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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In My Life - Viola Duet
Non classifié
83
Piano & claviers
Piano, Voix
53
1 Piano, 4 mains
12
Piano seul
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
6
Piano, Voix et Guitare
3
Piano Facile
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
+ 4 instrumentations
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Guitares
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
2
Guitare
2
Banjo
1
Dulcimer
1
2 Dulcimers (duo)
1
+ 2 instrumentations
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Voix
Voix duo, Piano
7
Chorale SATB
5
Voix Soprano, Piano
2
Voix duo
2
Chorale 2 parties
1
Chorale TTBB
1
Chorale SSAA
1
Chorale 3 parties
1
+ 3 instrumentations
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Vents
Hautbois, Piano (duo)
51
2 Saxophones (duo)
39
2 Flûtes traversières (duo)
28
2 Clarinettes (duo)
28
2 Flûte à bec (duo)
22
Flûte, Clarinette (duo)
16
2 Hautbois (duo)
15
Hautbois, Clarinette (duo)
12
Flûte et Guitare
10
Flûte, Hautbois (duo)
10
Clarinette, Guitare (duo)
6
Hautbois, Basson (duo)
4
Flûte, Violon
3
Saxophone Alto et Piano
3
Flûte, Trompette (duo)
3
Flûte traversière et Piano
3
Clarinette et Piano
3
Clarinette, Violon (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette
1
Saxophone Tenor et Piano
1
Cor anglais, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte traversière
1
Saxophone et Orgue
1
Flûte, Saxophone (duo)
1
+ 26 instrumentations
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Cuivres
2 Trombones (duo)
17
2 Trompettes (duo)
16
2 Cors (duo)
14
Trompette, Trombone (duo)
12
2 Tubas (duo)
11
Trompette, Cor (duo)
10
Trompette, Piano
3
Euphonium, Piano (duo)
2
Tuba
2
Trompette, Saxophone (duo)
2
Trompette, Harpe
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Guitare (duo)
1
Cor et Harpe
1
+ 9 instrumentations
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Cordes
Contrebasse, Piano (duo)
36
Violon, Violoncelle (duo)
35
2 Violons (duo)
26
2 Violoncelles (duo)
20
2 Contrebasses (duo)
10
Violon et Piano
9
Violoncelle, Piano
3
Violoncelle , Guitare (duo)
3
Violon
1
Harpe, Violoncelle (duo)
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Violon, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Violoncelle
1
Harpe
1
Violon, Guitare (duo)
1
+ 12 instrumentations
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Orchestre & Percussions
Jazz combo
2
Orchestre d'harmonie
1
Orchestre de chambre
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Crtitères actifs :
In My Life - Viola Duet
Euphonium, Piano (duo)
Partitions à imprimer
2 partitions trouvées
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
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In My Life - Viola Duet
