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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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Non classifié
1 034
Piano & claviers
Piano seul
644
Piano, Voix
221
Piano Facile
136
Piano, Voix et Guitare
89
Orgue
39
Instruments en Do
26
Accompagnement Piano
23
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
7
Piano (partie séparée)
4
Orgue, Piano (duo)
4
2 Pianos, 4 mains
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
38
Guitare
36
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
Ukulele
4
3 Guitares (trio)
3
Basse electrique
3
Dulcimer
1
Banjo
1
Mandoline
1
+ 8 instrumentations
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Voix
Chorale SATB
300
Voix seule
240
Chorale TTBB
94
Chorale 2 parties
92
Chorale 3 parties
77
Chorale SSAA
73
Chorale Unison
30
Voix duo
16
Voix duo, Piano
9
Voix Soprano, Piano
4
Voix haute
4
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix basse
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
113
Flûte, Hautbois, Clarinette, Basson
79
Flûte traversière et Piano
59
2 Saxophones (duo)
53
Saxophone Alto et Piano
45
Clarinette et Piano
37
Quatuor de Clarinettes: 4 clarinettes
34
Hautbois, Piano (duo)
33
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Saxophone, Clarinette (duo)
20
Saxophone Soprano et Piano
17
Flûte traversière
17
Saxophone (partie séparée)
16
Ensemble de Clarinettes
15
3 Saxophones (trio)
15
Clarinette, Trompette (duo)
14
Clarinette
14
Saxophone Alto
14
Quintette de Saxophone: 5 saxophones
14
Saxophone Tenor et Piano
13
Clarinette, Violon (duo)
12
Hautbois, Flûte
12
Flûte, Clarinette (duo)
12
Saxophone Tenor
11
Flûte et Guitare
11
Trio de Flûtes: 3 flûtes
10
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Basson (duo)
9
Ensemble de Flûtes
9
3 Clarinettes (trio)
8
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Ensemble de saxophones
7
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Alto (duo)
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
6
Flûte, Saxophone (duo)
5
Flute, harpe et violon
5
Flûte, Trompette (duo)
5
Flûte, Violon
4
2 Flûte à bec (duo)
4
Flûte, Clarinette, Piano (trio)
4
Hautbois (partie séparée)
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Basson (duo)
3
Clarinette, Harpe (duo)
3
Clarinette Basse, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Violoncelle et Piano
3
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Hautbois
2
Quintette de Flûte : 5 flûtes
2
2 Clarinettes, Piano
2
Quatuor de Flûtes à bec
2
Flûte, Violon et Violoncelle
2
Hautbois et alto (duo)
1
Saxophone et Guitare
1
Flûte, Basson et Piano
1
Cornemuse
1
Flûte, Violon, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Harmonica
1
Flûte à bec Soprano
1
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Clarinette (partie séparée)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
Clarinette, trompette et piano
1
Flute (partie séparée)
1
+ 80 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette, Piano
31
Quatuor de Cuivres
21
Trombone et Piano
21
2 Trompettes (duo)
20
Cor et Piano
18
Trompette (partie séparée)
18
Trompette
15
2 Trombones (duo)
14
Trompette, Saxophone (duo)
13
Trombone
13
Trombone (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Quatuor de cuivres: 4 cors
6
Cor
6
Cor anglais, Piano
6
2 Cors (duo)
5
Tuba et Piano
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
4
3 Tubas (trio)
3
3 Trombones (trio)
3
Cor (partie séparée)
3
Tuba (partie séparée)
2
Trombone, Cor (duo)
2
Trio de Cuivres
2
Euphonium, Piano (duo)
2
Ensemble de Cors
2
4 Tubas
2
3 Cors (trio)
2
Trompette, Cor (duo)
2
Tuba
2
2 Cors, Piano
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Cor Anglais
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Euphonium
1
Cor et Harpe
1
Trompette, Harpe
1
+ 40 instrumentations
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Cordes
Harpe
406
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
51
Violoncelle, Piano
41
Violon
38
Alto, Piano
36
2 Harpes (duo)
28
Violon, Violoncelle (duo)
25
Violon, Alto (duo)
24
Trio à Cordes: violon, alto, violoncelle
24
2 Violons (duo)
23
Violoncelle
21
2 Altos (duo)
17
2 Violoncelles (duo)
15
Harpe, Violon (duo)
11
Alto seul
11
Violon (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
7
Alto, Violoncelle (duo)
6
Contrebasse (partie séparée)
6
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
5
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Alto et Harpe
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
1
Harpe, Violon, Violoncelle
1
Autoharp
1
4 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
141
Ensemble Jazz
116
Cloches
81
Orchestre
79
Orchestre à Cordes
61
Orchestre de chambre
45
Ensemble de cuivres
29
Jazz combo
20
Ensemble de Percussions
11
Fanfare
6
Batterie (partie séparée)
3
Marimba
2
Piano et Orchestre
2
Percussion (partie séparée)
1
Xylophone
1
Batterie
1
Vibraphone
1
Percussion
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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MANDOLINE
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Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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