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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
C Key
Non classifié
5 367
Piano & claviers
Piano seul
2 800
Instruments en Do
2 475
Piano Facile
2 281
Piano, Voix
1 695
Piano, Voix et Guitare
624
Orgue
176
Accompagnement Piano
149
1 Piano, 4 mains
76
Piano Trio: piano, violon, violoncelle
43
Accordéon
39
Piano (partie séparée)
24
Piano grosses notes
17
2 Pianos, 4 mains
16
Orgue, Trompette (duo)
13
Clavecin
11
Orgue, Piano (duo)
8
Accordéon, Voix
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
4
2 Pianos, 8 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Concertina
1
2 Accordéons
1
+ 20 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 148
Guitare notes et tablatures
166
Guitare
133
Ukulele
82
Guitare (partie séparée)
53
Basse electrique
26
2 Guitares (duo)
21
Piano, Guitare (duo)
20
Mandoline
5
4 Guitares (Quatuor)
5
Paroles et Accords
5
Dulcimer
4
3 Guitares (trio)
4
Ensemble de guitares
1
Ukulele Baryton
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
393
Chorale 3 parties
116
Chorale TTBB
104
Chorale 2 parties
88
Chorale Unison
81
Voix seule
64
Chorale SSAA
59
Voix duo, Piano
33
Voix haute
29
Voix moyenne, Piano
21
Voix Alto, Piano
20
Voix duo
18
Voix Soprano, Piano
17
Voix basse, Piano
10
Voix Tenor, Piano
10
Voix Baryton, Piano
5
Voix basse
3
Pack Instrumental pour Chorale
3
Voix Tenor
2
Chorale SSATB
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
Saxophone (partie séparée)
729
Flûte traversière
490
Flûte traversière et Piano
449
Saxophone Alto
377
Saxophone Tenor
325
Clarinette
319
Hautbois (partie séparée)
308
Hautbois, Piano (duo)
207
Clarinette et Piano
171
Saxophone Tenor et Piano
164
2 Flûtes traversières (duo)
155
2 Saxophones (duo)
144
Saxophone Alto et Piano
144
Quatuor de Saxophones: 4 saxophones
142
2 Clarinettes (duo)
72
Flûte, Hautbois, Clarinette, Basson
65
Saxophone Soprano et Piano
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Quatuor de Flûtes : 4 flûtes
58
Cor anglais, Piano
56
Quatuor de Clarinettes: 4 clarinettes
53
Hautbois, Basson (duo)
51
3 Clarinettes (trio)
41
2 Clarinettes, Piano
37
Flûte et Guitare
36
Saxophone Baryton
34
Ensemble de Flûtes
30
Flûte, Clarinette (duo)
30
Saxophone Soprano
28
Trio de Flûtes: 3 flûtes
27
3 Saxophones (trio)
27
Harmonica
27
2 Flûte à bec (duo)
26
Hautbois
26
2 Hautbois (duo)
24
Ensemble de Clarinettes
23
Flûte, Violon, Piano
20
Clarinette, Violoncelle, Piano (trio)
19
Flûte, Clarinette, Piano (trio)
18
Quintette de Saxophone: 5 saxophones
16
Ensemble De Flûte à bec
14
Clarinette, Violon (duo)
14
Flûte, trombone et piano
14
Hautbois, Clarinette (duo)
13
Saxophone Baryton, Piano
13
Quintette de Clarinettes: 5 clarinettes
13
Cor Anglais
11
Flûte à bec Soprano
11
Flûte, Violoncelle, Piano (trio)
10
2 Flûtes traversières, Piano
9
Clarinette Basse, Piano
9
Flûte, Clarinette et Basson
8
Flûte à Bec
8
Flûte, Hautbois, Piano (trio)
7
Flûte, Hautbois, Basson
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Violon et Violoncelle
7
Flûte, Violon, Violoncelle et Piano
6
Clarinette, trompette et piano
6
Ocarina
6
Quatuor de Flûtes à bec
6
Flûte, Violon
5
Piccolo
5
Flûte à bec Alto
5
2 Saxophones, Piano
4
Flute, harpe et violon
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto, Basse continue
4
Flûte, Hautbois, Clarinette (trio)
4
Ensemble de saxophones
4
Flûte, Violoncelle
4
Flûte à bec Alto, Piano
3
Saxophone et Guitare
3
Flûte, Basson et Piano
3
Flûte, Alto et Piano
3
Flûte, Trombone (duo)
3
Flûte, Hautbois (duo)
3
Clarinette Basse
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
2
Hautbois, Violoncelle
2
Flûte, Violoncelle, Guitare
2
Hautbois, Flûte
2
Flûte irlandaise
2
Flûte à bec Soprano, Piano
2
Clarinette et Alto
2
Instruments en Mib
1
Flute (partie séparée)
1
Hautbois, Trompette (duo)
1
Flûte, Trompette (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, violon (duo)
1
Flûte, Alto (duo)
1
Clarinette, Orchestre
1
Hautbois, trombone (duo)
1
Clarinette, Trompette (duo)
1
Flûte traversière, Basse continue
1
5 Flûtes à bec
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Tuba (duo)
1
Hautbois et alto (duo)
1
Flûte traversière, Orgue (duo)
1
Cor anglais, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Guitare
1
Clarinette, Tuba
1
Clarinette (partie séparée)
1
Clarinette, Harpe (duo)
1
+ 106 instrumentations
Retracter
Cuivres
Trompette
343
Trombone
312
Cor
213
Trompette (partie séparée)
191
Trompette, Piano
185
Tuba
182
Trombone (partie séparée)
170
Euphonium
153
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Quatuor de Cuivres
116
Trombone et Piano
106
Cor et Piano
105
Tuba et Piano
56
Cor anglais, Piano
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
2 Trompettes (duo)
44
Trombone, Tuba (duo)
41
2 Trompettes, Clavier (piano ou orgue)
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
2 Trombones (duo)
31
Trompette, Tuba (duo)
29
Trompette, Trombone (duo)
27
Trompette, Violoncelle et Piano
15
Quatuor de cuivres: 4 trombones
13
Cor Anglais
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 cors
10
Quatuor de cuivres: 4 trompettes
10
2 Cors (duo)
10
Trio de Cuivres
10
Cor, Tuba (duo)
9
Ensemble de Trompettes
9
Bass Clef Instruments
8
Cor (partie séparée)
6
2 Tubas (duo)
5
Trompette, Cor (duo)
5
Tuba (partie séparée)
5
3 Trombones (trio)
4
3 Trompettes (trio)
3
Ensemble de Trombones
3
Instruments en Sib
2
Tuba et Orgue
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
Trompette, Saxophone (duo)
1
Cor et Basson (duo)
1
4 Tubas
1
Trompette, Harpe
1
Cor et Harpe
1
Trombone basse et Piano
1
3 Tubas (trio)
1
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
+ 51 instrumentations
Retracter
Cordes
Violon
482
Harpe
401
Violoncelle
369
Violon et Piano
318
Quatuor à cordes: 2 violons, alto, violoncelle
314
Violoncelle, Piano
247
Alto, Piano
233
Alto seul
228
Alto (partie séparée)
117
Violon, Violoncelle (duo)
106
2 Violoncelles (duo)
86
Trio à Cordes: violon, alto, violoncelle
