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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
6 032
Piano & claviers
Piano seul
3 736
Piano, Voix
2 933
Piano, Voix et Guitare
2 090
Piano Facile
1 388
1 Piano, 4 mains
548
Orgue
314
Instruments en Do
313
Piano grosses notes
230
2 Pianos, 4 mains
134
Accompagnement Piano
88
Piano Trio: piano, violon, violoncelle
75
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Accordéon
25
Piano (partie séparée)
20
1 Piano, 6 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
7
Orgue, Piano (duo)
5
Clavier
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon, Voix
2
Clavecin
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
699
Ligne De Mélodie, (Paroles) et Accords
457
Guitare
398
Dulcimer
165
Ukulele
140
Basse electrique
87
Paroles et Accords
66
2 Guitares (duo)
51
Guitare (partie séparée)
46
Mandoline
26
4 Guitares (Quatuor)
25
Banjo
20
Piano, Guitare (duo)
14
Ensemble de guitares
13
2 Dulcimers (duo)
12
3 Guitares (trio)
7
Basse électrique (partie séparée)
3
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Dobro
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 559
Chorale 3 parties
609
Chorale 2 parties
326
Chorale TTBB
247
Chorale Unison
190
Chorale SSAA
178
Voix duo, Piano
65
Voix Soprano, Piano
62
Voix Alto, Piano
52
Pack Instrumental pour Chorale
48
Voix seule
43
Voix duo
42
Voix Tenor, Piano
41
Voix haute
39
Voix Baryton, Piano
32
Chorale
25
Voix basse, Piano
15
Voix moyenne, Piano
14
Chorale SSAATTBB
7
Voix basse
5
Chorale SSATB
4
Voix Mezzo-Soprano, Piano
4
Voix Tenor
3
Voix, Guitare
2
Chorale SSATTB
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Chorale SSATBB
1
Voix haute, Piano
1
Voix Moyenne
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
660
Clarinette et Piano
630
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
548
Quatuor de Saxophones: 4 saxophones
449
Flûte traversière
411
Hautbois, Piano (duo)
363
Clarinette
360
Flûte, Hautbois, Clarinette, Basson
344
Quintette de Saxophone: 5 saxophones
335
2 Saxophones (duo)
331
Saxophone Alto et Piano
329
Saxophone Alto
315
Saxophone (partie séparée)
297
Quatuor de Clarinettes: 4 clarinettes
265
2 Flûtes traversières (duo)
233
Saxophone Tenor
224
Saxophone Tenor et Piano
219
Saxophone Soprano et Piano
187
2 Clarinettes (duo)
171
Hautbois (partie séparée)
151
Ensemble de saxophones
150
Quatuor de Flûtes : 4 flûtes
142
Ensemble de Clarinettes
138
Saxophone Baryton, Piano
114
3 Saxophones (trio)
86
Ensemble de Flûtes
84
Cor anglais, Piano
81
Saxophone
76
Flûte, Clarinette (duo)
72
2 Hautbois (duo)
68
Trio de Flûtes: 3 flûtes
59
Flûte et Guitare
59
Quintette de Clarinettes: 5 clarinettes
56
Quintette de Flûte : 5 flûtes
54
Hautbois
53
3 Clarinettes (trio)
51
2 Flûte à bec (duo)
49
Clarinette Basse, Piano
47
Saxophone Soprano
46
Flute (partie séparée)
38
Saxophone, Clarinette (duo)
37
Hautbois, Basson (duo)
36
Clarinette (partie séparée)
34
Clarinette, Basson (duo)
33
Flûte à bec Soprano
31
Clarinette, Violon (duo)
30
Saxophone Baryton
30
Flûte à Bec
28
Clarinette, Trompette (duo)
25
Clarinette, Guitare (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte, Violon
23
Quatuor de Flûtes à bec
21
Hautbois, Clarinette (duo)
20
Clarinette, Violoncelle (duo)
19
Flûte à bec Alto
18
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Violoncelle
16
Flûte, Violon, Piano
16
Flûte, Alto (duo)
16
Clarinette et Alto
15
5 Flûtes à bec
15
Flûte, Hautbois (duo)
14
Hautbois, Violoncelle
13
Flûte, Clarinette et Basson
13
Ocarina
12
Piccolo, Piano
12
Hautbois, Flûte
12
Flûte, Trombone (duo)
11
3 Flûtes à bec (trio)
11
Instruments en Mib
11
Flûte, Hautbois, Basson
11
Flûte, Saxophone (duo)
11
Cor Anglais
11
Ensemble De Flûte à bec
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Tenor
10
