois, Clarinette (duo)
44
Clarinette et Alto
44
Hautbois (partie séparée)
43
3 Clarinettes (trio)
42
Hautbois, Flûte
42
Flûte, Trompette (duo)
39
Flûte et Guitare
37
Flûte, Alto (duo)
36
Cor anglais, Piano
34
Quintette de Clarinettes: 5 clarinettes
30
2 Flûte à bec (duo)
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
25
Trio de Flûtes: 3 flûtes
25
Saxophone Soprano
23
Saxophone Baryton
20
Clarinette (partie séparée)
20
Clarinette Basse, Piano
19
Saxophone et Orgue
14
Quatuor de Flûtes à bec
14
Clarinette, Guitare (duo)
12
Hautbois
12
Flûte à bec Soprano
11
4 Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Ensemble De Flûte à bec
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Piccolo, Piano
9
3 Flûtes à bec (trio)
9
Clarinette, Basson (duo)
9
Saxophone et Guitare
8
Flûte à Bec
8
3 Hautbois
7
Flûte, Violon, Piano
7
2 Saxophones, Piano
6
Flûte, Hautbois (duo)
6
Flûte, Hautbois, Basson
6
Cor Anglais
6
5 Flûtes à bec
5
Cor anglais, Guitare (duo)
5
Flûte, Clarinette et Basson
5
Clarinette, Trombone (duo)
5
Hautbois, Guitare (duo)
5
Flûte à bec Alto
4
Flûte à bec Tenor
4
Saxophone
3
Flûte et Trio à cordes
3
Flûte irlandaise
3
Ocarina
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Harpe
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Harmonica
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette Basse
2
Clarinette, Violoncelle (duo)
2
Flûte de Pan
1
2 Clarinettes, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Hautbois, Basson et Piano
1
Hautbois, violon (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Hautbois
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Piccolo
1
+ 110 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
664
Quatuor de Cuivres : 2 trompettes, trombone, tuba
508
Trombone (partie séparée)
370
Trombone et Piano
344
Quatuor de Cuivres: 2 trompettes, Cor, trombone
240
2 Trombones (duo)
193
Trompette (partie séparée)
146
Trompette, Trombone (duo)
141
Trombone
126
Trompette
107
Trompette, Piano
98
Trompette, Saxophone (duo)
93
Quatuor de cuivres: 4 trombones
85
Cor et Piano
81
Ensemble de Trompettes
78
Ensemble de Trombones
68
2 Trompettes (duo)
63
Quatuor de Cuivres
60
Euphonium, Piano (duo)
47
2 Cors (duo)
40
Tuba et Piano
38
Cor
36
Cor anglais, Piano
34
Tuba
31
Cor (partie séparée)
30
Tuba (partie séparée)
23
2 Tubas (duo)
23
Trio de Cuivres
17
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 cors
17
3 Trombones (trio)
16
Ensemble de Cors
13
2 Euphoniums et 2 Tubas
11
Trombone, Tuba (duo)
11
4 Tubas
10
Quatuor de cuivres: 4 trompettes
10
Euphonium
9
Trombone, Cor (duo)
8
Trombone basse
8
Trombone, Orgue
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
6
Cor anglais, Guitare (duo)
5
3 Trompettes (trio)
4
3 Tubas (trio)
4
Trombone basse et Piano
4
Tuba ou Euphonium ou Saxhorn
3
3 Cors (trio)
3
Instruments en Sib
2
Trompette, Tuba (duo)
2
Cor et Orgue
2
Cor, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
3 Euphoniums
2
Trompette, Trombone, Piano
2
Trombone et orchestre
2
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
666
Violon, Violoncelle (duo)
290
Violon
273
Violon et Piano
226
Trio à Cordes: violon, alto, violoncelle
212
Violoncelle, Piano
171
Violoncelle
142
Alto, Piano
141
Harpe
138
2 Violons (duo)
112
Violon, Alto (duo)
77
2 Violoncelles (duo)
77
Trio à Cordes: 2 violons, violoncelle
67
2 Altos (duo)
64
Contrebasse (partie séparée)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
39
Contre Basse
33
Contrebasse, Piano (duo)
28
Violon (partie séparée)
28
Alto (partie séparée)
23
4 Violoncelles
21
Trio à cordes: 3 violins
20
2 Contrebasses (duo)
19
Ensemble de Violons
18
Trio à cordes: 3 altos
17
Trio à Cordes: 3 violoncelles
16
Ensemble d'Altos
16
Piano Trio: Violon, Alto, Piano
16
Alto, Violoncelle (duo)
15
Quatuor à cordes: 4 violons
9
Harpe et mandoline
9
Violoncelle (partie séparée)
7
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
6
Harpe, Flûte (duo)
6
Harpe, Voix
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Harpes (duo)
4
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Alto et Basson
2
Ensemble de Violoncelles
2
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
4 Contrebasses
1
3 Harpes
1
Harpe (partie séparée)
1
Harpe, Trombone (duo)
1
Autoharp
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 535
Ensemble Jazz
428
Orchestre
390
Orchestre à Cordes
336
Ensemble de cuivres
298
Jazz combo
121
Orchestre de chambre
120
Cloches
68
Ensemble de Percussions
56
Fanfare
55
Batterie
45
Batterie (partie séparée)
44
Percussion (partie séparée)
15
Xylophone, Piano
10
Xylophone
8
Marimba
7
Ensemble d'École
7
Vibraphone
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
