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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Opera
Non classifié
577
Piano & claviers
Piano, Voix
478
Piano seul
283
Piano Facile
64
Piano, Voix et Guitare
28
Orgue
26
Accordéon
15
Instruments en Do
13
1 Piano, 4 mains
12
Piano grosses notes
5
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
18
Basse electrique
14
Ukulele
7
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
2
Mandoline
2
Piano, Guitare (duo)
2
Orchestre à Plectres
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
85
Voix seule
57
Chorale 3 parties
21
Voix Soprano, Piano
18
Chorale TTBB
17
Chorale 2 parties
14
Voix duo, Piano
13
Voix duo
13
Voix Tenor, Piano
8
Chorale SSAA
7
Voix haute
7
Voix Baryton, Piano
6
Chorale Unison
5
Voix Alto, Piano
5
Voix Soprano
4
Voix basse, Piano
4
Voix moyenne, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Saxophones: 4 saxophones
56
Clarinette
47
Clarinette et Piano
45
Saxophone Alto et Piano
45
Hautbois, Piano (duo)
42
2 Saxophones (duo)
41
Saxophone Alto
38
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone
35
Flûte traversière
35
Quintette de Saxophone: 5 saxophones
32
2 Flûtes traversières (duo)
28
Saxophone Soprano et Piano
28
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette, Basson
24
3 Saxophones (trio)
22
2 Clarinettes (duo)
21
Hautbois (partie séparée)
18
Saxophone Tenor
17
Ensemble de Clarinettes
16
Cor anglais, Piano
14
Saxophone Baryton, Piano
13
Flûte à bec Soprano
13
Quintette de Clarinettes: 5 clarinettes
12
Quatuor de Flûtes à bec
10
5 Flûtes à bec
10
Flûte à Bec
9
Saxophone (partie séparée)
8
2 Flûte à bec (duo)
8
Ensemble de saxophones
7
Flûte, Clarinette (duo)
7
3 Clarinettes (trio)
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
7
2 Hautbois (duo)
7
Clarinette, Basson (duo)
6
3 Flûtes à bec (trio)
6
Flûte à bec, Guitare (duo)
6
Flûte, Clarinette et Basson
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte à bec Alto
5
Clarinette, Harpe (duo)
5
Flûte, Violon, Piano
4
Clarinette Basse, Piano
4
Hautbois, Basson (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Basson
4
Flûte à Bec, Piano
3
Hautbois
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte et Guitare
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violon
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Flûte traversière, Basse continue
2
Clarinette, Violon (duo)
2
Flûte à bec Tenor
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Violon et Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Piano
2
2 Flûtes traversières, Piano
2
Hautbois, Clarinette (duo)
2
Flûte à bec Soprano, Piano
2
Piccolo, Piano
1
Flûte, trombone et piano
1
Flûte, Trompette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
Hautbois, Flûte
1
Harmonica
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Clarinette (partie séparée)
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
38
Trompette
36
Trompette, Piano
35
Trombone
26
Cor et Piano
24
2 Trombones (duo)
24
Cor
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba et Piano
16
Tuba
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
2 Euphoniums (duo)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
5
Trompette (partie séparée)
5
2 Cors (duo)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
Quatuor de Cuivres
3
2 Tubas (duo)
2
Euphonium
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, Cor (duo)
1
Trombone (partie séparée)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
90
Violoncelle, Piano
61
Violon
49
Alto, Piano
47
Violoncelle
37
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
25
2 Altos (duo)
17
2 Violons (duo)
15
Harpe, Flûte (duo)
14
Harpe
14
2 Violoncelles (duo)
12
2 Harpes (duo)
11
Contrebasse, Piano (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
8
Contre Basse
7
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
7
4 Violoncelles
6
Alto, Violoncelle (duo)
6
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
2 Contrebasses (duo)
4
Quatuor à cordes : 4 altos
3
Harpe et Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
2
Violoncelle (partie séparée)
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Trio à cordes
1
2 Violons et Basse continue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre
82
Ensemble de cuivres
52
Orchestre de chambre
52
Orchestre à Cordes
50
Ensemble de Percussions
9
Cloches
5
Marimba
2
Ensemble Jazz
2
Fanfare
2
Piano et Orchestre
1
Voix et Orchestre
1
+ 7 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Can Opera
Euphonium, Piano (duo)
Partitions à imprimer
12 partitions trouvées
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1
Bel Canto Studies for Euphonium with Piano accompaniment
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Various
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Ralph Sauer
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Bel Canto Studies for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.811112 Composed by Various. Arranged by Ralph Sauer. Baroque,Classical,Romantic Period. Score and part. 48 pages. Go...
