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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fantasia for Piano
Non classifié
98
Piano & claviers
Piano seul
347
Piano, Voix et Guitare
30
Piano, Voix
17
2 Pianos, 4 mains
12
Piano Facile
11
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
4
Orgue
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Instruments en Do
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
1
2 Guitares (duo)
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
Voix
Chorale 2 parties
11
Chorale SATB
9
Voix duo, Piano
8
Chorale Unison
3
Chorale 3 parties
2
Chorale TTBB
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix duo
1
Voix haute
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
19
Clarinette et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Flûtes à bec
11
Hautbois, Piano (duo)
10
Flûte, Hautbois, Clarinette, Basson
10
Quintette de Saxophone: 5 saxophones
9
2 Saxophones (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto et Piano
6
3 Saxophones (trio)
5
5 Flûtes à bec
5
Saxophone Tenor et Piano
5
2 Flûte à bec (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Soprano et Piano
3
Flûte traversière
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
3
Cor anglais, Piano
2
3 Flûtes à bec (trio)
2
3 Clarinettes (trio)
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
2
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Flûte irlandaise
1
Piccolo, Piano
1
Saxophone Tenor
1
Hautbois, Violoncelle et Piano
1
Ensemble de Clarinettes
1
+ 37 instrumentations
Retracter
Cuivres
Trombone et Piano
11
Trompette, Piano
7
Euphonium, Piano (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
Trompette
2
Euphonium
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
4 Tubas
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
2 Trompettes (duo)
1
Tuba et Piano
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trombone
1
2 Trombones (duo)
1
3 Trombones (trio)
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
32
Violoncelle, Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
16
Alto, Piano
9
Violon
8
Quatuor à cordes: 4 violons
7
Alto seul
6
Violoncelle
6
2 Violons (duo)
5
Quatuor à cordes : 4 altos
5
2 Altos (duo)
4
4 Violoncelles
3
4 Contrebasses
3
Harpe
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
13
Orchestre
13
Ensemble de cuivres
4
Orchestre d'harmonie
2
Orchestre de chambre
2
Cloches
1
Piano et Orchestre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Fantasia for Piano
Euphonium, Piano (duo)
Partitions à imprimer
5 partitions trouvées
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1
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Im Walde / In The Forest
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Euphonium, Piano (duo)
#
Joseph Serafin Alschausky
#
Bertrand Moren
#
Im Walde / In The Forest
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 5 - SKU: R0.44519 Konzertfantasie / Concert-Fantasia. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren...
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Euphonium & Piano - Grade 5 - SKU: R0.44519 Konzertfantasie / Concert-Fantasia. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 22 pages. Duration 9'38. Editions Marc Reift - Digital #44519. Published by Editions Marc Reift - Digital (R0.44519).
$17.95
Fantasia La Traviata , Op. 146
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Euphonium, Piano (duo)
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A
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Henry Howey
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Fantasia La Traviata , Op. 14
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Cimarron Music Press
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SheetMusicPlus
By A. Ponchielli. Arranged by Henry Howey. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By A. Ponchielli. Arranged by Henry Howey. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
Pequena Fantasia
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gessé Souza
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Pequena Fantasia
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Gessé Souza
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and part. 18 pages. Ges...
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Euphonium,Piano - Level 3 - SKU: A0.1391442 Composed by Gessé Souza. 21st Century,Chamber,Classical,Contemporary,Latin. Score and part. 18 pages. Gessé Souza #974984. Published by Gessé Souza (A0.1391442). This piece was composed with the idea of ​​the soloist playing it as if he were having fun. The composer seeks to mix lyricism with an energetic character. In the last major section, a small challenge for the soloist, with an agile passage that soon leads to the predominant lyricism of the entire piece.
$15.00
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Fantasia for Piano