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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Romantic
Sheetmusicplus
Non classifié
1 647
Piano & claviers
Piano, Voix
1 285
Piano seul
1 128
Piano Facile
527
Orgue
140
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
48
Instruments en Do
40
Piano, Voix et Guitare
32
Accompagnement Piano
32
1 Piano, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
19
Orgue, Trompette (duo)
16
Piano Quatuor: piano, 2 violons, violoncelle
11
Accordéon
9
Clavier
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
181
Guitare
92
Ukulele
42
Basse electrique
20
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
18
Piano, Guitare (duo)
15
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Mandoline
2
Ensemble de guitares
2
Guitare (partie séparée)
2
Dulcimer
2
Ukulele Baryton
2
2 Ukuleles
1
Banjo
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale 3 parties
53
Chorale TTBB
26
Chorale SSAA
24
Chorale 2 parties
20
Voix seule
19
Voix Soprano, Piano
14
Voix basse, Piano
10
Voix haute
7
Voix Alto, Piano
7
Voix duo, Piano
5
Chorale Unison
5
Voix Baryton, Piano
4
Voix basse
3
Voix duo
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix Soprano
1
Voix Tenor
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
288
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
235
Clarinette et Piano
225
Quatuor de Saxophones: 4 saxophones
202
Quatuor de Clarinettes: 4 clarinettes
192
2 Saxophones (duo)
182
Hautbois, Piano (duo)
176
Saxophone Alto et Piano
162
Flûte, Hautbois, Clarinette, Basson
130
2 Flûtes traversières (duo)
116
Saxophone Tenor et Piano
114
Saxophone Soprano et Piano
110
Quintette de Saxophone: 5 saxophones
94
2 Clarinettes (duo)
81
Quatuor de Flûtes : 4 flûtes
76
Clarinette
72
Flûte à bec Soprano
70
Flûte traversière
61
Flûte, Clarinette (duo)
60
Flûte et Guitare
57
Saxophone Baryton, Piano
57
Saxophone Alto
54
3 Saxophones (trio)
50
Cor anglais, Piano
43
Ensemble de saxophones
41
Hautbois (partie séparée)
37
Ensemble de Clarinettes
33
Saxophone (partie séparée)
33
Saxophone Tenor
30
2 Flûte à bec (duo)
28
Clarinette Basse, Piano
27
2 Hautbois (duo)
26
3 Clarinettes (trio)
25
Quintette de Clarinettes: 5 clarinettes
24
Trio de Flûtes: 3 flûtes
20
Clarinette, Guitare (duo)
20
Clarinette, Basson (duo)
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes à bec
18
Flûte, Violon, Piano
18
Flûte, Violoncelle
17
Hautbois, Basson (duo)
17
Ensemble de Flûtes
16
Saxophone Soprano
15
Hautbois
15
Clarinette, Violon (duo)
14
Flûte à bec Soprano, Piano
13
2 Flûtes traversières, Piano
13
Hautbois, Clarinette (duo)
13
Flûte, Violon
12
2 Clarinettes, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone Baryton
12
Hautbois, Violoncelle
12
Clarinette, Violoncelle (duo)
11
3 Flûtes à bec (trio)
11
Flûte et Quatuor à Cordes
11
Flûte à bec, Guitare (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Flûte à Bec
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, Trombone (duo)
8
Flûte, Clarinette, Piano (trio)
8
Flûte à bec Alto
7
Flûte, trombone et piano
7
5 Flûtes à bec
6
Flûte, Hautbois, Piano (trio)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Clarinette et Basson
6
Clarinette et Alto
6
Flûte, Violoncelle, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violon et Violoncelle
5
2 Saxophones, Piano
5
Flûte, Trompette (duo)
5
Flûte, Hautbois (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Basson et Piano
4
Flûte, Saxophone (duo)
4
Clarinette, trompette et piano
4
Ocarina
4
Flûte, Alto (duo)
3
Cor anglais, Guitare (duo)
3
Hautbois, violon (duo)
3
Flûte, Hautbois, Basson
3
Clarinette, Harpe (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Alto et Piano
3
Hautbois, Harpe
2
Flûte, Violon, Guitare
2
Flûte à bec Tenor
2
Clarinette, Trompette (duo)
2
Piccolo, Piano
2
Flûte à Bec, Piano
2
Saxophone et Piano
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Cor Anglais
2
Clarinette Basse
1
4 Hautbois
1
Saxophone et Harpe
1
Flûte irlandaise
1
Harmonica
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Alto et Piano (trio)
1
Harmonica, Piano
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
