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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Clar
Non classifié
12 898
Piano & claviers
Piano seul
1 692
Piano, Voix et Guitare
888
Piano, Voix
575
Piano Facile
575
Accompagnement Piano
496
Instruments en Do
125
Piano Trio: piano, violon, violoncelle
88
Piano (partie séparée)
46
Orgue
45
Piano grosses notes
27
1 Piano, 4 mains
23
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 8 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Accordéon et Orchestre
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
43
Guitare notes et tablatures
21
Guitare (partie séparée)
12
Paroles et Accords
9
Ukulele
8
Basse electrique
5
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
3
Mandoline
3
Dulcimer
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
571
Pack Instrumental pour Chorale
503
Chorale 3 parties
181
Chorale 2 parties
110
Chorale Unison
63
Chorale SSAA
56
Voix seule
49
Chorale TTBB
44
Voix duo, Piano
31
Voix Soprano, Piano
25
Voix haute
20
Voix Tenor, Piano
15
Voix duo
15
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Clarinette et Piano
10 289
Clarinette
10 113
Flûte, Hautbois, Clarinette, Basson
2 650
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 598
2 Clarinettes (duo)
1 661
Quatuor de Clarinettes: 4 clarinettes
1 548
Flûte, Clarinette (duo)
921
Clarinette Basse, Piano
728
Ensemble de Clarinettes
726
Clarinette (partie séparée)
722
3 Clarinettes (trio)
713
2 Saxophones (duo)
502
Hautbois, Piano (duo)
427
Quintette de Clarinettes: 5 clarinettes
379
Clarinette, Violon (duo)
372
Flûte, Clarinette, Piano (trio)
364
Hautbois, Clarinette (duo)
358
Saxophone, Clarinette (duo)
337
Flûte traversière et Piano
303
Saxophone Alto et Piano
270
Flûte, Clarinette et Basson
215
Saxophone Tenor et Piano
214
Clarinette, Basson (duo)
211
2 Clarinettes, Piano
206
Flûte, Hautbois, Clarinette (trio)
202
Clarinette, Trompette (duo)
196
2 Flûtes traversières (duo)
195
Hautbois, Clarinette, Basson (trio d'anches)
167
Saxophone Soprano et Piano
165
Clarinette et Alto
147
Clarinette, Guitare (duo)
139
Clarinette, Violoncelle, Piano (trio)
132
Clarinette, Violoncelle (duo)
113
2 Hautbois (duo)
107
Hautbois, Basson (duo)
104
Flûte, Violon
97
Flûte, Saxophone (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Trompette (duo)
75
Flûte, Alto (duo)
69
Saxophone (partie séparée)
64
Hautbois, Flûte
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
50
3 Saxophones (trio)
46
Clarinette, Alto et Piano (trio)
44
Flûte, Clarinette, Cor, Basson (Quartet)
35
Saxophone Baryton, Piano
34
Clarinette, Trombone (duo)
33
Trio de Flûtes: 3 flûtes
31
Clarinette, Harpe (duo)
30
Quintette de Saxophone: 5 saxophones
27
Clarinette Basse
25
Clarinette, trompette et piano
25
Flûte à bec Soprano
24
2 Clarinettes, Basson
24
Saxophone Tenor
23
Saxophone Alto
22
Flûte et Guitare
21
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Piano
20
Flûte, Hautbois (duo)
17
Saxophone
16
Flûte à bec Soprano, Piano
16
Cor Anglais
16
Clarinette, Tuba
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Alto, Piano
14
Hautbois (partie séparée)
12
Flûte à Bec, Piano
11
Hautbois, violon (duo)
11
Flute (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Clarinette, Orgue
9
Quintette de Flûte : 5 flûtes
7
Hautbois
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon, Piano
7
Flûte, Alto et Piano
6
Ensemble à vent
6
2 Flûte à bec (duo)
6
3 Flûtes à bec (trio)
5
Clarinette, Orchestre
5
Flûte, Basson et Piano
5
Flûte, Hautbois, Basson
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à Bec
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Ensemble de Flûtes
2
5 Flûtes à bec
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
+ 112 instrumentations
Retracter
Cuivres
Trompette, Piano
171
Trompette, Saxophone (duo)
157
Trombone et Piano
141
Trompette
135
Trompette, Trombone (duo)
103
2 Trombones (duo)
98
2 Trompettes (duo)
97
Cor et Piano
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Tuba et Piano
33
Trombone (partie séparée)
31
Trompette (partie séparée)
29
Instruments en Sib
28
Trombone
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor Anglais
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
11
Clarinette, Cor (duo)
11
Euphonium
10
Cor (partie séparée)
9
Tuba
7
3 Trompettes (trio)
