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588
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278
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61
1 Piano, 4 mains
18
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16
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15
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2
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2
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VOIX
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168
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35
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22
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7
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6
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2
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2
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40
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38
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36
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34
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30
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26
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25
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23
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19
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18
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14
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14
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11
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8
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8
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8
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8
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8
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5
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5
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5
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4
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4
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3
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2
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1
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1
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1
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53
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52
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47
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34
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27
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26
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19
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18
Cor
18
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15
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15
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12
Tuba et Piano
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12
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12
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12
Quatuor de cuivres: 4 cors
11
Tuba
9
Euphonium, Tuba (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Trombone (duo)
6
Cor et Harpe
6
3 Trompettes (trio)
6
Trompette, Harpe
5
Euphonium, Piano (duo)
4
2 Tubas (duo)
3
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3
Cor anglais, Piano
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2
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3 Trombones (trio)
2
Trompette et Guitare
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2 Euphoniums et 2 Tubas
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2
Ensemble de Trompettes
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Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle et Piano
1
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1
Trompette, Tuba (duo)
1
Trombone basse
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
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4 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon et Piano
81
Alto, Piano
55
Violoncelle, Piano
54
Harpe
45
2 Violons (duo)
37
Violon
32
2 Violoncelles (duo)
28
2 Harpes (duo)
27
Violon, Violoncelle (duo)
26
Violon, Alto (duo)
24
Violoncelle (partie séparée)
22
Trio à Cordes: violon, alto, violoncelle
22
2 Altos (duo)
20
Alto seul
17
Violoncelle
14
Violon (partie séparée)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Piano Trio: Violon, Alto, Piano
10
Harpe, Violoncelle (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
9
Contre Basse
9
Harpe, Violon (duo)
7
Quatuor à cordes : 4 altos
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à cordes
5
Contrebasse (partie séparée)
4
Alto et Harpe
4
Contrebasse, Piano (duo)
3
Violon, Guitare (duo)
3
Harpe, Trombone (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
2
Harpe (partie séparée)
2
Trio à cordes: 3 violins
1
2 Violoncelles, Piano
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Trompette et Piano
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violons
1
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PERCUSSIONS & ORCHESTRES
Cloches
224
Orchestre d'harmonie
74
Orchestre à Cordes
62
Ensemble de cuivres
50
Orchestre
41
Orchestre de chambre
7
Ensemble Jazz
7
Jazz combo
6
Percussion (partie séparée)
6
Marimba
3
Timbales (partie séparée)
2
Batterie (partie séparée)
2
Percussion
2
Timbales
1
Batterie
1
Vibraphone et Marimba
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AUTRES
Vous avez sélectionné:
Christmas Hymn - Flute
Euphonium, Piano (duo)
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Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
23.07 €
#
Euphonium, Piano (duo)
#
Johann Sebastian Bach
#
James M
#
 
#
Bach: Wachet auf for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
23.07 €
#
Euphonium, Piano (duo)
#
Johann Sebastian Bach
#
James M
#
 
#
Bach: Wachet auf for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Ave Verum Corpus - Euphonium and Piano - Intermediate level
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.760717 Composed by Wolfgang Am…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.760717 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. Score and part. 10 pages. Raymond Fenech #5852383. Published by Raymond Fenech (A0.760717). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$3.99
3.69 €
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Euphonium, Piano (duo)
#
Wolfgang Amadeus Mozart
#
Raymond Fenech
#
Ave Verum Corpus - Euphonium and Piano - Intermediate level
#
Raymond Fenech
#
SheetMusicPlus
Gloria in Excelsis Deo - for 2 Euphoniums and Piano
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download …
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.759909 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Praise & Worship. Score and parts. 19 pages. Raymond Fenech #3450741. Published by Raymond Fenech (A0.759909). Antonio Vivaldi wrote at least three settings of the hymn Gloria in Excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass. Gloria in Excelsis Deo is a familiar and popular piece among sacred works by Vivaldi. It was probably written in 1715. The Level is Advance Intermediate and the duration is approximately 2.38 minutes. It could be played in any type of recital/concert.
$4.99
4.61 €
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Euphonium, Piano (duo)
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Antonio Vivaldi
#
Raymond Fenech
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Gloria in Excelsis Deo - for 2 Euphoniums and Piano
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Raymond Fenech
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SheetMusicPlus
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