2 Flûtes à bec, Piano
1
Piccolo
1
+ 110 instrumentations
Retracter
Cuivres
Trompette, Piano
156
Trombone et Piano
141
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
126
Cor et Piano
105
Trompette
76
Tuba et Piano
69
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
2 Trombones (duo)
64
2 Trompettes (duo)
64
Trompette, Trombone (duo)
52
2 Cors (duo)
52
Trombone
48
Cor anglais, Piano
43
Cor
40
Euphonium, Piano (duo)
38
Tuba
37
Quatuor de cuivres: 4 trombones
32
Quatuor de Cuivres
21
Quatuor de cuivres: 4 cors
17
Ensemble de Trombones
17
2 Tubas (duo)
14
Quatuor de cuivres: 4 trompettes
14
Trompette, Cor (duo)
10
Tuba et Orgue
9
Ensemble de Cors
9
Trombone (partie séparée)
8
3 Trombones (trio)
8
Cor, Violoncelle (duo)
7
4 Tubas
7
Ensemble de Trompettes
7
Trompette et Guitare
7
Trompette, Violoncelle (duo)
6
Euphonium
6
Cor, Tuba (duo)
5
3 Trompettes (trio)
5
Trio de Cuivres
5
Trompette (partie séparée)
4
Cor et Basson (duo)
4
Euphonium, Tuba (duo)
4
Trombone basse
4
Trombone, Orgue
4
Cor anglais, Guitare (duo)
3
Trompette, Basson (duo)
3
Trompette, violon (duo)
3
Trombone, Cor (duo)
3
Trompette, Saxophone (duo)
3
3 Cors (trio)
3
Trombone basse et Piano
3
Trompette, Violoncelle et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Tubas (trio)
2
2 Euphoniums (duo)
2
Trombone, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor Anglais
2
Trompette, Tuba (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Trompette, Harpe
1
Tuba (partie séparée)
1
+ 58 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 124
Trio à Cordes: violon, alto, violoncelle
407
Violon et Piano
330
Violoncelle, Piano
251
Alto, Piano
213
Quintette à cordes: 2 violons, alto, violoncelle, basse
205
Trio à Cordes: 2 violons, violoncelle
160
Quatuor à cordes: 4 violons
122
Violoncelle
106
Trio à cordes: 3 violins
105
Trio à Cordes: 3 violoncelles
101
2 Violons (duo)
100
Quatuor à cordes : 4 altos
90
Violon
86
2 Violoncelles (duo)
77
Violon, Violoncelle (duo)
75
2 Altos (duo)
67
Contrebasse, Piano (duo)
61
Alto seul
53
Violon, Alto (duo)
48
Trio à cordes: 3 altos
48
Trio à Cordes: 2 violons, alto
43
Harpe
38
Violoncelle , Guitare (duo)
38
Contre Basse
32
Violon, Guitare (duo)
29
Alto, Violoncelle (duo)
22
2 Contrebasses (duo)
19
Piano Trio: Violon, Alto, Piano
18
4 Violoncelles
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
Alto, Guitare (duo)
11
Alto (partie séparée)
10
Violoncelle, Contrebasse (duo)
8
4 Contrebasses
8
2 Harpes (duo)
7
Alto et Basson
6
Violon, Basson (duo)
6
Flûte, Contrebasse (duo)
5
Violon (partie séparée)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe, Violon (duo)
4
2 Violoncelles, Piano
4
Violon, Orgue
3
3 Contrebasses
3
Violon, Clarinette, Piano (trio)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
2 Violons, Piano
2
Contrebasse (partie séparée)
2
Harpe, Quatuor à cordes
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
2 Altos, Piano
1
Trio à cordes
1
Harpe, Violoncelle (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 420
Orchestre d'harmonie
176
Orchestre
127
Ensemble de cuivres
61
Orchestre de chambre
52
Ensemble Jazz
36
Xylophone, Piano
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Ensemble de Percussions
7
Cloches
5
Xylophone
4
Marimba
3
Batterie
2
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
Vibraphone
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
136
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
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CLARINETTE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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VIOLON
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POP ROCK - ROCK CLAS…
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PUNK
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Des Romantic
SheetMusicPlus
Partitions à imprimer
38 partitions trouvées
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1
26
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gustav Mahler
#
Ralph Sauer
#
Vier Lieder aus Des Knaben Wun
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry...
