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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chris Ott
Non classifié
1 120
Piano & claviers
Piano seul
628
Piano, Voix et Guitare
584
Piano, Voix
361
Orgue
354
Piano Facile
236
Instruments en Do
47
1 Piano, 4 mains
32
Accompagnement Piano
24
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
8
Orgue, Trompette (duo)
6
Orgue, Piano (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Fake Book
4
Clavecin
3
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
1 Piano, 6 mains
1
Clavier
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
103
Ukulele
63
Guitare notes et tablatures
59
Guitare
37
Basse electrique
27
Paroles et Accords
25
2 Guitares (duo)
7
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
2
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
684
Chorale 3 parties
195
Chorale 2 parties
80
Chorale TTBB
76
Pack Instrumental pour Chorale
53
Chorale SSAA
50
Voix duo, Piano
32
Chorale Unison
27
Voix seule
18
Chorale
11
Voix Soprano, Piano
9
Voix Baryton, Piano
8
Chorale SSAATTBB
8
Voix duo
8
Voix haute
6
Chorale SSAB a cappella
4
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
3
Chorale SSATB
3
Voix, Guitare
3
Chorale SSATTB
2
Voix Alto, Piano
2
Voix basse
1
Chorale SSATBB
1
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
Chorale SATTB
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
76
Quatuor de Saxophones: 4 saxophones
63
Flûte, Hautbois, Clarinette, Basson
63
Hautbois, Piano (duo)
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Clarinette et Piano
49
Saxophone Alto et Piano
46
Saxophone Tenor et Piano
44
3 Saxophones (trio)
36
Quatuor de Clarinettes: 4 clarinettes
35
Clarinette
35
Flûte traversière
32
2 Saxophones (duo)
32
2 Flûtes traversières, Piano
29
2 Flûtes traversières (duo)
28
2 Clarinettes (duo)
27
Saxophone Tenor
27
Saxophone Alto
27
Flûte à Bec
25
Quatuor de Flûtes : 4 flûtes
25
2 Flûte à bec (duo)
24
Saxophone Soprano et Piano
23
Quintette de Saxophone: 5 saxophones
19
3 Clarinettes (trio)
18
Saxophone (partie séparée)
18
Saxophone Baryton, Piano
13
3 Flûtes à bec (trio)
12
Flûte et Guitare
12
Flûte, Clarinette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Trio de Flûtes: 3 flûtes
11
Hautbois (partie séparée)
11
Quatuor de Flûtes à bec
11
Cor anglais, Piano
10
Ensemble de Clarinettes
10
Flûte, Violon, Piano
10
Clarinette (partie séparée)
8
Quintette de Flûte : 5 flûtes
8
Ensemble de saxophones
8
Saxophone Soprano
7
Flute (partie séparée)
6
Flûte à bec Alto, Piano
6
Flûte à bec Soprano, Piano
6
5 Flûtes à bec
6
Flûte, Violoncelle, Piano (trio)
6
Ensemble de Flûtes
5
2 Clarinettes, Piano
5
Hautbois, Basson (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Alto, Basse continue
4
2 Hautbois (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte à bec Soprano
4
Flûte, Violon et Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
3
Ensemble De Flûte à bec
3
Clarinette, Basson (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Violon
3
Clarinette Basse, Piano
3
Cor Anglais
2
Clarinette, Violon (duo)
2
Hautbois, Violoncelle et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Ocarina
2
Flûte, Hautbois, Basson
2
Flûte, Alto et Piano
2
Hautbois
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à Bec, Piano
2
Piccolo, Piano
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Saxophone et Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Orgue
1
3 Hautbois
1
Flûte, Violoncelle
1
Flûte irlandaise
1
Hautbois, Harpe
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Guitare
1
Flûte, Harpe et Violoncelle
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette (duo)
1
+ 90 instrumentations
Retracter
Cuivres
Trompette
80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Trompette, Piano
47
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor et Piano
17
Trompette (partie séparée)
15
2 Trompettes (duo)
15
Quatuor de cuivres: 4 cors
12
Cor
11
Cor anglais, Piano
10
Quatuor de cuivres: 4 trombones
10
Tuba
9
Euphonium, Piano (duo)
9
Quatuor de Cuivres
8
2 Cors (duo)
7
2 Trombones (duo)
7
Quatuor de cuivres: 4 trompettes
7
3 Trompettes (trio)
5
Trompette, Cor (duo)
5
Ensemble de Trombones
4
Trombone (partie séparée)
4
Ensemble de Cors
4
Cor (partie séparée)
4
Trompette, Trombone (duo)
4
4 Tubas
3
Tuba et Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Euphonium
3
2 Euphoniums et 2 Tubas
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor Anglais
2
Trombone, Orgue
2
Trombone basse
2
Trompette, Violoncelle et Piano
2
Ensemble de Trompettes
2
Trio de Cuivres
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Tuba et Orgue
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Violoncelle (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
137
Violon et Piano
87
2 Violoncelles (duo)
86
Violoncelle, Piano
62
2 Violons (duo)
52
Violon
51
Violon (partie séparée)
43
Alto, Piano
42
Violoncelle
41
Harpe
41
Violon, Violoncelle (duo)
41
Violon, Alto (duo)
33
2 Altos (duo)
27
Alto seul
26
Alto, Violoncelle (duo)
24
Trio à Cordes: 2 violons, violoncelle
21
Trio à Cordes: violon, alto, violoncelle
21
Alto (partie séparée)
13
Violoncelle (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
4 Violoncelles
10
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 violins
7
2 Harpes (duo)
6
Contre Basse
6
Trio à Cordes: 3 violoncelles
6
Contrebasse (partie séparée)
6
Harpe, Flûte (duo)
5
Violon, Basse continue
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Harpe, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
3
Alto et Harpe
3
2 Violons, Piano
3
Violoncelle, Orgue
3
Violon, Guitare (duo)
3
Violon, Orgue
2
Violoncelle, Basse continue
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Alto et Basson
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre à Cordes
67
Orchestre
42
Cloches
42
Ensemble de cuivres
25
Batterie
24
Ensemble Jazz
19
Orchestre de chambre
17
Marimba
9
Ensemble de Percussions
8
Jazz combo
8
Percussion (partie séparée)
6
Fanfare
5
Orchestre, Violon
1
Timbales (partie séparée)
1
Percussion
1
+ 11 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Chris Ott
Euphonium, Piano (duo)
Partitions à imprimer
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1
Just As I Am, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duo)
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Charlotte Elliott
#
David McKeown
#
Just As I Am, Gospel Hymn for
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.592915 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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Euphonium,Piano - Level 2 - SKU: A0.592915 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413415. Published by David McKeown (A0.592915). Just as I Am is a beautiful hymn arranged here for Solo Euphonium and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
(+)
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
#
Euphonium, Piano (duo)
#
FACILE
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Bar
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
O Holy Night
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Adolphe-Charles Adam
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Gary Burch
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O Holy Night
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Great Scott Bones Music
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.848199 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worship,Romantic Perio...
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Euphonium,Piano - Level 4 - SKU: A0.848199 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worship,Romantic Period,Sacred. Score and part. 12 pages. Great Scott Bones Music #3467708. Published by Great Scott Bones Music (A0.848199). O Holy Night composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Burch. For Euphonium and Piano. Contains solo part, piano score, and program notes. Includes Euphonium TC part. Grade 3. Published by Great Scott Bones Music.A piano accompaniment mp3 is available for this music. Search for item: S0.302467.
$7.95
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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