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4252
PIANO & CLAVIERS
Piano, Voix et Guitare
31847
Piano, Voix
16779
Piano Facile
5107
Piano seul
2914
Piano grosses notes
2281
Orgue
655
1 Piano, 4 mains
131
Accordéon, Voix
115
Ligne De Mélodie, Piano
97
Instruments en Do
73
2 Pianos, 4 mains
37
Piano Trio: piano, violon, violoncelle
27
Clavecin
21
Accordéon
15
Accompagnement Piano
11
Orgue, Voix
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble d'Accordéons
2
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Orgue et Orchestre
1
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GUITARES
Guitare notes et tablatures
9478
Ligne De Mélodie, (Paroles) et Accords
6906
Basse electrique
1782
Ukulele
1495
Guitare
204
Banjo
49
Mandoline
37
Dulcimer
17
2 Guitares (duo)
16
Guitare (partie séparée)
14
3 Guitares (trio)
13
Mandoline, Piano (duo)
12
Paroles et Accords
10
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7
4 Guitares (Quatuor)
3
Dobro
2
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2
Guitare Pedal Steel
1
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1
2 Ukuleles
1
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VOIX
Chorale SATB
2449
Chorale 3 parties
894
Chorale 2 parties
372
Chorale TTBB
304
Chorale SSAA
122
Voix, Guitare
113
Voix duo, Piano
102
Chorale
75
Voix Moyenne
66
Chorale Unison
61
Chorale SSATBB
24
Voix Baryton, Piano
16
Voix Soprano, Piano
15
Voix seule
14
Pack Instrumental pour Chorale
12
Voix duo
7
Chorale SATTB
7
Voix Tenor, Piano
7
Chorale SSATTB
6
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5
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5
Soli, choeur mixte et accompagnement
5
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4
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4
Voix Alto, Piano
4
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3
Voix haute
3
Chorale SSAB a cappella
2
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
384
Quatuor de Saxophones: 4 saxophones
336
Quintette de Saxophone: 5 saxophones
236
Flûte traversière et Piano
235
Flûte, Hautbois, Clarinette, Basson
222
Ensemble de Clarinettes
217
Ensemble de saxophones
196
Clarinette et Piano
185
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152
2 Saxophones (duo)
144
Quatuor de Clarinettes: 4 clarinettes
136
Clarinette
127
Hautbois, Piano (duo)
112
Flûte traversière
96
2 Flûtes traversières (duo)
90
Saxophone (partie séparée)
88
Quatuor de Flûtes : 4 flûtes
76
Saxophone Alto
73
Saxophone Tenor et Piano
68
2 Clarinettes (duo)
60
Saxophone Soprano et Piano
53
Clarinette, Harpe (duo)
50
Hautbois (partie séparée)
43
Harmonica
42
Saxophone Tenor
42
Flûte et Guitare
42
3 Saxophones (trio)
36
2 Hautbois (duo)
34
Trio de Flûtes: 3 flûtes
34
Quintette de Clarinettes: 5 clarinettes
31
Quintette de Flûte : 5 flûtes
31
Saxophone Baryton, Piano
30
Flûte, Clarinette (duo)
27
Ensemble de Flûtes
25
Hautbois, Basson (duo)
24
Cor anglais, Piano
23
Clarinette, Guitare (duo)
22
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
19
3 Clarinettes (trio)
18
Saxophone, Clarinette (duo)
17
2 Flûte à bec (duo)
17
Flûte à bec Soprano
15
Clarinette, Violon (duo)
12
Clarinette (partie séparée)
12
Clarinette Basse, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Clarinette, Trompette (duo)
11
Flûte à Bec
11
Hautbois, Guitare (duo)
11
Flute (partie séparée)
10
Flûte, Hautbois, Clarinette (trio)
9
2 Flûtes traversières, Piano
8
Hautbois
8
Flûte, Violon
8
Flûte, Saxophone (duo)
7
Clarinette, Basson (duo)
7
Flûte, Clarinette, Piano (trio)
6
3 Flûtes à bec (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Ensemble à vent
5
2 Clarinettes, Piano
5
Cor Anglais
5
Flûte à bec Alto
5
Saxophone
5
Hautbois, Flûte
5
Flûte, Trompette (duo)
4
Clarinette et Alto
4
Saxophone Soprano
4
Flûte, Violon, Piano
4
Flûte, Alto (duo)
4
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Flûte, Violon et Violoncelle
2
2 Cors Anglais Et Pianoforte
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Flûte, Violoncelle
2
Flute, harpe et violon
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Flûte et Trio à cordes
2
2 Saxophones, Piano
2
Clarinette Basse
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
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Flûte, Alto et Piano
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Flûte, trombone et piano
1
Saxophone et Guitare
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Flûte de Pan
1
Flûte à bec, Guitare (duo)
1
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1
Hautbois, violon (duo)
1
Flûte, Hautbois (duo)
1
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1
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1
Flûte, Hautbois, Piano (trio)
1
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1
Clarinette, trompette et piano
1
Ocarina
1
Flûte, Violon, Violoncelle et Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
445
Quatuor de Cuivres : 2 trompettes, trombone, tuba
168
Trombone et Piano
117
Trompette, Piano
109
Ensemble de Trompettes
100
Trompette
90
Cor et Piano
85
Quatuor de cuivres: 4 trombones
67
Quatuor de Cuivres
66
Quatuor de Cuivres: 2 trompettes, Cor, trombone
61
Ensemble de Trombones
53
Trombone (partie séparée)
50
Tuba et Piano
