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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Calling, Calling....
Non classifié
173
Piano & claviers
Piano seul
217
Piano, Voix et Guitare
100
Piano, Voix
76
Piano Facile
36
Orgue
15
Instruments en Do
12
2 Pianos, 4 mains
2
Accompagnement Piano
2
1 Piano, 4 mains
1
2 Orgues (duo)
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79
Paroles et Accords
19
Basse electrique
18
Ligne De Mélodie, (Paroles) et Accords
16
Guitare
9
Ukulele
8
2 Guitares (duo)
1
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale 3 parties
26
Chorale 2 parties
14
Chorale Unison
11
Chorale TTBB
7
Voix duo, Piano
4
Chorale SSAA
3
Voix seule
3
Chorale
3
Voix Soprano, Piano
3
Voix duo
1
Voix Tenor
1
Voix haute
1
+ 8 instrumentations
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Vents
Saxophone Soprano et Piano
14
Saxophone Alto et Piano
14
Flûte traversière
10
Flûte traversière et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
2 Flûtes traversières (duo)
7
Saxophone Alto
7
Saxophone Tenor et Piano
7
Ensemble de Flûtes
6
Clarinette et Piano
5
Hautbois, Piano (duo)
5
2 Saxophones (duo)
5
Clarinette
5
Saxophone Tenor
5
Hautbois (partie séparée)
4
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
2
3 Saxophones (trio)
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
2 Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Flûte à Bec
1
Flûte à bec Alto, Piano
1
Hautbois, Harpe
1
Instruments en Mib
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Ensemble de Clarinettes
1
Hautbois, Flûte
1
Flûte, Violon
1
Clarinette et Alto
1
Quintette de Saxophone: 5 saxophones
1
3 Clarinettes (trio)
1
+ 45 instrumentations
Retracter
Cuivres
Trombone et Piano
10
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Euphonium, Piano (duo)
5
Trombone
4
Cor
4
Cor anglais, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 cors
2
Tuba et Piano
2
Trompette, Piano
2
Trompette, Trombone (duo)
2
Cor et Piano
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Instruments en Sib
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
13
Violoncelle
8
Violoncelle, Piano
8
Violon
6
Alto seul
5
Alto, Piano
5
Harpe
5
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violon, Violoncelle (duo)
2
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Orchestre
23
Orchestre à Cordes
16
Cloches
15
Jazz combo
9
Ensemble de cuivres
7
Ensemble Jazz
4
Batterie
4
Orchestre de chambre
2
Ensemble de Percussions
1
Fanfare
1
+ 6 instrumentations
Retracter
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Instruments
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PERCU. ORCH…
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SYNTHE
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TROMPETTE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
Calling, Calling....
Euphonium, Piano (duo)
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Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
When the Roll is Called Up Yonder, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
James Milton Black
#
David McKeown
#
When the Roll is Called Up Yon
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.593465 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual...
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Euphonium,Piano - Level 2 - SKU: A0.593465 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421157. Published by David McKeown (A0.593465). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Euphonium and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
The Skye Boat Song (Theme from 'Outlander') - Euphonium Duet with Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Folk Song
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Kate Agioritis
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The Skye Boat Song
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Musika Publishing Australia
#
SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.567241 Composed by Folk Song. Arranged by Kate Agioritis. Contemporary. Sc...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.567241 Composed by Folk Song. Arranged by Kate Agioritis. Contemporary. Score and parts. 20 pages. Musika Publishing Australia #6294265. Published by Musika Publishing Australia (A0.567241). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) to the Isle of Skye as he evaded capture following his defeat at the Battle of Culloden in 1746. More recently, this beautiful, lilting song has become known as the opening theme of television series 'Outlander'. Arranged by Kate Agioritis for Euphoniu, Duet with Piano Accompaniment, this moving rendition will be a welcome addition to your repertoire, for any occasion. Visit our website: www.musikapublishing.com.
$10.99
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Calling, Calling....