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Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Two Etudes for Euphonium and Piano from Op. 8
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Euphonium, Piano (duo)
#
AVANCÉ
#
Alexander Scriabin
#
Ralph Sauer
#
Two Etudes for Euphonium and P
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1138194 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 20 pa...
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Euphonium,Piano - Level 5 - SKU: A0.1138194 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #738464. Published by Gordon Cherry (A0.1138194). Alexander Scriabin’s music has been described as mystical, lyrical, and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as “sincere expression(s) of geniusâ€. The Two Etudes for Euphonium and Piano from Op. 8 are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies, and great expression. Mr. Sauer arranged two wonderful new works from Op. 8 for advanced performers who wish to explore this area, largely unknown to the Euphonium world.
$22.50
Three Etudes for Euphonium and Piano
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Euphonium, Piano (duo)
#
AVANCÉ
#
Classique
#
Scriabin, Alexander
#
Sauer, Ralph
#
Three Etudes for Euphonium and
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792055 Composed by Scriabin, Alexander. Arranged by Sauer, Ralph. Romantic Period. Score and part. 20 pages. Gordon ...
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Euphonium,Piano - Level 5 - SKU: A0.792055 Composed by Scriabin, Alexander. Arranged by Sauer, Ralph. Romantic Period. Score and part. 20 pages. Gordon Cherry #2927217. Published by Gordon Cherry (A0.792055). Alexander Scriabin’s music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. Scriabin's works were ignored for many years until recently and are now seen as sincere expression(s) of genius. The Three Etudes for Euphonium and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression. Mr. Sauer has arranged three wonderful new works for advanced performers who wish to explore Scriabin's music, largely unknown to the Euphonium world.The three movements are about ten minutes in length and suitable for advanced performers.Parts are available for Bass and Treble clef readers.
$20.00
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals) - XIII. Le Cygne (The Swan) - euphonium and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
#
Camille Saint- Saens
#
Ray Thompson
#
Saint-Saëns: Le Carnaval des
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RayThompsonMusic
#
SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Graduation. Piano Reduction,...
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Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Graduation. Piano Reduction, Score, Solo Part. 9 pages. Published by RayThompsonMusic
$9.95
Three Preludes for Euphonium and Piano
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Euphonium, Piano (duo)
#
AVANCÉ
#
George Gershwin
#
Ralph Sauer
#
Piano
#
Three Preludes for Euphonium a
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Scor...
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Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your recital.
$25.00
Three Preludes for Euphonium and Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
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Frederick Delius
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Ralph Sauer
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Three Preludes for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12...
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Euphonium,Piano - Level 5 - SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12 pages. Gordon Cherry #4988443. Published by Gordon Cherry (A0.792509). The Delius Three Preludes were originally composed for the Piano and are titled: Scherzando, Quick and Con Moto. Scherzando is a beautiful, lyrical and spritely work. Quick, as it's name implies is fast and lyrical, evoking water. Con Moto is lively and undulating in feeling. The three movements total about 4 minutes in length and can be played by advanced performers.
$20.00
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Vous N'êtes Rien Près D'Elle (arr. for Euphonium and Piano)
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Euphonium, Piano (duo)
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FACILE
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Classique
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Georges Rupès
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Andrew Lamb
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Vous N'êtes Rien Pr&egra
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 17 pages. Andrew Lamb #928012. Published by Andrew Lamb (A0.1342514). 🎺 Elevate your musical repertoire with this captivating Euphonium Solo adaptation of 'Vous N'êtes Rien Près D'Elle' by French composer Georges Rupès! 🇫🇷 Originally composed in 1872 for voice and piano, this arrangement is a beautiful fusion of history and modern expression. 🎼🎶 Scored for Euphonium and Piano, the arrangement includes both Bass Clef and Treble Clef parts, allowing flexibility for Trumpet/Cornet in Bb, Trombones, or Baritones to enchant your audience with its melodic charm. 🎺🌟 Level of Difficulty: Medium-Easy – making it accessible for a range of players. Perfect for concerts or recitals, this arrangement by Andrew Lamb breathes new life into Rupès' timeless composition. 🎵🎉 Immerse yourself in the rich musical tapestry woven by Georges Rupès, a prolific French composer whose legacy lives on. 📜 Despite his passing in 1902, Rupès' music remains cherished and studied, a testament to his enduring impact on the world of music. 🎹🎊 Unleash the beauty of 'Vous N'êtes Rien Près D'Elle' in this versatile arrangement – a must-have for any musician seeking to captivate audiences and honor the legacy of Georges Rupès! 🌈.
