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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
CLARINET
Sheetmusicplus
Non classifié
21 391
Piano & claviers
Accompagnement Piano
477
Piano seul
420
Instruments en Do
106
Piano Facile
93
Piano, Voix et Guitare
76
Piano, Voix
68
Piano (partie séparée)
40
Orgue
30
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Accordéon et Orchestre
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
+ 11 instrumentations
Retracter
Guitares
Guitare (partie séparée)
71
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
22
Guitare, Flûte, Clarinette
18
3 Guitares (trio)
7
Guitare notes et tablatures
6
2 Guitares (duo)
2
Banjo
1
2 Guitares, Clarinette (trio)
1
Basse electrique
1
Mandoline, Piano (duo)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
1 945
Chorale SATB
395
Chorale 3 parties
75
Chorale Unison
45
Chorale 2 parties
44
Voix duo
21
Chorale TTBB
21
Voix Soprano, Piano
9
Voix duo, Piano
8
Chorale SSAA
8
Voix Tenor, Piano
7
Voix d'Enfants
6
Voix Alto, Piano
4
Chorale
4
Voix seule
3
Voix haute
3
Soli, choeur mixte et accompagnement
3
Chorale SSATB
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 15 instrumentations
Retracter
Vents
Clarinette (partie séparée)
14 500
Clarinette et Piano
9 465
Clarinette
9 165
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 318
Flûte, Hautbois, Clarinette, Basson
6 562
Quatuor de Clarinettes: 4 clarinettes
5 737
2 Clarinettes (duo)
5 044
3 Clarinettes (trio)
2 399
Flûte, Clarinette (duo)
2 053
Ensemble de Clarinettes
1 914
Quintette de Clarinettes: 5 clarinettes
1 389
2 Saxophones (duo)
867
Clarinette, Violon (duo)
853
Hautbois, Clarinette (duo)
805
Clarinette Basse, Piano
722
Flûte, Clarinette et Basson
712
Flûte, Hautbois, Clarinette (trio)
695
Saxophone, Clarinette (duo)
675
Clarinette, Basson (duo)
579
Clarinette, Guitare (duo)
510
Hautbois, Clarinette, Basson (trio d'anches)
501
Hautbois, Piano (duo)
389
Clarinette, Violoncelle (duo)
368
Flûte, Clarinette, Piano (trio)
364
2 Flûtes traversières (duo)
356
Clarinette, Trompette (duo)
351
Clarinette Basse
337
Clarinette et Alto
306
Saxophone (partie séparée)
284
Clarinette, Harpe (duo)
263
Saxophone Alto et Piano
231
Flûte traversière et Piano
227
2 Clarinettes, Piano
202
2 Hautbois (duo)
188
Saxophone Tenor et Piano
178
Hautbois, Basson (duo)
160
Flûte, Violon
156
Flûte, Saxophone (duo)
141
Saxophone Soprano et Piano
137
Hautbois, Flûte
132
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Alto (duo)
121
Flûte, Trompette (duo)
120
Clarinette, Trombone (duo)
119
Quatuor de Saxophones: 4 saxophones
119
Flûte, Clarinette, Violon (trio)
113
3 Saxophones (trio)
108
2 Clarinettes, Basson
101
2 Flûte à bec (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte et Guitare
60
Flûte traversière
57
Trio de Flûtes: 3 flûtes
49
Flute (partie séparée)
47
Hautbois (partie séparée)
45
Clarinette, Alto et Piano (trio)
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
38
Quatuor de Flûtes : 4 flûtes
38
Saxophone Tenor
32
Saxophone Alto
32
Clarinette, Tuba
30
Quintette de Saxophone: 5 saxophones
30
Clarinette, Orgue
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
Flûte à bec Soprano
23
Saxophone Baryton, Piano
21
Flûte, Hautbois (duo)
21
Cor anglais, Piano
18
Hautbois, Clarinette et Piano (Trio)
16
Clarinette, Contrebasse (duo)
16
Cor Anglais
15
Ensemble à vent
15
Ensemble de Flûtes
15
Quintette de Flûte : 5 flûtes
14
Hautbois, violon (duo)
12
Cor anglais, Guitare (duo)
12
Ensemble de saxophones
10
Clarinette, Quatuor à cordes et Piano
9
Flûte, Hautbois, Basson
8
3 Hautbois
7
4 Hautbois
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
3 Flûtes à bec (trio)
7
Flûte à bec Tenor
6
Saxophone et Guitare
5
Flûte, Violon, Piano
5
Flute, harpe et violon
4
Flûte à bec Soprano, Piano
4
Flûte à Bec
3
Hautbois
3
Hautbois, Clarinette, Basson et Piano
3
Hautbois, Harpe
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Saxophone
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Flûte, Basson et Piano
2
Flûte à bec Alto, Piano
2
Piccolo, Piano
2
Saxophone et Orchestre
2
Saxophone et Harpe
2
Flûte, Violoncelle
2
2 clarinettes, 2 bassons
2
Quatuor de Flûtes à bec
2
Saxophone Soprano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
+ 119 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
283
2 Trompettes (duo)
186
2 Trombones (duo)
185
Trombone (partie séparée)
162
Trompette, Trombone (duo)
160
Trompette (partie séparée)
139
Trompette, Piano
105
Trombone et Piano
96
Cor et Piano
60
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Cor (partie séparée)
41
Trompette
41
Tuba (partie séparée)
38
Clarinette, Cor (duo)
35
2 Cors (duo)
25
Cor
19
Trombone
18
Cor anglais, Piano
18
2 Tubas (duo)
17
Tuba et Piano
16
Euphonium, Piano (duo)
16
Cor Anglais
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
3 Trompettes (trio)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Euphonium
12
Cor anglais, Guitare (duo)
12
2 Euphoniums (duo)
10
Quatuor de Cuivres
7
Tuba
7
Quatuor de cuivres: 4 trombones
5
Tuba et Orgue
5
Cor et Harpe
4
Instruments en Sib
4
Trompette, Tuba (duo)
3
4 Tubas
3
Trio de Cuivres
2
Trompette, Harpe
2
Ensemble de Cors
2
Trombone et orchestre
2
Ensemble de Trombones
2
3 Cors (trio)
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
2 Cors Anglais Et Pianoforte
1
Trompette, Cor (duo)
1
+ 45 instrumentations
Retracter
Cordes
Violon et Piano
224
2 Altos (duo)
198
Alto, Piano
194
2 Violons (duo)
186
2 Violoncelles (duo)
167
Quatuor à cordes: 2 violons, alto, violoncelle
164
Violon, Alto (duo)
161
Violon, Violoncelle (duo)
153
Violoncelle, Piano
137
Harpe
105
Violon, Clarinette, Piano (trio)
105
Violon
100
Contrebasse (partie séparée)
46
Violoncelle
36
Violon, Guitare (duo)
26
Trio à Cordes: violon, alto, violoncelle
26
Alto seul
23
Harpe, Violon (duo)
20
Harpe, Flûte (duo)
20
2 Contrebasses (duo)
19
Alto et Harpe
18
Contrebasse, Piano (duo)
17
Violon, Violoncelle, Clarinette
16
Harpe, Violoncelle (duo)
15
Trio à cordes: 3 violins
15
Violon (partie séparée)
14
2 Harpes (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Alto, Guitare (duo)
7
Contre Basse
6
Trio à Cordes: 3 violoncelles
6
Alto (partie séparée)
6
Flûte, Contrebasse (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
