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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introspective
Non classifié
214
Piano & claviers
Piano seul
367
Orgue
39
Instruments en Do
27
Piano Facile
21
Piano, Voix
16
Piano, Voix et Guitare
5
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Orgue, Piano (duo)
1
Piano (partie séparée)
1
+ 5 instrumentations
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Guitares
Guitare
6
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
1
Mandoline, Piano (duo)
1
Voix
Chorale SATB
113
Chorale 3 parties
34
Voix Tenor
25
Voix Soprano
24
Voix Alto, Piano
24
Voix Baryton, Piano
19
Chorale 2 parties
18
Voix duo, Piano
12
Chorale TTBB
7
Chorale Unison
6
Chorale SSAA
4
Voix haute
1
+ 7 instrumentations
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Vents
Hautbois, Piano (duo)
36
Flûte traversière et Piano
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
28
Quatuor de Saxophones: 4 saxophones
27
Ensemble de saxophones
26
Quintette de Saxophone: 5 saxophones
22
Flûte, Hautbois, Clarinette, Basson
19
Clarinette et Piano
16
Flûte traversière
15
Saxophone Alto
13
2 Flûtes traversières (duo)
10
Hautbois (partie séparée)
10
Cor anglais, Piano
9
Clarinette
8
Ensemble de Clarinettes
7
Saxophone Tenor et Piano
7
Saxophone (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
Hautbois
3
2 Clarinettes (duo)
3
Saxophone Tenor
3
2 Hautbois (duo)
3
Saxophone Baryton
2
Saxophone Soprano
2
2 Clarinettes, Piano
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûtes traversières, Piano
2
Ensemble de Flûtes
2
2 Hautbois, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Clarinette Basse, Piano
2
Clarinette, Guitare (duo)
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
3 Saxophones (trio)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres
21
Cor et Piano
14
Trompette, Piano
13
Trombone et Piano
12
Trompette
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone
10
Cor anglais, Piano
9
Cor
9
Tuba
8
Euphonium, Piano (duo)
5
Ensemble de Trompettes
4
Trio de Cuivres
4
Ensemble de Trombones
4
Tuba et Piano
4
Trombone (partie séparée)
4
2 Cors (duo)
3
Ensemble de Cors
3
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 cors
2
2 Cors, Piano
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
39
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
20
Alto, Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon
18
Violoncelle
14
Alto seul
11
4 Violoncelles
6
Contre Basse
6
2 Violoncelles (duo)
5
2 Violons (duo)
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
2 Violoncelles, Piano
2
2 Violons, Piano
2
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Harpe
1
Ensemble de Violons
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre à Cordes
18
Orchestre
16
Cloches
13
Ensemble Jazz
6
Ensemble de cuivres
3
Xylophone, Piano
2
Marimba
1
Orchestre de chambre
1
Fanfare
1
Batterie (partie séparée)
1
2 Marimbas
1
Vibraphone
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Crtitères actifs :
Introspective
Euphonium, Piano (duo)
Partitions à imprimer
5 partitions trouvées
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Gymnopedie No. 1
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Euphonium, Piano (duo)
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel...
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Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Guthrie: Chaconne for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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James M
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Piano
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Guthrie: Chaconne for Euphoniu
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549325 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jmsgu3 #...
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Euphonium,Piano - Level 3 - SKU: A0.549325 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jmsgu3 #3486033. Published by jmsgu3 (A0.549325). Chaconne for Euphonium & Piano. Duration: 5:36, score: 5 pages, solo part: 2 pages.Very meditative and introspective piece for church or recital.
$24.95
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Introspective
