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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto for String Orchestra
Non classifié
307
Piano & claviers
Accompagnement Piano
14
2 Pianos, 4 mains
11
Piano seul
11
Orgue, Piano (duo)
2
Orgue
2
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix
1
+ 4 instrumentations
Retracter
Guitares
Guitare
4
Mandoline
3
Piano, Guitare (duo)
2
Guitare, Quatuor à cordes
2
Luth
1
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Vents
5 Flûtes à bec
15
Quintette de Saxophone: 5 saxophones
11
Flûte traversière et Piano
11
Quatuor de Flûtes à bec
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Hautbois (partie séparée)
8
Hautbois, Piano (duo)
8
Saxophone Alto et Piano
8
2 Hautbois (duo)
8
Quatuor de Saxophones: 4 saxophones
7
3 Saxophones (trio)
7
Ensemble De Flûte à bec
6
Cor Anglais
6
2 Saxophones (duo)
5
2 Cors Anglais Et Pianoforte
5
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette Basse, Piano
4
Saxophone Tenor et Piano
4
Clarinette et Piano
4
Saxophone Soprano et Piano
3
Clarinette
3
Cor anglais, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Clarinettes
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière, Orchestre
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Piano
1
Ensemble de saxophones
1
2 Flûte à bec (duo)
1
Flûte et Trio à cordes
1
2 Clarinettes (duo)
1
Flûte à Bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette (duo)
1
Ensemble de Hautbois
1
Hautbois et Orchestre
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière
1
Clarinette, Orchestre
1
Clarinette, Basson (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes traversières (duo)
1
3 Clarinettes (trio)
1
+ 43 instrumentations
Retracter
Cuivres
Trombone et Piano
8
Cor Anglais
6
2 Cors Anglais Et Pianoforte
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
4
Trompette, Piano
3
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Ensemble de Trombones
2
Trompette
2
2 Trompettes (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Trombones (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trompette, Orchestre
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
+ 21 instrumentations
Retracter
Cordes
Violon (partie séparée)
87
Quatuor à cordes: 2 violons, alto, violoncelle
34
Contrebasse (partie séparée)
29
Violoncelle (partie séparée)
28
Violon et Piano
23
Alto seul
21
Violoncelle, Piano
10
Violon
8
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
7
Violoncelle
5
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 altos
4
Violon, Alto (duo)
4
Violoncelle, Orchestre
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
3
2 Violoncelles (duo)
3
Ensemble d'Altos
2
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Alto et orchestre
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
484
Orchestre de chambre
296
Orchestre
96
Orchestre d'harmonie
6
Orchestre, Violon
5
Piano et Orchestre
2
Ensemble de cuivres
1
Percussion (partie séparée)
1
Ensemble de Percussions
1
+ 4 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Crtitères actifs :
Concerto for String Orchestra
Euphonium, Piano (duo)
Partitions à imprimer
2 partitions trouvées
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1
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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1
Concerto for String Orchestra