4
Violon, Clarinette et Guitare
3
4 Violoncelles
3
Violoncelle (partie séparée)
2
Alto et orchestre
2
Harpe, Voix
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9 713
Orchestre
1 538
Fanfare
1 417
Ensemble Jazz
797
Orchestre de chambre
441
Ensemble de cuivres
83
Orchestre à Cordes
72
Jazz combo
65
Batterie (partie séparée)
41
Ensemble de Percussions
38
Percussion (partie séparée)
25
Cloches
23
Vibraphone
21
Marimba
19
Piano et Orchestre
13
Xylophone, Piano
10
Ensemble d'École
8
Batterie
8
Quintette à Vent
7
Trio à Vent: 3 instruments à vents
5
Timbales (partie séparée)
4
Big band
2
Marimba, Piano (duo)
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
Caisse Claire, Piano
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
CLARINET
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
March Rondeau (Clarinet Solo)
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Euphonium, Piano (duo)
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FACILE
#
Contemporain
#
P
#
P
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March Rondeau
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P. R. Frederick
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1488903 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Score and part. 5 pages. P. R. Frede...
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Euphonium,Piano - Level 2 - SKU: A0.1488903 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Score and part. 5 pages. P. R. Frederick #1065759. Published by P. R. Frederick (A0.1488903). This original musical composition called March Rondeau is a Clarinet solo in Rondeau form. The term Rondeau refers to a specific instrumental form popular in the 17th century, featuring a recurring section or refrain that is played throughout the piece. This composition falls within the style of a rondeau.However, there is nothing else 17th century about this piece. It’s a lively concert march for solo Clarinet with piano accompaniment.Separate solo and piano accompaniment parts are provided. Have fun playing this one!See my other clarinet solos here
$12.00
Pure Imagination
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Film/TV
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Pop musique
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Mormon Tabernacle Choir
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Roger Wallace
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Pure Imagination
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Roger Wallace
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score...
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Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score and part. 15 pages. Roger Wallace #951067. Published by Roger Wallace (A0.1366782). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse and Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano and Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Pure Imagination
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Mormon Tabernacle Choir
#
Roger Wallace
#
Pure Imagination
#
Roger Wallace
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,F...
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Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Score and part. 15 pages. Roger Wallace #951101. Published by Roger Wallace (A0.1366786). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano & Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Stacy's Mom
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
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Lawrence H Underwood
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contempo...
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Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695404. Published by Lawrence H Underwood (A0.1091239). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Jopli
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Sonata No. 2, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 2, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Go...
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Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gordon Cherry #426769. Published by Gordon Cherry (A0.820255). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 2, Op. 120 for Euphonium and Piano. This major work of over 21 minutes in length is suitable for advanced performers. The Sonata No. 2 Op. 120 is a late work that was composed along with Sonata No. 1 in 1894. The work is in 3 movements: Allegro amabile, Allegro appassionato and Andante con moto. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and they performed both Sonatas with a private audience from Clara Schumann. Sonata No. 2 is a work of unimaginable beauty and will become a part of the Euphonium repertoire. If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sonata No. 1, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 1, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherr...
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Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6687745. Published by Gordon Cherry (A0.792822). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Euphonium and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Euphonium repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
The Favorite for solo Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696762. Published by David McKeown (A0.1092660). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
One More Sleep
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1112082 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil ...
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Euphonium,Piano - Level 3 - SKU: A0.1112082 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 12 pages. Phil Thrift #714264. Published by Phil Thrift (A0.1112082). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the euphonium + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud. Parts in bass clef and Bb treble clef are included. The solo part is also suitable for trombone, bassoon or Bb bass clarinet.
$4.99
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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