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Piano seul
2544
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2232
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1759
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1599
Piano, Voix et Guitare
574
Orgue
159
Accompagnement Piano
149
1 Piano, 4 mains
69
Piano Trio: piano, violon, violoncelle
40
Piano (partie séparée)
24
Accordéon
21
Piano grosses notes
17
2 Pianos, 4 mains
14
Orgue, Trompette (duo)
14
Clavecin
11
Accordéon, Voix
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
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2188
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162
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76
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75
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53
Basse electrique
25
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20
2 Guitares (duo)
18
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5
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5
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33
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305
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193
Saxophone Tenor et Piano
162
2 Flûtes traversières (duo)
150
2 Saxophones (duo)
138
Saxophone Alto et Piano
134
Quatuor de Saxophones: 4 saxophones
124
Clarinette et Piano
122
2 Clarinettes (duo)
69
Saxophone Soprano et Piano
62
Flûte, Hautbois, Clarinette, Basson
62
Quatuor de Flûtes : 4 flûtes
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Cor anglais, Piano
51
Quatuor de Clarinettes: 4 clarinettes
50
Hautbois, Basson (duo)
49
3 Clarinettes (trio)
40
Flûte et Guitare
36
2 Clarinettes, Piano
36
Flûte, Clarinette (duo)
30
Saxophone Baryton
29
Ensemble de Flûtes
28
Trio de Flûtes: 3 flûtes
27
3 Saxophones (trio)
27
2 Flûte à bec (duo)
26
Saxophone Soprano
22
2 Hautbois (duo)
22
Harmonica
21
Hautbois
21
Ensemble de Clarinettes
21
Flûte, Clarinette, Piano (trio)
17
Clarinette, Violoncelle, Piano (trio)
17
Quintette de Saxophone: 5 saxophones
16
Flûte, trombone et piano
14
Saxophone Tenor
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
13
Quintette de Clarinettes: 5 clarinettes
13
Ensemble De Flûte à bec
11
Flûte, Violon, Piano
11
Cor Anglais
10
Flûte, Violoncelle, Piano (trio)
10
Saxophone Baryton, Piano
10
2 Flûtes traversières, Piano
9
Flûte à Bec
8
Flûte à bec Soprano
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Piano (trio)
7
Flûte, Violon et Violoncelle
7
Hautbois, Clarinette, Basson (trio d'anches)
7
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6
Clarinette Basse, Piano
6
Flûte, Violon, Violoncelle et Piano
6
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6
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Clarinette, Alto et Piano (trio)
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Flûte, Tuba (duo)
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1
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1
Hautbois, trombone (duo)
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Cor anglais, Guitare (duo)
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Flute (partie séparée)
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5 Flûtes à bec
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Trompette
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Trombone
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Cor
203
Tuba
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Trompette, Piano
170
Trompette (partie séparée)
169
Trombone (partie séparée)
165
Euphonium
150
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128
Quatuor de Cuivres
116
Trombone et Piano
100
Cor et Piano
91
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Tuba et Piano
53
Cor anglais, Piano
51
Trombone, Tuba (duo)
41
2 Trompettes (duo)
40
2 Trompettes, Clavier (piano ou orgue)
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
2 Trombones (duo)
31
Trompette, Tuba (duo)
29
Trompette, Trombone (duo)
27
Quatuor de cuivres: 4 trombones
13
Cor Anglais
10
Euphonium, Piano (duo)
10
Trio de Cuivres
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2 Cors (duo)
10
Quatuor de cuivres: 4 cors
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Cor, Tuba (duo)
9
Ensemble de Trompettes
9
Cor (partie séparée)
6
Quatuor de cuivres: 4 trompettes
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Tuba (partie séparée)
6
2 Tubas (duo)
5
Trompette, Cor (duo)
5
3 Trompettes (trio)
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Ensemble de Trombones
3
Trompette, Violoncelle et Piano
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2
Tuba et Orgue
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3 Trombones (trio)
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Euphonium, Tuba (duo)
1
Bass Clef Instruments
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Trompette, Trombone, Piano
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3 Tubas (trio)
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Cor et Basson (duo)
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Cor et Harpe
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Trompette, Violoncelle (duo)
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4 Tubas
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Trompette, Harpe
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Trompette, Saxophone (duo)
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2 Euphoniums et 2 Tubas
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Trombone basse et Piano