48
Trombone
47
Cor
46
2 Trompettes (duo)
40
Trompette (partie séparée)
40
2 Trombones (duo)
39
Trompette, Trombone (duo)
31
2 Cors (duo)
27
Quatuor de cuivres: 4 trompettes
25
Cor anglais, Piano
23
3 Trompettes (trio)
21
Tuba
21
Euphonium, Piano (duo)
20
Quatuor de cuivres: 4 cors
16
Cor (partie séparée)
13
Trombone, Tuba (duo)
13
3 Trombones (trio)
12
Trompette, Saxophone (duo)
10
Ensemble de Cors
10
2 Tubas (duo)
8
3 Cors (trio)
8
Tuba (partie séparée)
8
Euphonium
6
4 Tubas
6
Cor Anglais
5
2 Euphoniums (duo)
5
Trompette, Cor (duo)
5
Instruments en Sib
4
Bass Clef Instruments
4
3 Tubas (trio)
4
Euphonium, Tuba (duo)
4
Trio de Cuivres
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle et Piano
3
Trombone, Cor (duo)
3
2 Cors Anglais Et Pianoforte
2
Instruments en Fa
2
Trompette, Tuba (duo)
2
Trombone basse
2
Tuba et Orgue
2
Trombone, Orgue
2
2 Euphoniums et 2 Tubas
1
Trompette, Orchestre
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette et Guitare
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
660
Violon et Piano
329
Harpe
244
Violoncelle, Piano
165
Violon
157
Violon (partie séparée)
150
Alto, Piano
141
Violoncelle
129
2 Violons (duo)
100
Violon, Violoncelle (duo)
70
2 Violoncelles (duo)
65
2 Altos (duo)
63
Trio à Cordes: violon, alto, violoncelle
58
Violon, Alto (duo)
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Alto seul
50
Harpe, Flûte (duo)
48
Violon, Guitare (duo)
39
2 Harpes (duo)
34
Ensemble de Violons
30
Trio à Cordes: 2 violons, violoncelle
30
Ensemble d'Altos
29
Contre Basse
27
Trio à cordes
26
Alto (partie séparée)
26
Contrebasse, Piano (duo)
23
Alto, Violoncelle (duo)
16
Contrebasse (partie séparée)
16
Violoncelle , Guitare (duo)
14
4 Violoncelles
13
2 Violons, Piano
13
Alto, Guitare (duo)
12
Trio à cordes: 3 violins
10
Quatuor à cordes: 4 violons
10
Harpe et mandoline
9
Trio à cordes: 3 altos
9
Quatuor à cordes : 4 altos
6
Flûte, Contrebasse (duo)
5
Harpe, Voix
5
2 Contrebasses (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Contrebasse (duo)
3
Autoharp
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violoncelles
2
4 Contrebasses
1
Violoncelle, Orchestre
1
Alto et Basson
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
3 Contrebasses
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5785
Orchestre
5232
Ensemble Jazz
2774
Orchestre à Cordes
1994
Fanfare
1081
Orchestre de chambre
273
Percussion
221
Jazz combo
126
Ensemble de cuivres
115
Cloches
43
Batterie
38
Percussion (partie séparée)
18
Ensemble de Percussions
14
Marimba
8
Batterie (partie séparée)
7
Ensemble d'École
7
Xylophone
4
Orchestre, Violon
4
Quintette de Cuivres: autres combinaisons
3
Piano et Orchestre
3
Vibraphone
3
Instrumentation Flexible
2
Quintette à Vent
2
2 Xylophones
1
Big band
1
Timbales (partie séparée)
1
Vibraphone et Marimba
1
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AUTRES
Théorie de la musique
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Vivaldi: The Six Sonatas Complete for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.551195 Composed by Antonio Viv…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.551195 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 137 pages. Jmsgu3 #5003807. Published by jmsgu3 (A0.551195). Antonio Vivaldi: The Six Sonatas - Complete
$59.95
54.36 €
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Euphonium, Piano (duo)
#
Antonio Vivaldi
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James M
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Vivaldi: The Six Sonatas Complete for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duo)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
45.29 €
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Euphonium, Piano (duo)
#
Antonio Vivaldi (1678-1741)
#
James M
#
Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grie…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.36 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.551502 Composed by Edvard Grie…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.551502 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.36 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.62 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.62 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Romance No. 2 in F, Op. 50 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van …
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.810882 Composed by Ludwig van Beethoven. Arranged by Cherry, Gordon. Romantic Period. Score and part. 13 pages. Gordon Cherry #3667959. Published by Gordon Cherry (A0.810882). Beethoven's Romance in F Opus 50 has been a staple of Violinists for over 210 years, having been written in 1798. The F-major Romance is a tender, adagio cantabile movement full of beauty, requiring grace, poise and elegance to perform properly. It has been said that it could have been titled Song Without Words, the music being so lyrical of character. 'Romance' may have been written as a slow movement to a Violin Concerto that was never completed. This arrangement by Gordon Cherry is a wonderful addition to the Euphonium repertoire.Almost 10 minutes in length, this work for advanced performers will be a great addition to any recital.
