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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
EASTER HYMN
Non classifié
1 807
Piano & claviers
Piano seul
1 009
Orgue
393
Piano, Voix
313
Piano Facile
256
Accompagnement Piano
243
Piano, Voix et Guitare
136
Piano Trio: piano, violon, violoncelle
58
1 Piano, 4 mains
24
Piano Quatuor: piano, 2 violons, violoncelle
20
Orgue, Trompette (duo)
16
Piano grosses notes
13
Accordéon
9
Orgue, Piano (duo)
8
2 Pianos, 4 mains
8
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
46
Guitare notes et tablatures
22
Paroles et Accords
20
Guitare
17
Ukulele
14
Piano, Guitare (duo)
3
Mandoline
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
697
Chorale 2 parties
481
Chorale 3 parties
247
Voix duo, Piano
169
Chorale Unison
159
Voix duo
124
Pack Instrumental pour Chorale
108
Chorale TTBB
27
Chorale SSAA
14
Voix moyenne, Piano
6
Chorale
6
Voix seule
5
Voix Alto, Piano
3
Voix Tenor, Piano
3
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix basse
1
Voix haute
1
Chorale SSATB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
154
Flûte, Hautbois, Clarinette, Basson
98
Quatuor de Saxophones: 4 saxophones
95
Saxophone Soprano et Piano
92
Saxophone Tenor et Piano
90
Saxophone Alto et Piano
90
Hautbois, Piano (duo)
89
Clarinette et Piano
88
Flûte, Clarinette (duo)
75
2 Saxophones (duo)
62
Quatuor de Clarinettes: 4 clarinettes
55
2 Clarinettes (duo)
48
2 Flûtes traversières (duo)
42
Flûte traversière
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Flûtes : 4 flûtes
28
Hautbois (partie séparée)
27
Trio de Flûtes: 3 flûtes
24
Clarinette
23
3 Saxophones (trio)
20
3 Clarinettes (trio)
18
Clarinette, Basson (duo)
17
Quintette de Saxophone: 5 saxophones
17
Clarinette, Violon (duo)
17
Flûte, Clarinette, Piano (trio)
17
Saxophone Alto
16
Flûte, Violoncelle
15
Clarinette, Violoncelle (duo)
14
Hautbois, Clarinette (duo)
14
Hautbois, Basson (duo)
14
Saxophone Baryton, Piano
14
Flûte, Violon, Piano
14
Saxophone (partie séparée)
14
Flûte, Clarinette et Basson
13
Hautbois, Violoncelle
13
Flute (partie séparée)
12
Flûte, Alto (duo)
11
Saxophone et Orgue
11
Clarinette (partie séparée)
11
Saxophone Tenor
11
2 Hautbois (duo)
11
2 Flûtes traversières, Piano
10
Clarinette et Alto
9
2 Clarinettes, Piano
9
Hautbois et alto (duo)
9
Flûte, Basson et Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Alto et Piano
9
Flûte, Hautbois, Clarinette (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, trombone et piano
8
Ensemble de Clarinettes
8
Cor anglais, Piano
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Trombone (duo)
7
Quatuor de Flûtes à bec
7
Flûte, Tuba (duo)
6
Flûte, Violon, Violoncelle et Piano
6
2 Saxophones, Piano
6
Clarinette, Tuba
5
Hautbois
5
Flûte, Violon
5
Flûte, Violon et Violoncelle
5
Flûte, Hautbois, Piano (trio)
5
Ensemble de Flûtes
5
Flûte et Guitare
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Hautbois (duo)
4
Clarinette, Basson, Piano (trio)
4
Hautbois, trombone (duo)
4
Flûte à bec Alto
4
Clarinette Basse, Piano
4
Flute, Cor (duo)
4
Hautbois, Violoncelle et Piano
3
Clarinette, Alto et Piano (trio)
3
Ensemble de saxophones
3
Quintette de Flûte : 5 flûtes
3
Saxophone, Clarinette (duo)
2
Hautbois, Harpe
2
Clarinette, trompette et piano
2
Hautbois, Flûte
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, violon (duo)
2
Ensemble De Flûte à bec
1
Flûte à Bec
1
Flûte, Harpe et Violoncelle
1
Ocarina
1
Flûte, Saxophone (duo)
1
Saxophone Soprano
1
Saxophone
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Trombone (duo)
1
Hautbois, Violon, Piano
1
Clarinette, Saxophone, Piano
1
Ensemble de Hautbois
1
Flûte, Hautbois, Violon
1
Hautbois, Basson et Piano
1
Clarinette, Harpe (duo)
1
+ 96 instrumentations
Retracter
Cuivres
Trombone et Piano
118
Trompette, Piano
109
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
62
Cor et Piano
59
Trompette
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trompette, Cor (duo)
38
2 Trompettes (duo)
36
2 Trombones (duo)
33
Trompette, Trombone (duo)
25
Quatuor de Cuivres
23
Trompette (partie séparée)
20
Trombone
18
Quatuor de cuivres: 4 trombones
17
Trombone (partie séparée)
15
Trombone, Orgue
15
Cor
14
2 Cors (duo)
12
3 Trompettes (trio)
11
Quatuor de cuivres: 4 trompettes
11
Quatuor de cuivres: 4 cors
11
Trompette, Tuba (duo)
9
Cor anglais, Piano
8
Trombone, Violon (duo)
7
Tuba
7
Tuba et Piano
6
Euphonium, Piano (duo)
6
Trompette, Violoncelle et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Ensemble de Trombones
5
3 Trombones (trio)