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Cor, Violoncelle (duo)
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Harpe
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82
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75
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62
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52
2 Violons (duo)
40
2 Harpes (duo)
40
Violon, Alto (duo)
37
Contrebasse (partie séparée)
31
Contrebasse, Piano (duo)
26
2 Altos (duo)
25
Contre Basse
23
Trio à Cordes: 2 violons, violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
4 Violoncelles
13
Violon, Guitare (duo)
9
Harpe, Voix
9
Trio à cordes: 3 violins
8
Harpe, Flûte (duo)
8
Trio à Cordes: 3 violoncelles
7
Quatuor à cordes: 4 violons
6
Violoncelle, Basse continue
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle , Guitare (duo)
5
Violon, Clarinette, Piano (trio)
4
2 Violons et Basse continue
4
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orchestre
2
Violoncelle, Contrebasse (duo)
2
Violon, Basson (duo)
2
Harpe et Piano
2
Alto et Basson
2
Alto, Guitare (duo)
2
Flûte, Contrebasse (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes : 4 altos
1
Violon, Basse continue
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Autoharp
1
Alto et Harpe
1
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
403
Ensemble Jazz
305
Orchestre
227
Orchestre à Cordes
151
Ensemble de cuivres
128
Cloches
119
Jazz combo
95
Orchestre de chambre
40
Batterie (partie séparée)
29
Ensemble de Percussions
13
Fanfare
8
Piano et Orchestre
5
Instrumentation Flexible
5
Ensemble d'École
5
Marimba
4
Percussion
1
Big band
1
Percussion (partie séparée)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Xylophone
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Orchestre, Violon
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Euphonium, Piano (duo)
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Oh happy day - Key: F - Gospel - Organ and Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.569445 Composed by Rimbault. A…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.569445 Composed by Rimbault. Arranged by Thomas Graf. Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352257. Published by Thomas Graf - the-hit-factory.com (A0.569445). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Euphonium C / Bb (T.C. / B.C.)      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
5.61 €
#
Euphonium, Piano (duo)
#
Rimbault
#
Thomas Graf
#
Oh happy day - Key: F - Gospel - Organ and Euphonium
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Oh happy day - Key: F - Gospel - Organ and Euphonium
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.569443 Composed by Rimbault. A…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.569443 Composed by Rimbault. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352253. Published by Thomas Graf - the-hit-factory.com (A0.569443). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument. Organ and Euphonium C / Bb (T.C. / B.C.)     Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
5.61 €
#
Euphonium, Piano (duo)
#
Rimbault
#
Thomas Graf
#
Oh happy day - Key: F - Gospel - Organ and Euphonium
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.67 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.67 €
#
Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
27.09 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Euphonium, Piano (duo)
Euphonium,Piano - Digital Download SKU: A0.1314724 By Brandon C Stanley. By C. A. D…
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Euphonium,Piano - Digital Download SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903503. Published by Brandon C Stanley (A0.1314724). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo euphonium and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Euphonium (English)Euphonium (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo euphonium alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
4.67 €
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Euphonium, Piano (duo)
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Adagio from BWV 974 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Seb…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 6 pages. Diego Marani #806495. Published by Diego Marani (A0.1208386). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for C or Bb euphonium with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.41 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.44 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Nightingale (Le Rossignol) for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792311 Composed by Saint-SaeÌ…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
9.36 €
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Euphonium, Piano (duo)
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Nocturne Op. 9, No. 1 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1283159 Composed by Frederic C…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1283159 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contemporary,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #874455. Published by Diego Marani (A0.1283159). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for C or Bb Euphonium (or also trombone) with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
8.41 €
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Euphonium, Piano (duo)
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
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