Partitions Numériques de Freedom pour Euphonium, Piano (duo)

Freedom

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A Whole New World #Euphonium, Piano (duo) #INTERMÉDIAIRE #Alan Menken and Tim Rice #Harry Walker #A Whole New World #SCORE EDITIONS #SheetMusicPlus

Euphonium,Piano - Level 3 - SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Son...(+)

Euphonium,Piano - Level 3 - SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037220. Published by SCORE EDITIONS (A0.1458243). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Euphonium B.C: and Piano by Harry Walker.

Nocturne Op. 9, No. 1 for Euphonium and Piano #Euphonium, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Classique #Frederic Chopin #Diego Marani #Nocturne Op. 9, No. 1 for Euph #Diego Marani #SheetMusicPlus

Euphonium,Piano - Level 4 - SKU: A0.1283159 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contemporary,Instructional,Romantic Period,...(+)

Euphonium,Piano - Level 4 - SKU: A0.1283159 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contemporary,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #874455. Published by Diego Marani (A0.1283159). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize FrÃ©dÃ©ric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for C or Bb EuphoniumÂ (or also trombone) with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.