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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
His Orchestra
Non classifié
5 179
Piano & claviers
Piano seul
7 031
Accordéon
962
Piano, Voix et Guitare
387
Piano, Voix
244
Accompagnement Piano
179
Instruments en Do
89
Piano Facile
88
Piano (partie séparée)
83
Orgue
36
2 Pianos, 4 mains
31
1 Piano, 4 mains
27
Piano grosses notes
26
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
4
Ligne De Mélodie, Piano
3
Clavecin
2
2 Accordéons
2
Orgue et Orchestre
2
Accordéon et Orchestre
2
Ensemble d'Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Accordéon, Corde(s)
1
+ 20 instrumentations
Retracter
Guitares
Guitare
593
Guitare notes et tablatures
434
Ligne De Mélodie, (Paroles) et Accords
131
Ukulele
21
Basse electrique
14
4 Guitares (Quatuor)
8
2 Guitares (duo)
7
Piano, Guitare (duo)
7
Dulcimer
5
Mandoline
5
Guitare (partie séparée)
4
Guitare, Orchestre
4
Paroles et Accords
3
Guitare, Quatuor à cordes
2
Ensemble de Ukulélés
1
Banjo
1
2 Guitares et Orchestre
1
Orchestre à Plectres
1
Ensemble de guitares
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
907
Pack Instrumental pour Chorale
659
Chorale 3 parties
141
Voix seule
103
Chorale TTBB
101
Chorale SSAA
47
Chorale Unison
31
Chorale 2 parties
31
Soli, choeur mixte et accompagnement
19
Voix Soprano, Orchestre
9
Voix Soprano, Piano
8
Voix haute
8
Chorale SSATB
8
Voix duo, Piano
6
Voix Baryton, Piano
6
Chorale SSAATTBB
5
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Alto, Piano
1
Chorale SATTBB A Cappella
1
Chorale
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 21 instrumentations
Retracter
Vents
Clarinette (partie séparée)
331
Flute (partie séparée)
186
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
175
Hautbois (partie séparée)
137
Flûte traversière et Piano
107
Quintette de Saxophone: 5 saxophones
103
Flûte traversière
99
Saxophone (partie séparée)
83
Clarinette
79
Quatuor de Saxophones: 4 saxophones
72
Saxophone Alto et Piano
71
Clarinette et Piano
70
Hautbois, Piano (duo)
65
Ensemble de saxophones
64
Ensemble de Clarinettes
47
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
46
2 Saxophones (duo)
44
Saxophone
41
2 Flûtes traversières (duo)
38
Saxophone Soprano et Piano
36
Saxophone Alto
33
Saxophone Tenor
29
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
27
2 Clarinettes (duo)
26
Ensemble de Flûtes
18
Quintette de Clarinettes: 5 clarinettes
14
Quintette de Flûte : 5 flûtes
14
Saxophone, Clarinette (duo)
13
Saxophone Baryton, Piano
12
Cor anglais, Piano
10
Hautbois, Basson (duo)
10
3 Saxophones (trio)
10
3 Clarinettes (trio)
10
Clarinette, Orchestre
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
9
Clarinette, Trompette (duo)
9
2 Flûte à bec (duo)
8
Saxophone Soprano
8
Flûte traversière, Orchestre
8
Clarinette, Violon (duo)
8
Flûte, Violon
8
Trio de Flûtes: 3 flûtes
8
Flûte à Bec
7
Ensemble à vent
7
2 Hautbois (duo)
7
Ensemble De Flûte à bec
6
Hautbois
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Flûte et Guitare
5
Hautbois, Flûte
5
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Flûte, Violon, Piano
4
Flûte à bec Soprano
4
Instruments en Mib
4
Quatuor de Flûtes à bec
4
Flûte, Trompette (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Alto (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois et Orchestre
3
3 Hautbois
2
Flûte à bec Soprano, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Harmonica, Piano
2
Flûte, Clarinette et Basson
2
Cor Anglais
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
1
Piccolo
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes, Basse continue
1
4 Hautbois
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flûte et Trio à cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Piano (trio)
1
Hautbois et alto (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
Hautbois, violon (duo)
1
Hautbois, Basson et Piano
1
Cornemuse
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Harpe
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
338
Trompette (partie séparée)
311
Cor (partie séparée)
200
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Tuba (partie séparée)
106
Trompette
69
Trombone et Piano
57
Trombone
49
Trompette, Piano
45
Cor et Piano
32
Ensemble de Trombones
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trompettes
23
Cor
22
Tuba
19
Quatuor de Cuivres
16
Euphonium, Piano (duo)
15
Tuba et Piano
13
2 Trompettes (duo)
11
2 Trombones (duo)
11
Cor anglais, Piano
10
Trompette, Saxophone (duo)
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Cors
7
Cor, Orchestre
7
2 Euphoniums et 2 Tubas
7
Bass Clef Instruments
6
Trompette, Trombone (duo)
6
Euphonium
4
Instruments en Sib
4
Trompette, Orchestre
3
Quatuor de cuivres: 4 cors
3
Trompette, violon (duo)
3
Trombone basse et Piano
3
Trombone et orchestre
3
Cornet et orchestre
2
2 Tubas (duo)
2
2 Cors (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
3 Trompettes (trio)
2
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Instruments en Fa
1
4 Tubas
1
Trombone basse
1
Trio de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Cor et Harpe
1
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Clarinette, Cor (duo)
1
+ 52 instrumentations
Retracter
Cordes
Violon (partie séparée)
1 290
