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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Instrument en Do
Non classifié
907
Piano & claviers
Instruments en Do
13 470
Piano seul
240
Piano Facile
79
Piano, Voix
74
2 Pianos, 4 mains
25
Piano, Voix et Guitare
24
Orgue
20
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
94
Guitare
23
Mandoline, Piano (duo)
10
Basse electrique
9
2 Guitares (duo)
6
Ukulele
5
Guitare notes et tablatures
5
Mandoline
5
Dulcimer
4
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Basse électrique (partie séparée)
1
+ 7 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
192
Chorale SATB
70
Chorale Unison
20
Chorale 3 parties
18
Chorale 2 parties
16
Chorale TTBB
7
Voix duo
7
Chorale SSAA
6
Voix duo, Piano
6
Voix Soprano, Piano
4
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Chorale SSATB
1
Voix seule
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte et Guitare
26
2 Flûtes traversières, Piano
25
Clarinette
23
2 Saxophones (duo)
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Alto et Piano
20
Flûte traversière et Piano
18
Hautbois, Piano (duo)
18
Saxophone (partie séparée)
15
Saxophone Tenor et Piano
14
Flute (partie séparée)
14
Flûte traversière
13
Ensemble de Clarinettes
13
Clarinette et Piano
13
Hautbois, Basson (duo)
12
2 Flûtes traversières (duo)
11
Quatuor de Saxophones: 4 saxophones
11
2 Clarinettes (duo)
10
Flûte, Clarinette (duo)
10
Clarinette (partie séparée)
8
Clarinette, Guitare (duo)
8
Saxophone, Clarinette (duo)
8
Quintette de Saxophone: 5 saxophones
7
Ensemble de saxophones
7
Flûte, Violon, Piano
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
7
Clarinette, Violon (duo)
7
Hautbois (partie séparée)
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor
6
Saxophone Alto
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Violon
5
Flûte, Saxophone (duo)
4
Instruments en Mib
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Guitare (duo)
3
Saxophone Baryton, Piano
3
Saxophone Soprano et Piano
3
Cor anglais, Guitare (duo)
3
Harmonica, Piano
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Clarinette et Alto
2
Harmonica
2
Cor anglais, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
Clarinette Basse, Piano
2
Cor Anglais
1
Clarinette, Harpe (duo)
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Piccolo
1
Saxophone
1
Saxophone Soprano
1
Flûte irlandaise
1
Saxophone et Guitare
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Hautbois, Harpe
1
Flûte à Bec
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois
1
+ 70 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trompette (partie séparée)
18
Quatuor de Cuivres
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette
13
Trombone (partie séparée)
12
Trompette, Piano
10
Trombone et Piano
8
2 Trombones (duo)
8
Cor
7
Cor et Piano
6
Cor (partie séparée)
6
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
5
Ensemble de Trompettes
5
2 Tubas (duo)
5
Trombone
5
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Instruments en Sib
4
Trompette, Cor (duo)
3
Ensemble de Cors
3
Tuba et Piano
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Cor anglais, Guitare (duo)
3
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
Cor anglais, Piano
2
Trio de Cuivres
2
Clarinette, Cor (duo)
2
Cor Anglais
1
Trombone, Orgue
1
Tuba
1
Euphonium
1
Trompette, Tuba (duo)
1
Trompette, Harpe
1
2 Cors (duo)
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle (duo)
1
+ 41 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon, Violoncelle (duo)
60
Violon
32
Violon et Piano
30
Harpe
20
Violoncelle
16
Alto, Violoncelle (duo)
16
Violon, Guitare (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon, Alto (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
11
Violoncelle, Piano
11
2 Violons (duo)
9
Harpe et mandoline
9
Alto seul
8
Violoncelle , Guitare (duo)
7
Harpe, Violon (duo)
5
Contre Basse
4
Violoncelle, Contrebasse (duo)
4
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
3
2 Harpes (duo)
3
Violon (partie séparée)
2
Alto, Guitare (duo)
2
4 Violoncelles
2
Alto et Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
Harpe, Trombone (duo)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
88
Orchestre
64
Ensemble de cuivres
28
Orchestre de chambre
25
Orchestre à Cordes
25
Ensemble Jazz
25
Jazz combo
15
Ensemble de Percussions
12
Fanfare
8
Percussion (partie séparée)
6
Cloches
4
Batterie (partie séparée)
3
Batterie
3
+ 8 instrumentations
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ACCORDEON
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Instrument en Do
Euphonium, Piano (duo)
Partitions à imprimer
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Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
#
Classique
#
Johann Pachelbel
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James M
#
Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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