$15.00
13.6 €
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Euphonium, Piano (duo)
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Ludwig van Beethoven
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Cherry, Gordon
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Romance No. 2 in F, Op. 50 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.44 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Hungarian Dance No. 5 for Euphonium (or Trombone) and Piano
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.528433 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6014033. Published by Diego Marani (A0.528433). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Euphonium or Trombone (C and Bb) with piano accompaniment reflects faithfully the original.
$8.90
8.07 €
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Euphonium, Piano (duo)
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Johannes Brahms
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Diego Marani
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Hungarian Dance No. 5 for Euphonium
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Diego Marani
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
29.88 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.17 €
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Euphonium, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Pequena Suite for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792564 Composed by Heitor Vill…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792564 Composed by Heitor Villa-Lobos. Arranged by Ralph Sauer. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #5008587. Published by Gordon Cherry (A0.792564). Villa-Lobos' Pequena Suite is an early work written in 1913 originally composed for Cello and has been arranged for Euphonium and Piano by Ralph Sauer. The Suite of six movements are titled:1. Romancette2. Legendária3. Harmonias soltas4. Fugato (all’antica)5. Melodia6. Gavotte-ScherzoThe movements alternate slow-fast-slow-fast, etc., the slow movements are serious and contemplative and the fast ones are playful and bouncy.The complete work is about 13 minutes in length and suitable for advanced performers.
$22.50
20.4 €
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Euphonium, Piano (duo)
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Heitor Villa-Lobos
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Ralph Sauer
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Pequena Suite for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
EVENTIDE (Abide With Me) - for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 1 - Digital Download SKU: A0.770507 Composed by William Hen…
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.770507 Composed by William Henry Monk. Arranged by Ivan Marini. Classical,Instructional,Praise & Worship,Sacred. Score and part. 5 pages. Www.dalsegno.eu #6027787. Published by www.dalsegno.eu (A0.770507). Easy arrangement of this beloved Hymn, ideal for every Euphonium player.Ideal as lovely concert piece, sweet encore or for every worship events.Complete set with Piano score and two Euphonium parts (Treble Clef and Bass Clef).Duration approx. 2 mins., 5 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.8 €
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Euphonium, Piano (duo)
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William Henry Monk
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Ivan Marini
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EVENTIDE
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www.dalsegno.eu
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SheetMusicPlus
I Will Survive
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.834625 By Gloria Gaynor. By Di…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.834625 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by MAJOR SCORE PUBLISHING TM. Film/TV. Score and part. 15 pages. Major Score Publishing #6212215. Published by Major Score Publishing (A0.834625). Look no further! This carefully transcribed & arranged version of the Gloria Gaynor classic I will survive is here for you as a euphonium & piano duet! This arrangement delivers all the expectations of the original recording with a few extra chord extensions that are sure to exceed expectations of the performers and listening audience. This arrangement can be performed as a samba or with disco feel. This arrangement starts off with the piano cadenza into & into rubato and then into tempo. Following the same verse and chorus pattern as the recording then ending off with 2 instrumental choruses as in the original recording that can also be heard in the attached demo. The complete euphonium part is based off of the original vocal recording in addition to the fully written out piano part ( which also contains the euphonium part) doubling as a score. This arrangement is in the key of A minor. Enjoy!
$7.99
7.24 €
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Euphonium, Piano (duo)
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Gloria Gaynor
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MAJOR SCORE PUBLISHING TM
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I Will Survive
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Major Score Publishing
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SheetMusicPlus
Fantasy Pieces for Euphonium and Piano
Euphonium, Piano (duo)
Piano Accompaniment, Euphonium - Advanced - Digital Download Composed by Robert Schum…
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Piano Accompaniment, Euphonium - Advanced - Digital Download Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. 36 pages. Published by Cherry Classics Music
Item Number: S0.164771<br> <br> There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. Schumann directs the performers to follow on to the next section, indicating that these movements were intended as a whole.<br> <br> <br> <br> From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work.<br> <br> <br> <br> This version has been skillfully arranged for Euphonium and Piano by Ralph Sauer, formerly Principal Trombonist of the Los Angeles Philharmonic.Item Number: S0.164771<br> <br> There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. Schumann directs the performers to follow on to the next section, indicating that these movements were intended as a whole.<br> <br> <br> <br> From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work.<br> <br> <br> <br> This version has been skillfully arranged for Euphonium and Piano by Ralph Sauer, formerly Principal Trombonist of the Los Angeles Philharmonic.
$17.50
15.87 €
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Euphonium, Piano (duo)
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Robert Schumann
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Sauer, Ralph
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Fantasy Pieces for Euphonium and Piano
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Cherry Classics Music
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SheetMusicPlus
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