3
Piano et Orchestre
2
Xylophone (partie séparée)
1
3 Percussions
1
Marimba, Piano (duo)
1
3 Marimbas
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
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FLUTE A DIX…
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SYNTHETISEUR
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Partitions à imprimer
47 partitions trouvées
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1
26
Nessun Dorma for Baritone, Euphonium, Trombone (BC) & Piano
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Euphonium, Piano (duo)
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Giacomo Puccini
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Keith Terrett
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Nessun Dorma for Baritone, Eup
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Keith Terrett
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SheetMusicPlus
Euphonium,Piano - SKU: A0.746809 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. Score and part. 5 pages. Ke...
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Euphonium,Piano - SKU: A0.746809 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. Score and part. 5 pages. Keith Terrett #3578563. Published by Keith Terrett (A0.746809). A great arrangement for low brass players, wanting to explore Italian opera arias on their instrument for their next performance. Nessun dorma (English: None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded.
$7.99
None but the Lonely Heart for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
P
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Diego Marani
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None but the Lonely Heart for
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1238839 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,W...
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Euphonium,Piano - Level 2 - SKU: A0.1238839 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Diego Marani #834256. Published by Diego Marani (A0.1238839). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for euphonium (C and Bb) with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complet
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Nocturne and Rondo - Euphonium/Baritone Horn and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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Nocturne and Rondo - Euphonium
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Phil Beaman
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. Phil Beaman #9636...
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Euphonium,Piano - Level 4 - SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. Phil Beaman #963601. Published by Phil Beaman (A0.1378885). An original 21st Century piece which fuses influences from nearly every genre and period.  The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only.  The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical.  This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo part.
$7.99
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
A Klezmer March for Baritone B.C. (Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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William Pagan-Perez
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A Klezmer March for Baritone B
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William Pagan-Perez
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.933885 Composed by William Pagan-Perez. Contemporary,Jewish,Standards. Score and part. 6 pages. William Pagan-Perez ...
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Euphonium,Piano - Level 2 - SKU: A0.933885 Composed by William Pagan-Perez. Contemporary,Jewish,Standards. Score and part. 6 pages. William Pagan-Perez #5712921. Published by William Pagan-Perez (A0.933885). I have a Hispanic heritage in my blood, but as a bilingual music teacher, I found the richness of many World cultures, and societies. Teaching Klezmer music to my general music students I found inspiration to compose this march for my instrumental students.
$5.99
A Klezmer March for Baritone T.C. (Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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William Pagan-Perez
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A Klezmer March for Baritone T
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William Pagan-Perez
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.933888 Composed by William Pagan-Perez. Contemporary,Jewish,Standards. Score and part. 6 pages. William Pagan-Perez ...