5
2 Trompettes, Clavier (piano ou orgue)
5
Cor et Orgue
4
Trombone, Tuba (duo)
4
Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Ensemble de Cors
3
Tuba et Orgue
3
Trio de Cuivres
3
2 Tubas (duo)
2
Clarinette, Cor (duo)
2
Ensemble de Trompettes
2
Cor (partie séparée)
1
2 Euphoniums (duo)
1
Cor et Harpe
1
2 Euphoniums et 2 Tubas
1
+ 43 instrumentations
Retracter
Cordes
Violon et Piano
217
Quatuor à cordes: 2 violons, alto, violoncelle
186
Violoncelle, Piano
126
Alto, Piano
103
Violon, Violoncelle (duo)
63
Violon
56
2 Violons (duo)
49
Piano Trio: Violon, Alto, Piano
47
Harpe
41
Trio à Cordes: violon, alto, violoncelle
41
Violoncelle
34
Violon, Alto (duo)
34
Alto seul
33
Trio à Cordes: 2 violons, violoncelle
32
2 Violoncelles (duo)
30
2 Altos (duo)
23
Contre Basse
22
Violon (partie séparée)
17
Violon, Basson (duo)
13
Trio à cordes: 3 violins
11
2 Harpes (duo)
10
Trio à Cordes: 2 violons, alto
9
Alto (partie séparée)
9
Violoncelle (partie séparée)
8
4 Violoncelles
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle, Orgue
6
Violon, Tuba (duo)
6
Harpe, Flûte (duo)
6
2 Violons, Piano
6
Quatuor à cordes: 4 violons
6
Quatuor à cordes : 4 altos
5
Contrebasse, Piano (duo)
4
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Harpe, Voix
4
Harpe, Violoncelle (duo)
3
Harpe, Trombone (duo)
3
Violon, Clarinette, Piano (trio)
3
Alto, Orgue
2
Violon, Orgue
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Ensemble de Violons
2
Violon, Trompette et Piano
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes
1
Ensemble d'Altos
1
Contrebasse (partie séparée)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Cloches
172
Orchestre
52
Ensemble de cuivres
45
Orchestre à Cordes
26
Jazz combo
19
Orchestre d'harmonie
18
Orchestre de chambre
12
Ensemble Jazz
4
Timbales
4
Percussion
4
Percussion (partie séparée)
3
Marimba
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : ACCORDS ET…
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Vous avez sélectionné:
EASTER HYMN
Euphonium, Piano (duo)
Partitions à imprimer
6 partitions trouvées
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16 Favourite Easter Hymns for Solo Euphonium and Piano
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKe...
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Euphonium,Piano - Level 2 - SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Easter Hymn from Cavaliera Rusticana - Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.722367 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera...
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Euphonium,Piano - Level 4 - SKU: A0.722367 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and part. 7 pages. Music-Scores.com #6439059. Published by Music-Scores.com (A0.722367). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Euphonium and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Ave Verum Corpus - Euphonium and Piano - Intermediate level
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Euphonium a
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.760717 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacr...
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Euphonium,Piano - Level 3 - SKU: A0.760717 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. Score and part. 10 pages. Raymond Fenech #5852383. Published by Raymond Fenech (A0.760717). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$3.99
Gloria in Excelsis Deo - for 2 Euphoniums and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Antonio Vivaldi
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Raymond Fenech
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Gloria in Excelsis Deo - for 2
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - SKU: A0.759909 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Ch...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 4 - SKU: A0.759909 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Instructional,Praise & Worship. Score and parts. 19 pages. Raymond Fenech #3450741. Published by Raymond Fenech (A0.759909). Antonio Vivaldi wrote at least three settings of the hymn Gloria in Excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass. Gloria in Excelsis Deo is a familiar and popular piece among sacred works by Vivaldi. It was probably written in 1715. The Level is Advance Intermediate and the duration is approximately 2.38 minutes. It could be played in any type of recital/concert.
$4.99
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EASTER HYMN
