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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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XYLOPHONE
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471
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Instruments en Do
431
Piano seul
200
Piano, Voix
69
Piano Facile
37
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30
2 Pianos, 4 mains
24
Orgue
17
Accompagnement Piano
6
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitare
42
Guitare notes et tablatures
14
Basse electrique
5
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4
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3
Ukulele
3
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Mandoline
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Guitare (partie séparée)
1
3 Guitares (trio)
1
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1
2 Dulcimers (duo)
1
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Chorale SATB
112
Chorale 2 parties
40
Chorale 3 parties
26
Chorale Unison
16
Chorale TTBB
14
Chorale SSAA
11
Voix Soprano, Piano
9
Voix duo
7
Voix duo, Piano
4
Voix Soprano
3
Voix Alto, Piano
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Voix seule
1
Voix, Guitare
1
Chorale SAATB A Cappella
1
Voix moyenne, Piano
1
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
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20
Flûte traversière et Piano
18
Saxophone Tenor et Piano
16
Flûte traversière
15
Clarinette
15
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14
Clarinette et Piano
14
Flûte, Hautbois, Clarinette, Basson
14
Quintette de Saxophone: 5 saxophones
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
13
2 Clarinettes (duo)
10
2 Flûtes traversières (duo)
10
Ensemble de saxophones
9
Ensemble de Flûtes
9
Ensemble de Clarinettes
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Soprano et Piano
7
Saxophone Alto
6
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
3 Clarinettes (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte à bec Soprano
4
Quintette de Flûte : 5 flûtes
4
Saxophone (partie séparée)
3
3 Saxophones (trio)
3
2 Saxophones (duo)
3
Clarinette Basse, Piano
3
Saxophone Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton
2
Clarinette, Basson (duo)
2
Cor anglais, Piano
2
Saxophone Soprano
2
5 Flûtes à bec
2
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1
Flûte et Guitare
1
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1
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1
Piccolo
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
Flute (partie séparée)
1
2 Hautbois (duo)
1
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29
Trompette
15
2 Trombones (duo)
13
Trompette, Piano
13
Quatuor de Cuivres
10
Trombone et Piano
9
Trombone
8
Trompette (partie séparée)
8
Cor et Piano
6
Tuba
6
Ensemble de Trompettes
5
Ensemble de Cors
5
Cor
5
2 Euphoniums (duo)
5
Tuba et Piano
4
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
3
4 Tubas
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
68
Violoncelle
24
Violon et Piano
23
Violon
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
16
Alto, Piano
14
Alto seul
8
Contre Basse
7
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
Harpe
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
Violon, Alto (duo)
1
Harpe, Voix
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
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Orchestre d'harmonie
93
Orchestre
64
Orchestre à Cordes
48
Ensemble Jazz
20
Orchestre de chambre
19
Ensemble de cuivres
9
Ensemble de Percussions
6
Batterie
4
Fanfare
3
Jazz combo
3
Vibraphone
2
Marimba
2
Piano et Orchestre
2
Cloches
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Ensemble d'École
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Euphonium, Piano (duo)
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
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