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PIANO & CLAVIERS
Piano seul
218
Piano Facile
137
Piano, Voix
128
Piano, Voix et Guitare
102
Orgue
63
Accompagnement Piano
32
Accordéon
30
Instruments en Do
16
Piano Trio: piano, violon, violoncelle
10
Accordéon, Voix
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1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
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Instrument seul et Orgue
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GUITARES
Guitare
36
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3
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3
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1
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VOIX
Chorale SATB
112
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53
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40
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33
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13
Voix duo, Piano
10
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7
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5
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5
Voix Soprano, Piano
2
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2
Chorale
2
Voix Alto, Piano
1
Voix Soprano
1
Chorale SSATB
1
Voix basse, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
66
2 Saxophones (duo)
46
Hautbois, Piano (duo)
41
2 Flûtes traversières (duo)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Clarinettes: 4 clarinettes
34
3 Saxophones (trio)
33
Saxophone Alto et Piano
32
Flûte traversière et Piano
31
Clarinette et Piano
29
Flûte, Hautbois, Clarinette, Basson
29
Quintette de Saxophone: 5 saxophones
26
Saxophone Tenor et Piano
26
2 Clarinettes (duo)
24
Flûte et Guitare
18
Quintette de Clarinettes: 5 clarinettes
18
Trio de Flûtes: 3 flûtes
17
3 Clarinettes (trio)
16
Quatuor de Flûtes : 4 flûtes
15
Flûte, Hautbois, Clarinette (trio)
11
Flûte traversière
11
Clarinette, Guitare (duo)
9
Saxophone Soprano et Piano
9
Saxophone Alto
8
Flûte à bec Soprano
8
Ensemble de Clarinettes
7
Hautbois, Guitare (duo)
6
Saxophone, Clarinette (duo)
6
2 Flûte à bec (duo)
6
Clarinette, Violon (duo)
6
Quintette de Flûte : 5 flûtes
6
Saxophone Baryton, Piano
6
Clarinette
5
2 Hautbois (duo)
5
Saxophone (partie séparée)
5
Flûte, Clarinette et Basson
4
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4
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4
Cor anglais, Piano
4
Harmonica
4
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4
Flûte à bec Alto
3
4 Hautbois
3
3 Hautbois
3
Hautbois, Clarinette (duo)
3
Flûte à Bec
3
Hautbois, Basson (duo)
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette, Basson (duo)
3
Flûte, Saxophone (duo)
3
Cor anglais, Guitare (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton
2
Flûte, Trompette (duo)
2
Saxophone et Guitare
2
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
2
3 Flûtes à bec (trio)
2
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2
Flute (partie séparée)
2
Hautbois (partie séparée)
2
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2
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2
Clarinette et Alto
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1
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1
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Flûte de Pan
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1
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1
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Clarinette, Violoncelle (duo)
1
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1
Flûte, Trombone (duo)
1
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1
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1
Saxophone et Harpe
1
Cor anglais et Harpe (duo)
1
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1
Saxophone Soprano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de cuivres: 4 trombones
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Trompette, Piano
28
Quatuor de cuivres: 4 cors
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Cor et Piano
16
2 Trompettes (duo)
13
Trombone et Piano
11
Trompette
11
2 Trombones (duo)
10
Trompette, Trombone (duo)
7
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Cor
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Cor anglais, Piano
4
Quatuor de Cuivres
4
Cor anglais, Guitare (duo)
2
Bass Clef Instruments
2
Trompette (partie séparée)
2
Trombone, Cor (duo)
2
Tuba
2
3 Tubas (trio)
2
4 Tubas
2
Ensemble de Cors
2
Trompette, Cor (duo)
2
2 Tubas (duo)
2
Cor (partie séparée)
2
3 Cors (trio)
2
Trombone
1
Cor et Harpe
1
Trompette, Harpe
1
Ensemble de Trompettes
1
Trio de Cuivres
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3 Trombones (trio)
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
49
Alto, Piano
45
Violoncelle, Piano
37
2 Violons (duo)
23
Violon
21
Trio à Cordes: violon, alto, violoncelle
20
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
12
Harpe
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Altos (duo)
9
Violoncelle (partie séparée)
8
Violon, Guitare (duo)
7
Alto seul
7
Trio à Cordes: 3 violoncelles
6
Alto (partie séparée)
6
4 Violoncelles
5
2 Harpes (duo)
5
Violon (partie séparée)
4
Violoncelle
4
Violon, Alto (duo)
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
2
Contre Basse
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Ensemble de Violoncelles
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
Harpe et Piano
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
81
Orchestre d'harmonie
64
Ensemble de cuivres
28
Orchestre de chambre
13
Cloches
10
Orchestre
7
Ensemble Jazz
3
Ensemble de Percussions
3
Quintette à Vent
2
Timbales (partie séparée)
1
Batterie
1
Marimba
1
Percussion (partie séparée)
1
Fanfare
1
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AUTRES
Vous avez sélectionné:
German traditional
Euphonium, Piano (duo)
Partitions à imprimer
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Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.48 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.27 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
Hungarian Dance No. 5 for Euphonium (or Trombone) and Piano
Euphonium, Piano (duo)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.528433 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6014033. Published by Diego Marani (A0.528433). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Euphonium or Trombone (C and Bb) with piano accompaniment reflects faithfully the original.
$8.90
8.14 €
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Euphonium, Piano (duo)
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Johannes Brahms
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Diego Marani
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Hungarian Dance No. 5 for Euphonium
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Diego Marani
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.14 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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