82
Violon (partie séparée)
61
Alto, Violoncelle (duo)
57
2 Violons (duo)
42
2 Harpes (duo)
40
Violon, Alto (duo)
40
Contrebasse, Piano (duo)
32
Contrebasse (partie séparée)
30
Contre Basse
27
2 Altos (duo)
26
Trio à Cordes: 2 violons, violoncelle
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
4 Violoncelles
12
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
10
Violon, Guitare (duo)
10
Harpe, Voix
9
Harpe, Flûte (duo)
8
Violoncelle (partie séparée)
7
Violoncelle, Basse continue
6
Quatuor à cordes: 4 violons
6
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons et Basse continue
4
Violon, Clarinette, Piano (trio)
4
Trio à Cordes: 2 violons, alto
3
Alto, Guitare (duo)
3
Flûte, Contrebasse (duo)
2
Alto et Basson
2
Violoncelle, Orchestre
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
2
Harpe et Piano
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orgue
1
Autoharp
1
Violon, Trompette et Piano
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Ensemble de Violons
1
Violon, Basse continue
1
Harpe, Violon, Violoncelle
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
478
Orchestre d'harmonie
454
Orchestre
240
Orchestre à Cordes
148
Ensemble de cuivres
130
Cloches
129
Jazz combo
103
Orchestre de chambre
41
Batterie (partie séparée)
30
Fanfare
16
Ensemble de Percussions
13
Instrumentation Flexible
6
Piano et Orchestre
5
Marimba
5
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
2
Percussion (partie séparée)
1
Big band
1
Xylophone
1
Percussion
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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MARIAGE - AMOUR - BA…
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Vous avez sélectionné:
C Key
Euphonium, Piano (duo)
Partitions à imprimer
11 partitions trouvées
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1
Oh happy day - Key: F - Gospel - Organ and Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Rimbault
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Thomas Graf
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Oh happy day - Key: F - Gospel
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.569445 Composed by Rimbault. Arranged by Thomas Graf. Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 10 ...
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Euphonium,Piano - Level 3 - SKU: A0.569445 Composed by Rimbault. Arranged by Thomas Graf. Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352257. Published by Thomas Graf - the-hit-factory.com (A0.569445). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Euphonium C / Bb (T.C. / B.C.)      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Oh happy day - Key: F - Gospel - Organ and Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rimbault
#
Thomas Graf
#
Oh happy day - Key: F - Gospel
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.569443 Composed by Rimbault. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 10 pages. Thomas...
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Euphonium,Piano - Level 3 - SKU: A0.569443 Composed by Rimbault. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 10 pages. Thomas Graf - the-hit-factory.com #6352253. Published by Thomas Graf - the-hit-factory.com (A0.569443). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument. Organ and Euphonium C / Bb (T.C. / B.C.)     Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Euphonium, Piano (duo)
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 page...
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Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903503. Published by Brandon C Stanley (A0.1314724). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo euphonium and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Euphonium (English)Euphonium (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo euphonium alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
My Heart Will Go On (Love Theme From 'titanic')
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Celine Dion
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Harry Walker
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My Heart Will Go On
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1505066 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Po...
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Euphonium,Piano - Level 3 - SKU: A0.1505066 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1080471. Published by SCORE EDITIONS (A0.1505066). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
Adagio from BWV 974 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Euphon
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Weddi...
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Euphonium,Piano - Level 3 - SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 6 pages. Diego Marani #806495. Published by Diego Marani (A0.1208386). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for C or Bb euphonium with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
The Nightingale (Le Rossignol) for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score...
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Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
Nocturne Op. 9, No. 1 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Euph
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1283159 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contemporary,Instructional,Romantic Period,...
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Euphonium,Piano - Level 4 - SKU: A0.1283159 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contemporary,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #874455. Published by Diego Marani (A0.1283159). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for C or Bb Euphonium (or also trombone) with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
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