Quatuor à cordes: 2 violons, alto, violoncelle
649
Alto (partie séparée)
402
Contrebasse (partie séparée)
325
Violon et Piano
238
Violoncelle (partie séparée)
234
Violon
158
Violon, Violoncelle (duo)
131
Violoncelle
116
Violoncelle, Piano
113
Harpe
111
Trio à Cordes: violon, alto, violoncelle
91
Trio à Cordes: 2 violons, violoncelle
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
70
Alto seul
69
Alto, Piano
67
Violon, Alto (duo)
36
Violoncelle, Orchestre
35
2 Violoncelles (duo)
25
2 Violons (duo)
24
2 Altos (duo)
20
Contre Basse
18
Contrebasse, Piano (duo)
18
2 Harpes (duo)
18
Trio à cordes: 3 violins
14
Ensemble d'Altos
13
Violon, Guitare (duo)
12
Alto et orchestre
12
Ensemble de Violons
12
4 Violoncelles
11
Harpe, Violon (duo)
9
Flûte, Contrebasse (duo)
5
Trio à cordes: 3 altos
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Quatuor à cordes
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Violoncelle, Basse continue
3
Violon, Basse continue
3
Harpe, Violoncelle (duo)
2
Trio à cordes
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
3 Harpes
1
Alto, Orgue
1
4 Harpes
1
Harpe (partie séparée)
1
Violon, Orgue
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
2 Violons et Basse continue
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
5 730
Orchestre
4 561
Orchestre de chambre
1 193
Orchestre d'harmonie
970
Percussion (partie séparée)
352
Ensemble Jazz
259
Ensemble de cuivres
101
Piano et Orchestre
64
Jazz combo
49
Ensemble de Percussions
45
Orchestre, Violon
45
Fanfare
42
Batterie (partie séparée)
21
Cloches
19
Timbales (partie séparée)
17
Big band
8
Batterie
5
Vibraphone
5
Instrumentation Flexible
5
Ensemble d'École
3
Xylophone, Piano
3
Timbales
3
Marimba
3
Voix et Orchestre
3
Percussion
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Voix Mezzo-Soprano, Orchestre
2
2 Xylophones
1
Vibraphone et Marimba
1
Xylophone
1
+ 25 instrumentations
Retracter
Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Crtitères actifs :
His Orchestra
Euphonium, Piano (duo)
Partitions à imprimer
15 partitions trouvées
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1
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
#
James M
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Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Lalo, Edouard
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Sauer, Ralph
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Two Pieces for Euphonium &
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and par...
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Euphonium,Piano - Level 5 - SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium &am
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry ...
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Euphonium,Piano - Level 5 - SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
O Come, All Ye Faithful for Euphonium or Baritone
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for Eu
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,S...
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Euphonium,Piano - Level 3 - SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189419. Published by Lawrence H Underwood (A0.967717). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Adagio Sostenuto from "Piano Concerto No. 2" for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Roma...
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Euphonium,Piano - Level 3 - SKU: A0.1228546 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #824622. Published by Diego Marani (A0.1228546). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for euphonium (C bass clef and Bb treble clef) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gor...
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Euphonium,Piano - Level 5 - SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duo)
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AVANCÉ
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standar...
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Euphonium,Piano - Level 5 - SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Eine Kleine Nachtmusik (1st Mov.) for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedd...
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Euphonium,Piano - Level 3 - SKU: A0.528331 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 13 pages. Diego Marani #5758651. Published by Diego Marani (A0.528331). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Euphonium (C and Bb parts) faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$8.99
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry...
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Euphonium,Piano - Level 4 - SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Jubilee for euphonium and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Gaines
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Yamaha Performing Artist
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Jubilee for euphonium and pian
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David Gaines
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. ...
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99
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