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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Try
Non classifié
566
Piano & claviers
Piano, Voix
282
Piano seul
267
Piano, Voix et Guitare
104
Piano Facile
85
Instruments en Do
35
Orgue
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
Paroles et Accords
5
Mandoline
4
Banjo
4
2 Guitares (duo)
3
Dulcimer
2
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Basse electrique
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
187
Chorale 3 parties
38
Chorale TTBB
24
Chorale 2 parties
17
Chorale SSAA
14
Voix Baryton, Piano
9
Voix Soprano, Piano
9
Chorale Unison
8
Voix duo, Piano
7
Voix haute
6
Voix Tenor, Piano
5
Voix duo
5
Chorale
4
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Tenor
2
Chorale SSATB
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Quintette de Saxophone: 5 saxophones
62
Flûte, Violon, Piano
40
Quatuor de Saxophones: 4 saxophones
39
Flûte, Hautbois, Clarinette, Basson
30
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto
25
2 Saxophones (duo)
24
Flûte traversière et Piano
24
Hautbois, Piano (duo)
21
Saxophone Tenor
20
Flûte traversière
20
2 Flûtes traversières (duo)
18
Saxophone Alto et Piano
17
Quatuor de Flûtes : 4 flûtes
16
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
15
Saxophone (partie séparée)
14
Clarinette et Piano
14
2 Clarinettes (duo)
13
Ensemble de Clarinettes
11
Flute (partie séparée)
10
Saxophone Soprano et Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Baryton, Piano
8
Clarinette
8
2 Flûtes traversières, Piano
8
Flûte, Clarinette (duo)
6
2 Hautbois (duo)
6
Clarinette Basse, Piano
6
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
5
Saxophone, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Flûte, Violon
4
Hautbois, Clarinette (duo)
4
Cor anglais, Piano
4
Hautbois, Basson (duo)
4
Clarinette, Basson (duo)
4
Clarinette, Violoncelle (duo)
4
Saxophone Soprano
3
Ensemble de Flûtes
3
Clarinette (partie séparée)
3
Hautbois, Flûte
3
Flûte à bec Soprano
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle
2
Flûte, Trompette (duo)
2
Ocarina
2
Flûte à Bec
2
Flûte, Violon et Violoncelle
2
Flûte et Guitare
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Violoncelle et Piano
1
3 Clarinettes (trio)
1
Hautbois et alto (duo)
1
Piccolo
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Saxophone (duo)
1
3 Saxophones (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Ensemble de saxophones
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 73 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette
25
2 Trombones (duo)
18
Trombone et Piano
15
Trompette, Piano
14
Cor et Piano
13
Quatuor de Cuivres
13
Cor
12
Ensemble de Trombones
12
2 Trompettes (duo)
9
Trompette (partie séparée)
7
Tuba
5
Euphonium, Piano (duo)
5
Tuba et Piano
5
Trombone
5
2 Tubas (duo)
5
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Cor anglais, Piano
4
Euphonium, Tuba (duo)
3
2 Cors (duo)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone (partie séparée)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
Tuba (partie séparée)
1
Bass Clef Instruments
1
Euphonium
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon et Piano
45
Violon
36
Harpe
30
2 Violons (duo)
22
Alto, Piano
20
Violoncelle
20
Violon, Alto (duo)
15
Violoncelle, Piano
15
2 Violoncelles (duo)
14
Violon, Violoncelle (duo)
14
2 Altos (duo)
12
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Guitare (duo)
6
Ensemble de Violons
6
2 Harpes (duo)
6
Alto (partie séparée)
5
Ensemble d'Altos
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
3
Trio à cordes
2
Alto, Violoncelle (duo)
2
Harpe, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Basson (duo)
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
2
Flûte, Contrebasse (duo)
2
2 Violoncelles, Piano
1
4 Violoncelles
1
Autoharp
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
249
Orchestre à Cordes
62
Orchestre
62
Ensemble de cuivres
28
Jazz combo
14
Ensemble Jazz
11
Orchestre de chambre
10
Cloches
5
Ensemble de Percussions
4
Percussion (partie séparée)
3
Vibraphone
2
Marimba
1
Xylophone
1
Fanfare
1
Orchestre, Violon
1
Piano et Orchestre
1
Marimba, Piano (duo)
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
First Try
Euphonium, Piano (duo)
Partitions à imprimer
5 partitions trouvées
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I Write The Songs
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. ...
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Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Always On My Mind
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Elvis Presley
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Kevin P Holdgate
#
UK pop Top Ten)
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Always On My Mind
#
Kevin P Holdgate
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th ...
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Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #919221. Published by Kevin P Holdgate (A0.1332793). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.
$5.99
You've Got A Friend
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
James Taylor
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James M
#
You've Got A Friend
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.548059 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pag...
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Euphonium,Piano - Level 3 - SKU: A0.548059 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3129531. Published by jmsgu3 (A0.548059). Carole King: You've Got A Friend arranged for Euphonium & Piano.Includes solo instrument part. Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub, or recital hall performances.
$67.95
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