$6.00
Romanian Folk Dances for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Bela Bartok
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Ralph Sauer
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Romanian Folk Dances for Eupho
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792537 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century,Folk,Romantic Period,World. Score and part. 25...
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Euphonium,Piano - Level 5 - SKU: A0.792537 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century,Folk,Romantic Period,World. Score and part. 25 pages. Gordon Cherry #5008425. Published by Gordon Cherry (A0.792537). Romanian Folk Dances is a short six-movement suite originally composed for piano in 1915 and later arranged for violin and piano by Zoltan Szekely. The six movements are: 1. Stick Dance 2. Sash Dance 3. Standing Still 4. Horn Dance 5. Romanian Polka 6. Fast Dance The movements are in the following modes (Dorian, Aeolian, Mixolydian and Lydian), which along with unique harmonies give them a very exotic sound. The Suite takes about 5 minutes to perform and is suitable for advanced performers
$25.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duo)
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AVANCÉ
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standar...
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Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Swan Lake Theme for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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P
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Diego Marani
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Swan Lake Theme for Euphonium
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,W...
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Euphonium,Piano - Level 3 - SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 7 pages. Diego Marani #984498. Published by Diego Marani (A0.1401311). Swan Lake, Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time.The marvelous main theme, arranged for euphonium (B.C. and Bb T.C.) and piano is suitable for any occasion: repertoire, classroom, recital or for an impressive and touching encore.
$7.99
The Flight of the Bumble Bee - Rimsky Korsakov - for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic ...
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Euphonium,Piano - Level 5 - SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bohm: Calm as the Night for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ba
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score a...
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Euphonium,Piano - Level 3 - SKU: A0.549416 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493731. Published by jmsgu3 (A0.549416). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime upgrades and revisions of this product.
$26.95
Chorus and Dance of the Polovetsian Maidens for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Alexander Borodin
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Ralph Sauer
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Chorus and Dance of the Polove
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792457 Composed by Alexander Borodin. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period,World. Score and p...
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Euphonium,Piano - Level 5 - SKU: A0.792457 Composed by Alexander Borodin. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4988117. Published by Gordon Cherry (A0.792457). Alexander Borodin was actually trained as a chemist and physician and spent a good deal of his time promoting womens’ issues, much to the consternation of his fellow composers who wound up finishing up much of his work after his sudden death at the age of 53. The opera Prince Igor is possibly his greatest and boldest work with many beautiful melodies coming forth, especially the Chorus and Dance of the Polovetsain Maidens from Act II. The music has an mysterious Eastern sound which is very captivating.There is nothing like this written for the Euphonium and Mr. Sauer’s arrangement is wonderful.This work is about 7 minutes in length for advanced performers.
$17.50
Gabriel Fauré | Lamento | for Euphonium
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Andrew Lamb
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Gabriel Fauré | Lamento
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1410464 By Gabriel Faure. By Gabriel Faure. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 1...
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Euphonium,Piano - Level 4 - SKU: A0.1410464 By Gabriel Faure. By Gabriel Faure. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 18 pages. Andrew Lamb #992881. Published by Andrew Lamb (A0.1410464). 🎶 Euphonium Solo: Lamento from La Chanson du Pêcheur, Op. 4/1 by GABRIEL FAURÉ 🎶This arrangement of Lamento by Gabriel Fauré for Euphonium and Piano 🎹 captures the poignant beauty of the original composition.🎶 The melancholic melodies and rich harmonies resonate through the euphonium, while the piano provides a supportive backdrop.🎵 Suitable for advanced players, this arrangement offers a challenging yet rewarding musical experience.🌟 Perfect for concerts or recitals, it's sure to captivate audiences with its emotional depth and expressive qualities. Dive into the timeless allure of Fauré's masterpiece with this arrangement!🎼 Please like and subscribe for more videos and music arrangements.
$6.00
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards...
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Euphonium,Piano - Level 3 - SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.551497 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306299. Published by jmsgu3 (A0.551497). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,St...
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Euphonium,Piano - Level 3 - SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standard...
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Euphonium,Piano - Level 3 - SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
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