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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Call it a Day
Non classifié
348
Piano & claviers
Piano seul
171
Piano, Voix
38
Piano, Voix et Guitare
36
Piano Facile
31
Instruments en Do
18
Orgue
15
1 Piano, 4 mains
5
Clavier
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
2
2 Guitares (duo)
2
Mandoline
1
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
106
Chorale 3 parties
25
Chorale Unison
17
Chorale 2 parties
16
Chorale TTBB
12
Voix duo, Piano
8
Chorale SSAA
6
Voix Alto, Piano
3
Voix duo
3
Voix haute
3
Voix Soprano
2
Voix Baryton, Piano
2
Voix Tenor
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quintette de Saxophone: 5 saxophones
24
Saxophone Alto et Piano
22
Clarinette et Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
Flûte traversière et Piano
21
Saxophone Soprano et Piano
19
Hautbois, Piano (duo)
16
2 Saxophones (duo)
14
Ensemble de Clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Ensemble de saxophones
11
Clarinette
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
10
Flûte traversière
8
Quintette de Clarinettes: 5 clarinettes
8
Quatuor de Flûtes : 4 flûtes
7
Hautbois (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Saxophone (partie séparée)
6
2 Clarinettes (duo)
6
Saxophone Baryton, Piano
6
2 Flûte à bec (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Flute (partie séparée)
3
Clarinette, Basson (duo)
3
Quatuor de Flûtes à bec
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Flûte et Guitare
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
Clarinette, Violon (duo)
1
Saxophone et Orgue
1
+ 54 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
17
Trombone et Piano
13
Trompette, Piano
11
Cor et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
6
Cor
6
Ensemble de Trombones
6
Trombone
5
2 Cors (duo)
5
Euphonium, Piano (duo)
5
Cor anglais, Piano
4
2 Trombones (duo)
4
Tuba
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trombones
3
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Cor et Orgue
1
Euphonium
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
4 Tubas
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
29
Alto, Piano
18
Violoncelle, Piano
17
Violon
13
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
7
Harpe
7
Violon, Violoncelle (duo)
6
2 Harpes (duo)
5
Contre Basse
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
Alto seul
4
2 Violoncelles (duo)
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Orchestre
52
Orchestre à Cordes
25
Jazz combo
12
Ensemble de cuivres
10
Orchestre de chambre
8
Cloches
8
Ensemble Jazz
6
Ensemble de Percussions
3
Batterie
3
Marimba
1
Xylophone, Piano
1
Fanfare
1
Piano et Orchestre
1
+ 9 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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SheetMusicPlus
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Call it a Day
Euphonium, Piano (duo)
Partitions à imprimer
5 partitions trouvées
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The Flight of the Bumble Bee - Rimsky Korsakov - for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic ...
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Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
 
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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