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Euphonium,Piano - Level 2 - SKU: A0.933888 Composed by William Pagan-Perez. Contemporary,Jewish,Standards. Score and part. 6 pages. William Pagan-Perez #5712925. Published by William Pagan-Perez (A0.933888). I have a Hispanic heritage in my blood, but as a bilingual music teacher, I found the richness of many World cultures, and societies. Teaching Klezmer music to my general music students I found inspiration to compose this march for my instrumental students.
$5.99
People of the Living God for Baritone/Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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E
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Lawrence H
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People of the Living God for B
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.968510 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred....
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Euphonium,Piano - Level 3 - SKU: A0.968510 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6570915. Published by Lawrence H Underwood (A0.968510). Arranged by veteran performer and music educator, Lawrence Underwood, as the twelfth installment in his 2021 Hymn Song Collection series, this brand-new setting of People of the Living God is, at turns, lilting and playful, light and wistful, forceful and dynamic. . .but always compelling! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!
$5.99
Bohm: Calm as the Night for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493731. Published by jmsgu3 (A0.549416). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime upgrades and revisions of this product.
$26.95
Jingle Bells for Euphonium or Baritone
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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James Pierpont
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Lawrence H
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Jingle Bells for Euphonium or
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.967686 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.967686 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189331. Published by Lawrence H Underwood (A0.967686). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Song Without Words, Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Song Without Words, Op. 109 fo
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Sc...
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Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820291. Published by Gordon Cherry (A0.792389). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously. The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength. Mr. Sauer has once again found the perfect key for his Euphonium and Piano transcription. For advanced performers.
$15.00
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Euphonium, Piano (duo)
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 page...
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Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903503. Published by Brandon C Stanley (A0.1314724). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo euphonium and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Euphonium (English)Euphonium (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo euphonium alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Handel: Largo from Xerxes for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
16 Favourite Easter Hymns for Solo Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKe...
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Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Festival Piece in Classical Style for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Kenneth Baird
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Festival Piece in Classical St
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Kenneth Baird Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185...
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Euphonium,Piano - Level 3 - SKU: A0.1311839 Composed by Kenneth Baird. Classical,Contest,Festival. Score and part. 13 pages. Kenneth Baird Music #900185. Published by Kenneth Baird Music (A0.1311839). The beloved classical trumpet concertos of Haydn and Hummel, and the horn concertos of Mozart, are performed more often than any other concertos for brass instruments. Young euphonium and baritone students may hear these works and aspire to perform them or something in a similar style, but may have difficulty finding something suitable. Festive Piece in Classical Style may be just what they're looking for. While composed in 2023, every effort has been made to compose this in a true classical style. Memorable lyrical melodies, legato, staccato, and marcato passages, dynamic variety, and traditional harmonies, while requiring only limited range demands, make this an outstanding choice for someone seeking to perform an intermediate-level classical-style solo. The top note is a concert G that occurs only once and an optional lower note is provided for any who might need it. While composed originally for trumpet, the composer feels this works equally well on euphonium. The piano accompaniment is accessible to advanced intermediate pianists. Bass Clef and Treble Clef solo parts are provided. This solo would likely be classified on the easier side of a 4.
$10.99
We Wish you a Merry Christmas for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Noël
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purchasing this sheet music, y
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Unknown
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Rika K
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We Wish you a Merry Christmas
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Rika K.
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1337285 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. Score and part. 2 ...
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Euphonium,Piano - Level 2 - SKU: A0.1337285 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Rika K. #923097. Published by Rika K. (A0.1337285). We present to you an exclusive arrangement of the classic Christmas song, We Wish You a Merry Christmas. This is a traditional English Christmas song that dates back to the 16th century Victorian era. This arrangement has been meticulously wrote for Euphonium and Piano- with Chords; making it a perfect choice for beginner ensembles. The simplicity and beauty of this piece will allow novice musicians to shine, captivating the audience with the joy of Christmas. Moreover, this arrangement is not just a musical piece, but also an excellent educational resource. Music teachers can use it as teaching material in their classes, helping students to hone their musical skills while preparing for the festive season. Ideal for recitals, concerts, or performances, this arrangement of We Wish You a Merry Christmas will certainly add a festive touch to any event. By purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music. Don’t miss the opportunity to acquire this exclusive arrangement and bring the magic of Christmas to your music.
$3.99
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