Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It´s Time to Play and to Sing
Non classifié
645
Piano & claviers
Piano seul
319
Piano Facile
155
Piano, Voix
118
Piano, Voix et Guitare
47
Instruments en Do
26
Orgue
10
Accompagnement Piano
6
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
2
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
32
2 Guitares (duo)
6
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Ukulele
4
Banjo
3
Guitare (partie séparée)
2
Mandoline
2
Paroles et Accords
1
Dulcimer
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
38
Voix seule
29
Chorale 3 parties
17
Voix Alto, Piano
13
Chorale 2 parties
9
Chorale Unison
8
Chorale SSAA
7
Voix Soprano, Piano
7
Chorale TTBB
6
Voix Tenor, Piano
2
Voix haute
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix duo
1
Voix Baryton, Piano
1
Voix duo, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
2 Saxophones (duo)
52
Flûte traversière
41
Saxophone Alto et Piano
41
Hautbois (partie séparée)
37
Clarinette et Piano
37
Flûte irlandaise
37
Hautbois, Piano (duo)
33
Flûte traversière et Piano
28
Saxophone Soprano et Piano
28
Saxophone, Clarinette (duo)
26
Saxophone Alto
25
2 Flûtes traversières (duo)
24
Saxophone (partie séparée)
21
Clarinette
21
2 Clarinettes (duo)
17
Ensemble de Clarinettes
16
Saxophone Tenor
16
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
13
Clarinette, Violon (duo)
12
Clarinette, Trompette (duo)
12
Flûte, Clarinette (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
2 Hautbois (duo)
11
Quintette de Flûte : 5 flûtes
10
Quintette de Clarinettes: 5 clarinettes
9
Flûte, Violon
9
Flûte et Guitare
8
Hautbois, Flûte
8
Hautbois, Basson (duo)
8
Hautbois, Clarinette (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Clarinette et Alto
7
Flûte, Saxophone (duo)
7
Flûte à bec Soprano
6
Hautbois
6
Ensemble de saxophones
6
Flûte, Alto (duo)
6
Flûte, Trompette (duo)
5
Cor Anglais
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone
4
Ensemble de Flûtes
4
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Flûte à bec Tenor
2
Flûte à Bec
2
Clarinette (partie séparée)
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Clarinette, Violoncelle (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trompette
38
Trombone et Piano
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Cor et Piano
27
Trombone
25
Trompette, Piano
20
Trompette, Saxophone (duo)
17
Cor
16
Tuba
13
Ensemble de Trombones
12
Tuba et Piano
10
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
9
Ensemble de Trompettes
9
2 Trombones (duo)
8
2 Trompettes (duo)
8
Trombone (partie séparée)
7
Trompette (partie séparée)
7
Cor Anglais
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
4 Tubas
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violoncelle
55
Violon
44
Violon, Violoncelle (duo)
41
Violoncelle, Piano
37
Violon et Piano
32
Alto, Piano
27
Alto seul
20
Trio à Cordes: 2 violons, violoncelle
19
Violon, Alto (duo)
15
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
11
Ensemble de Violons
11
2 Altos (duo)
10
2 Violoncelles (duo)
10
Ensemble d'Altos
9
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe
7
Contre Basse
6
Contrebasse, Piano (duo)
4
2 Harpes (duo)
3
4 Violoncelles
3
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Violon, Guitare (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre
37
Ensemble de cuivres
33
Orchestre à Cordes
28
Ensemble Jazz
21
Cloches
16
Orchestre de chambre
13
Jazz combo
10
Ensemble de Percussions
6
Fanfare
3
Ensemble d'École
3
Xylophone, Piano
2
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Percussion
1
Piano et Orchestre
1
Batterie
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
3
Matériel de Musique
763
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
It´s Time to Play and to Sing
Euphonium, Piano (duo)
Partitions à imprimer
9 partitions trouvées
<
1
Vous N'êtes Rien Près D'Elle (arr. for Euphonium and Piano)
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Georges Rupès
#
Andrew Lamb
#
Vous N'êtes Rien Pr&egra
#
Andrew Lamb
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and p...
(+)
Euphonium,Piano - Level 2 - SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 17 pages. Andrew Lamb #928012. Published by Andrew Lamb (A0.1342514). 🎺 Elevate your musical repertoire with this captivating Euphonium Solo adaptation of 'Vous N'êtes Rien Près D'Elle' by French composer Georges Rupès! 🇫🇷 Originally composed in 1872 for voice and piano, this arrangement is a beautiful fusion of history and modern expression. 🎼🎶 Scored for Euphonium and Piano, the arrangement includes both Bass Clef and Treble Clef parts, allowing flexibility for Trumpet/Cornet in Bb, Trombones, or Baritones to enchant your audience with its melodic charm. 🎺🌟 Level of Difficulty: Medium-Easy – making it accessible for a range of players. Perfect for concerts or recitals, this arrangement by Andrew Lamb breathes new life into Rupès' timeless composition. 🎵🎉 Immerse yourself in the rich musical tapestry woven by Georges Rupès, a prolific French composer whose legacy lives on. 📜 Despite his passing in 1902, Rupès' music remains cherished and studied, a testament to his enduring impact on the world of music. 🎹🎊 Unleash the beauty of 'Vous N'êtes Rien Près D'Elle' in this versatile arrangement – a must-have for any musician seeking to captivate audiences and honor the legacy of Georges Rupès! 🌈.
$6.00
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
#
Euphonium, Piano (duo)
#
FACILE
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Bar
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
(+)
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Jopli
#
David McKeown
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. Dav...
(+)
Euphonium,Piano - Level 4 - SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Dying and Dancing for Euphonium and Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
#
Russell Scarbrough
#
Dying and Dancing for Euphoniu
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
(+)
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Gymnopedie No. 1
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Contemporain
#
Erik Satie
#
Samuel Sequeira
#
Gymnopedie No. 1
#
Samuel Sequeira
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel...
(+)
Euphonium,Piano - Level 2 - SKU: A0.1245299 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840169. Published by Samuel Sequeira (A0.1245299). Gymnopedie No. 1 - Erik Satie - Euphonium/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Euphonium and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the euphonium takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the euphonium enters, it carries the iconic melody, infusing it with its rich and velvety tones. The euphonium's warm and expressive qualities add an extra layer of depth to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the euphonium and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the euphonium's melodic lines and adding depth to the arrangement. The euphonium, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the euphonium and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for euphonium and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
The Nightingale (Le Rossignol) for Euphonium & Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
#
Classique
#
Saint-Saëns, Camille
#
Sauer, Ralph
#
The Nightingale
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score...
(+)
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
<
1
It´s Time to Play and to Sing