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Euphonium,Piano - Level 4 - SKU: A0.811112 Composed by Various. Arranged by Ralph Sauer. Baroque,Classical,Romantic Period. Score and part. 48 pages. Gordon Cherry #5043705. Published by Gordon Cherry (A0.811112). Ralph Sauer has beautifully edited 13 Bel Canto studies for Euphonium by three Italian operatic masters: Rossini, Bellini and Donizetti. These studies are the in the style of vocalises, (having no words) and can be performed unaccompanied, or with their original accompaniments.The Bel Canto studies which are in bass clef, are from the same era as the famous Bordogni studies and can be used by intermediate performers. These 13 works are a wonderful addition to the Euphonium repertoire and can be performed on recitals, auditions and juries.
$17.50
Easter Hymn from Cavaliera Rusticana - Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.722367 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera...
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Euphonium,Piano - Level 4 - SKU: A0.722367 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and part. 7 pages. Music-Scores.com #6439059. Published by Music-Scores.com (A0.722367). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Euphonium and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Intermezzo from Cavalleria Rusticana - Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Pietro Mascagni
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Intermezzo from Cavalleria Rus
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Music-Scores.com
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.721307 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding....
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Euphonium,Piano - Level 3 - SKU: A0.721307 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 4 pages. Music-Scores.com #4310043. Published by Music-Scores.com (A0.721307). Intermezzo from the opera Cavalleria Rusticana.This arrangement is a duo for Euphonium and Piano.Duration 2 minutes, 40 seconds. Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Marche Religieuse (from Alceste) by Gluck - Arranged for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Christoph Willibald Von Gluck
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Alexandre CARLIN
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Marche Religieuse
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Alexandre CARLIN
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.779844 Composed by Christoph Willibald Von Gluck. Arranged by Alexandre CARLIN. Christian,Classical,Contemporary,Sac...
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Euphonium,Piano - Level 3 - SKU: A0.779844 Composed by Christoph Willibald Von Gluck. Arranged by Alexandre CARLIN. Christian,Classical,Contemporary,Sacred,Wedding. Score and part. 11 pages. Alexandre CARLIN #5721273. Published by Alexandre CARLIN (A0.779844). Alceste is an opera composed by german composer Christoph Willibald Gluck in 1767. Gluck was famous for his operas in italian and french style, anouncing the classical era. Among his most famous works are Alceste, Orfeo ed Euridice and Iphigenie en Tauride.This arrangement of the very nice slow air Marche Religieuse can be played in concert or in Church as a sacred piece.8 pages score and 3 pages part (Euphonium in C, in Bb B.C. and in Bb T.C.). Easy piano part.
$8.99
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Gregory Sullivan Isaacs: Song Without Words for Bb euphonium (treble clef) and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.533376 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. M...
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Euphonium,Piano - Level 4 - SKU: A0.533376 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618665. Published by Musik Fabrik Music Publishing (A0.533376). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Flight of the Bumble Bee - Rimsky Korsakov - for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic ...
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Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Queen of the Night - From the Magic Flute - 2 Euphoniums/ Trombones and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760218 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Cl...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 3 - SKU: A0.760218 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and parts. 23 pages. Raymond Fenech #3520115. Published by Raymond Fenech (A0.760218). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.Can send you backing Mp3 with proof of buying. email: rfenech58@gmail.com
$4.99
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