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ACCORDEON
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CORNEMUSE
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
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325
PIANO & CLAVIERS
Piano seul
225
Piano, Voix
106
Piano Facile
76
Orgue
18
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
9
Instruments en Do
8
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Accompagnement Piano
2
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GUITARES
Guitare
29
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22
Ligne De Mélodie, (Paroles) et Accords
11
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4
Guitare (partie séparée)
2
2 Ukuleles
2
3 Guitares (trio)
2
Basse electrique
1
Orchestre à Plectres
1
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1
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1
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1
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Chorale SATB
30
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11
Chorale Unison
10
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4
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4
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3
Voix Soprano, Piano
1
Chorale SSAA
1
Voix moyenne, Piano
1
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VENTS
Flûte traversière et Piano
87
Clarinette et Piano
79
Saxophone Alto et Piano
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Hautbois, Piano (duo)
39
Saxophone Soprano et Piano
31
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
23
Cor anglais, Piano
18
2 Saxophones (duo)
16
Clarinette
15
Saxophone Tenor et Piano
14
Flûte traversière
13
Quatuor de Clarinettes: 4 clarinettes
12
2 Clarinettes (duo)
12
2 Flûtes traversières (duo)
11
Saxophone Baryton, Piano
11
3 Clarinettes (trio)
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette Basse, Piano
7
Saxophone (partie séparée)
7
3 Saxophones (trio)
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
4
Saxophone Alto
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle, Piano (trio)
3
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3
Flûte à bec Soprano
3
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3
Flûte, Clarinette (duo)
3
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3
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2
Hautbois, Violoncelle
2
Flûte à bec Tenor
2
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2
Flûte à bec Alto, Basse continue
2
Quintette de Clarinettes: 5 clarinettes
2
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2
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2
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2
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1
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1
Cor Anglais
1
Flûte à bec Alto
1
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1
Flûte à bec, Guitare (duo)
1
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1
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1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
2 Flûtes, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
2 Clarinettes, Basson
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Hautbois (partie séparée)
1
Cor anglais et Harpe (duo)
1
Flute (partie séparée)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trompette, Piano
35
Trombone et Piano
27
Ensemble de Trompettes
26
Cor et Piano
25
Cor anglais, Piano
18
Tuba et Piano
15
Trompette
12
Euphonium, Piano (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Ensemble de Trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
7
2 Trompettes (duo)
7
Trompette (partie séparée)
5
2 Trombones (duo)
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Cors
4
Trompette, Trombone (duo)
4
Cor
4
Quatuor de Cuivres
3
3 Trombones (trio)
3
Trombone (partie séparée)
3
2 Tubas (duo)
2
2 Euphoniums (duo)
2
Tuba
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Cor et Basson (duo)
1
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
95
Alto, Piano
79
Violoncelle, Piano
66
Trio à Cordes: violon, alto, violoncelle
28
Violon
21
Contrebasse, Piano (duo)
12
Harpe
10
2 Violoncelles (duo)
7
Alto seul
7
4 Violoncelles
6
2 Violons (duo)
6
Violoncelle
6
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Violoncelle (duo)
5
Violoncelle (partie séparée)
5
2 Altos (duo)
4
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
3
Contre Basse
3
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Orchestre
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
2
Alto et Basson
1
Quatuor à cordes : 4 altos
1
2 Contrebasses (duo)
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
83
Orchestre d'harmonie
23
Ensemble de cuivres
19
Orchestre
11
Orchestre de chambre
9
Vibraphone
3
Ensemble de Percussions
3
Instrumentation Flexible
2
Xylophone
1
2 Marimbas
1
Ensemble Jazz
1
Batterie (partie séparée)
1
Fanfare
1
Cloches
1
Marimba, Piano (duo)
1
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AUTRES
Vous avez sélectionné:
Early Works
Euphonium, Piano (duo)
Partitions à imprimer
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Two Etudes for Euphonium and Piano from Op. 8
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1138194 Composed by Alexander …
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1138194 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #738464. Published by Gordon Cherry (A0.1138194). Alexander Scriabin’s music has been described as mystical, lyrical, and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as “sincere expression(s) of geniusâ€. The Two Etudes for Euphonium and Piano from Op. 8 are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies, and great expression. Mr. Sauer arranged two wonderful new works from Op. 8 for advanced performers who wish to explore this area, largely unknown to the Euphonium world.