7
2 Cors (duo)
5
Tuba et Orgue
5
Tuba (partie séparée)
5
Quatuor de Cuivres
4
Ensemble de Trombones
4
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
3 Cors (trio)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon et Piano
364
Alto, Piano
265
Violoncelle, Piano
233
Quatuor à cordes: 2 violons, alto, violoncelle
176
2 Altos (duo)
118
2 Violoncelles (duo)
118
Violon
112
Violon, Clarinette, Piano (trio)
105
Violon, Alto (duo)
104
Violon, Violoncelle (duo)
98
2 Violons (duo)
96
Violoncelle
71
Alto seul
58
Contrebasse, Piano (duo)
41
4 Violoncelles
38
Harpe
35
Trio à Cordes: violon, alto, violoncelle
31
Harpe, Flûte (duo)
18
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Guitare (duo)
14
Harpe, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse (partie séparée)
12
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Violon (partie séparée)
6
Alto, Guitare (duo)
5
Alto (partie séparée)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Voix
4
Violon, Violoncelle, Clarinette
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Ensemble de Violons
1
+ 41 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
1 777
Orchestre
953
Ensemble Jazz
507
Orchestre de chambre
272
Fanfare
78
Ensemble de cuivres
69
Jazz combo
66
Orchestre à Cordes
54
Vibraphone
21
Marimba
18
Batterie
13
Piano et Orchestre
13
Xylophone, Piano
11
Cloches
8
Batterie (partie séparée)
8
Ensemble de Percussions
8
Ensemble d'École
6
Quintette à Vent
5
Big band
2
Percussion (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
2 Xylophones
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
+ 24 instrumentations
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ACCORDEON
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Ian Clar
Euphonium, Piano (duo)
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1
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Pachelbel: Canon for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Sonata No. 2, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 2, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Go...
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Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gordon Cherry #426769. Published by Gordon Cherry (A0.820255). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 2, Op. 120 for Euphonium and Piano. This major work of over 21 minutes in length is suitable for advanced performers. The Sonata No. 2 Op. 120 is a late work that was composed along with Sonata No. 1 in 1894. The work is in 3 movements: Allegro amabile, Allegro appassionato and Andante con moto. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and they performed both Sonatas with a private audience from Clara Schumann. Sonata No. 2 is a work of unimaginable beauty and will become a part of the Euphonium repertoire. If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
Sonata No. 1, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 1, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherr...
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Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6687745. Published by Gordon Cherry (A0.792822). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Euphonium and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Euphonium repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Favorite for solo Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages...
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Euphonium,Piano - Level 3 - SKU: A0.1092660 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696762. Published by David McKeown (A0.1092660). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
March Rondeau (Clarinet Solo)
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Euphonium, Piano (duo)
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FACILE
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Contemporain
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P
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P
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March Rondeau
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P. R. Frederick
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1488903 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Score and part. 5 pages. P. R. Frede...
