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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E.F Traditional
Non classifié
274
Piano & claviers
Piano, Voix
59
Piano seul
34
Piano Facile
27
Instruments en Do
23
Orgue
11
Piano, Voix et Guitare
5
1 Piano, 4 mains
3
Accompagnement Piano
3
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
47
2 Guitares (duo)
4
Guitare
3
Piano, Guitare (duo)
2
Ukulele
2
Mandoline
2
Guitare (partie séparée)
2
Basse electrique
1
4 Guitares (Quatuor)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 6 instrumentations
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Voix
Chorale SATB
13
Chorale 3 parties
12
Chorale SSAA
9
Chorale 2 parties
7
Voix haute
2
Chorale TTBB
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 3 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
3 Clarinettes (trio)
15
Saxophone (partie séparée)
14
Flûte traversière et Piano
14
Flûte, Hautbois, Clarinette, Basson
13
Quatuor de Flûtes : 4 flûtes
12
3 Saxophones (trio)
12
Hautbois (partie séparée)
11
Flûte traversière
10
Saxophone Alto et Piano
9
Saxophone Tenor et Piano
9
Clarinette et Piano
8
2 Flûtes traversières (duo)
6
Hautbois, Piano (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois
6
Clarinette
6
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Alto
5
Flûte, Clarinette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
2 Saxophones (duo)
4
Saxophone Tenor
3
Saxophone Baryton, Piano
3
Flûte et Guitare
3
Trio de Flûtes: 3 flûtes
3
Ocarina
3
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes, Piano
2
2 Clarinettes (duo)
2
Cor anglais et Harpe (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Harmonica
1
Saxophone, Clarinette (duo)
1
2 Saxophones, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
+ 33 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Cor (partie séparée)
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette
10
Cor
9
Trombone
7
Cor et Piano
7
2 Trompettes (duo)
7
2 Cors (duo)
6
Trombone et Piano
6
Trompette, Piano
6
Tuba et Piano
6
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trompette, Cor (duo)
5
Quatuor de Cuivres
5
Trompette, Trombone (duo)
4
2 Trombones (duo)
4
Tuba
4
Instruments en Fa
2
3 Trombones (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trio de Cuivres
2
Euphonium, Piano (duo)
2
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
+ 25 instrumentations
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Cordes
Harpe
18
Violon et Piano
14
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle, Piano
10
Alto, Piano
7
Violon
7
2 Violons (duo)
6
Violon, Violoncelle (duo)
6
Alto (partie séparée)
5
Violoncelle
5
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Violon (partie séparée)
2
2 Altos (duo)
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Contrebasse (partie séparée)
2
4 Harpes
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
26
Ensemble de cuivres
15
Ensemble Jazz
7
Orchestre
6
Orchestre à Cordes
5
Quintette à Vent
3
Quatuor à Vent : 4 instruments à vents
2
Trio à Vent: 3 instruments à vents
2
Batterie (partie séparée)
1
Cloches
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
E.F Traditional
Euphonium, Piano (duo)
Partitions à imprimer
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Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
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