$22.50
20.65 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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Ralph Sauer
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Two Etudes for Euphonium and Piano from Op. 8
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Gordon Cherry
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SheetMusicPlus
Three Etudes for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792055 Composed by Scriabin, A…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792055 Composed by Scriabin, Alexander. Arranged by Sauer, Ralph. Romantic Period. Score and part. 20 pages. Gordon Cherry #2927217. Published by Gordon Cherry (A0.792055). Alexander Scriabin’s music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. Scriabin's works were ignored for many years until recently and are now seen as sincere expression(s) of genius. The Three Etudes for Euphonium and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression. Mr. Sauer has arranged three wonderful new works for advanced performers who wish to explore Scriabin's music, largely unknown to the Euphonium world.The three movements are about ten minutes in length and suitable for advanced performers.Parts are available for Bass and Treble clef readers.
$20.00
18.35 €
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Euphonium, Piano (duo)
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Scriabin, Alexander
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Sauer, Ralph
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Three Etudes for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.23 €
#
Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.23 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.23 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.56 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549114 Composed by Camille Sai…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549114 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452255. Published by jmsgu3 (A0.549114). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$32.95
30.23 €
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Euphonium, Piano (duo)
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Serenade for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811204 Composed by Sergei Rach…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811204 Composed by Sergei Rachmaninoff. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #6139683. Published by Gordon Cherry (A0.811204). Sérénade is an early work of Rachmaninoff, from a grouping of five short solo Piano pieces titled Morceau de Fantasie written in 1892 and dedicated to his harmony teacher Anton Arensky. One of his most famous works, the Prélude in C-sharp minor is from this same Opus 3. Opus 3, No. 5 in B-flat minor is the final work of the set and is in a gentle Waltz style, sometimes venturing into the Dorian mode.Rachmaninoff's lush harmonies and gorgeous melody work very well for the Euphonium with this fine arrangement by Ralph Sauer.For advanced performers, this movement is about 5 minutes in length.A perfect companion to the Rachmaninoff - Fantasy Piece, Op. 3, No. 3, also available from Cherry Classics. Fantasy Piece Op. 3, No. 3
$17.50
16.06 €
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Euphonium, Piano (duo)
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Sergei Rachmaninoff
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Ralph Sauer
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Fantasy Piece Op
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Serenade for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Fantasy Piece Op. 3 No. 3 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.792393 Composed by Sergei Rach…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.792393 Composed by Sergei Rachmaninoff. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 9 pages. Gordon Cherry #4820367. Published by Gordon Cherry (A0.792393). Fantasy Piece is an early work of Rachmaninoff, part of a grouping of five short pieces called Morceau de Fantasie. One of his most famous works, the PreÌlude in C-sharp minor is from this same group of music. Opus 3, No. 3 is also sometimes referred to as the Melody in E major. Its slow tempo allows the mood of the work to reach a giant climax. Rachmaninoff's lush harmonies and gorgeous melody work very well with this arrangement by Ralph Sauer.For moderately advanced performers this movement is about 4 3/4 minutes in length.
$15.00
13.76 €
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Euphonium, Piano (duo)
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Sergei Rachmaninoff
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Sauer, Ralph
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Fantasy Piece Op. 3 No. 3 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Three Pieces for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792533 Composed by Vincent d'I…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792533 Composed by Vincent d'Indy. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 19 pages. Gordon Cherry #5008365. Published by Gordon Cherry (A0.792533). Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano.Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit. Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.
$20.00
18.35 €
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Euphonium, Piano (duo)
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Vincent d'Indy
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Ralph Sauer
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Three Pieces for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
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