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Euphonium,Piano - Level 2 - SKU: A0.1488903 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Score and part. 5 pages. P. R. Frederick #1065759. Published by P. R. Frederick (A0.1488903). This original musical composition called March Rondeau is a Clarinet solo in Rondeau form. The term Rondeau refers to a specific instrumental form popular in the 17th century, featuring a recurring section or refrain that is played throughout the piece. This composition falls within the style of a rondeau.However, there is nothing else 17th century about this piece. It’s a lively concert march for solo Clarinet with piano accompaniment.Separate solo and piano accompaniment parts are provided. Have fun playing this one!See my other clarinet solos here
$12.00
Deja Vu
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Euphonium, Piano (duo)
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FACILE
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Pop musique
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Olivia Rodrigo
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Willem Aarts
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Deja Vu
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Willem Aarts
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.822332 By Olivia Rodrigo. By Anne Erin Clark, Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor S...
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Euphonium,Piano - Level 2 - SKU: A0.822332 By Olivia Rodrigo. By Anne Erin Clark, Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Willem Aarts. Pop. Score and part. 13 pages. Willem Aarts #6422199. Published by Willem Aarts (A0.822332). Deja Vu - Olivia Rodrigo | Euphonium and PianoWebsite: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts.
$4.99
Showers Of Gold
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Euphonium, Piano (duo)
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Herbert L
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Bertrand Moren
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Showers Of Gold
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 5 - SKU: R0.31998 Scherzo. Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and part...
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Euphonium & Piano - Grade 5 - SKU: R0.31998 Scherzo. Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 14 pages. Duration 4'16. Editions Marc Reift - Digital #31998. Published by Editions Marc Reift - Digital (R0.31998).
$8.95
Nereid
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Euphonium, Piano (duo)
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Herbert L
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Bertrand Moren
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Nereid
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 4 - SKU: R0.31988 Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 13 pages. Dur...
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Euphonium & Piano - Grade 4 - SKU: R0.31988 Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 13 pages. Duration 5'31. Editions Marc Reift - Digital #31988. Published by Editions Marc Reift - Digital (R0.31988).
$8.95
The Harp That Once Thro' Tara's Halls
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Euphonium, Piano (duo)
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AVANCÉ
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Herbert L
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Bertrand Moren
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The Harp That Once Thro' Tara'
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 5 - SKU: R0.34023 Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 18 pages. Dur...
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Euphonium & Piano - Grade 5 - SKU: R0.34023 Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Euphonium & Piano. Score and parts. 18 pages. Duration 7'44. Editions Marc Reift - Digital #34023. Published by Editions Marc Reift - Digital (R0.34023).
$8.95
It's Been A Long, Long Time
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366...
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Euphonium,Piano - Level 3 - SKU: A0.592533 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366335. Published by David McKeown (A0.592533). It’s Been a Long Long Time is arranged as a solo for one Euphonium with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Pure Imagination
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Pop musique
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Mormon Tabernacle Choir
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Roger Wallace
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Pure Imagination
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Roger Wallace
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score...
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Euphonium,Piano - Level 4 - SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score and part. 15 pages. Roger Wallace #951067. Published by Roger Wallace (A0.1366782). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse and Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano and Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Pure Imagination
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Mormon Tabernacle Choir
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Roger Wallace
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Pure Imagination
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Roger Wallace
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,F...
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Euphonium,Piano - Level 4 - SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Score and part. 15 pages. Roger Wallace #951101. Published by Roger Wallace (A0.1366786). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano & Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
Stacy's Mom
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Fountains Of Wayne
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Lawrence H Underwood
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Stacy's Mom
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Lawrence H Underwood
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contempo...
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Euphonium,Piano - Level 3 - SKU: A0.1091239 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Lawrence H Underwood. Contemporary,Pop,Rock. Score and part. 11 pages. Lawrence H Underwood #695404. Published by Lawrence H Underwood (A0.1091239). “Stacy’s mom has got it goin’ on. . .†This 2003 hit from Fountains of Wayne has it all: It’s clever, distinctive, and incredibly catchy. And now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
One More Sleep
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1112082 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil ...
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Euphonium,Piano - Level 3 - SKU: A0.1112082 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 12 pages. Phil Thrift #714264. Published by Phil Thrift (A0.1112082). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the euphonium + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud. Parts in bass clef and Bb treble clef are included. The solo part is also suitable for trombone, bassoon or Bb bass clarinet.
$4.99
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