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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Invent
Non classifié
429
Piano & claviers
Piano seul
1 021
Piano Facile
78
2 Pianos, 4 mains
45
Piano, Voix
37
Orgue
32
Piano, Voix et Guitare
17
Clavecin
12
Orgue, Piano (duo)
9
1 Piano, 4 mains
7
Accordéon
7
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
112
Guitare
54
Guitare notes et tablatures
23
2 Guitares (duo)
19
Mandoline
3
Basse electrique
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Guitare (duo)
1
2 Mandolines (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
68
Chorale 3 parties
33
Chorale 2 parties
13
Chorale Unison
7
Chorale TTBB
4
Voix Soprano, Piano
2
Chorale SSAA
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Voix duo, Piano
1
+ 8 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
200
Clarinette et Piano
186
Flûte traversière et Piano
175
Saxophone Alto et Piano
131
Saxophone Tenor et Piano
126
2 Saxophones (duo)
61
2 Clarinettes (duo)
49
2 Flûtes traversières (duo)
43
3 Clarinettes (trio)
24
Clarinette
24
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
14
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
10
3 Saxophones (trio)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Trio de Flûtes: 3 flûtes
8
Ensemble de Clarinettes
7
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
6
Saxophone Baryton, Piano
5
Flute (partie séparée)
5
Flûte à Bec
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Ensemble de Flûtes
4
Flûte, Saxophone (duo)
4
Saxophone Alto
4
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
2
Flute, Cor (duo)
2
Flûte, Trombone (duo)
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Saxophone Tenor
2
Saxophone Soprano et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
5 Flûtes à bec
2
Flûte et Quatuor à Cordes
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Ensemble à vent
1
Saxophone et violoncelle
1
Piccolo
1
Saxophone, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
2 Saxophones, Piano
1
Saxophone, Basson (duo)
1
Flûte irlandaise
1
Cor anglais, Piano
1
Saxophone
1
+ 66 instrumentations
Retracter
Cuivres
Trombone et Piano
144
Trompette
85
Trompette, Piano
65
Trombone
19
Trompette (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
10
Cor
8
Trombone (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres
5
2 Trombones (duo)
5
3 Trombones (trio)
5
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
Trio de Cuivres
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Cor anglais, Piano
1
3 Euphoniums
1
+ 28 instrumentations
Retracter
Cordes
Alto, Piano
168
Violon et Piano
154
Violoncelle, Piano
137
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon, Violoncelle (duo)
73
2 Violoncelles (duo)
54
Violon, Alto (duo)
39
Violon
29
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle
22
Violoncelle et Marimba
15
2 Violons (duo)
15
Alto (partie séparée)
10
Alto seul
9
Harpe
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: 3 violoncelles
4
Alto, Violoncelle (duo)
4
4 Violoncelles
2
Alto et Basson
2
Violon, Guitare (duo)
2
Contre Basse
2
Trio à cordes
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Harpes (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
90
Orchestre à Cordes
28
Orchestre
25
Marimba
15
2 Marimbas
15
Ensemble de cuivres
12
Orchestre de chambre
8
Ensemble Jazz
7
Percussion
4
Ensemble de Percussions
2
Jazz combo
2
Cloches
2
Batterie
2
Percussion (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Invent
Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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