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Soprano, Piano
9
Flûte, Trompette (duo)
9
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
9
Hautbois, Guitare (duo)
9
Harmonica
9
Saxophone et Harpe
7
2 Clarinettes, Piano
6
Cor anglais, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Saxophone et Orgue
4
Hautbois, Harpe
4
Flûte et Trio à cordes
3
Flûte à Bec, Piano
3
Ensemble à vent
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Clarinette Basse
3
4 Hautbois
3
Clarinette, Trombone (duo)
3
Hautbois, violon (duo)
2
Flûte irlandaise
2
Flûte, Violoncelle, Guitare
2
Flute, harpe et violon
2
Piccolo
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble de Hautbois
2
Hautbois et alto (duo)
2
Flûte à bec Alto, Basse continue
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
3 Hautbois
1
Flûte, Basson et Piano
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte de Pan
1
Saxophone, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violon, Piano
1
Flûte, trombone et piano
1
Flûte, Violon et Violoncelle
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
577
Trompette
384
Quatuor de Cuivres : 2 trompettes, trombone, tuba
373
Trompette, Piano
321
Trombone et Piano
319
Trombone
282
Cor et Piano
249
Cor
182
Tuba
155
Trombone (partie séparée)
148
Tuba et Piano
144
Trompette (partie séparée)
135
Quatuor de Cuivres: 2 trompettes, Cor, trombone
132
Quatuor de Cuivres
101
2 Trompettes (duo)
95
2 Trombones (duo)
90
Cor anglais, Piano
81
Euphonium, Piano (duo)
81
2 Cors (duo)
66
Ensemble de Trombones
65
Quatuor de cuivres: 4 trombones
63
Ensemble de Trompettes
61
Trompette, Trombone (duo)
59
Cor (partie séparée)
38
Quatuor de cuivres: 4 cors
37
Tuba (partie séparée)
29
2 Tubas (duo)
27
Trompette, Cor (duo)
25
Quatuor de cuivres: 4 trompettes
23
Trompette, Saxophone (duo)
21
Ensemble de Cors
21
2 Euphoniums et 2 Tubas
21
Euphonium
18
Bass Clef Instruments
16
3 Trombones (trio)
15
4 Tubas
14
Trombone, Cor (duo)
12
Tuba et Orgue
11
Cor Anglais
11
Trio de Cuivres
10
Trombone, Tuba (duo)
10
Instruments en Sib
10
Trompette, Tuba (duo)
9
Euphonium, Tuba (duo)
9
3 Tubas (trio)
8
Cor, Violoncelle (duo)
7
Cor, Tuba (duo)
7
Cor anglais, Guitare (duo)
6
3 Cors (trio)
5
Cor et Harpe
5
2 Euphoniums (duo)
4
Trombone basse
4
Trompette, Harpe
4
Trompette, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trombone, violoncelle (duo)
2
Trombone et orchestre
2
Cor et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Fa
2
Trombone basse et Piano
2
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
3 Euphoniums
1
Trombone, Orgue
1
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Basson (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba ou Euphonium ou Saxhorn
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 166
Violon et Piano
758
Violoncelle, Piano
609
Alto, Piano
588
Violon
530
Violoncelle
430
Harpe
384
Alto seul
279
Violon, Violoncelle (duo)
268
2 Violons (duo)
199
Trio à Cordes: violon, alto, violoncelle
172
2 Violoncelles (duo)
138
Contrebasse, Piano (duo)
136
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
Contre Basse
116
Trio à Cordes: 2 violons, violoncelle
115
Violon, Alto (duo)
108
2 Altos (duo)
100
Alto (partie séparée)
71
2 Harpes (duo)
53
Alto, Violoncelle (duo)
50
Contrebasse (partie séparée)
47
Violon (partie séparée)
45
4 Violoncelles
42
Ensemble de Violons
29
Ensemble d'Altos
28
2 Contrebasses (duo)
25
Quatuor à cordes: 4 violons
25
Harpe, Flûte (duo)
25
Trio à Cordes: 3 violoncelles
24
Trio à cordes: 3 violins
21
Trio à cordes: 3 altos
21
Violon, Guitare (duo)
19
Quatuor à cordes : 4 altos
19
Violoncelle, Contrebasse (duo)
18
Piano Trio: Violon, Alto, Piano
18
Violoncelle , Guitare (duo)
17
Violoncelle (partie séparée)
11
Violon, Basson (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
8
Alto et Basson
8
Trio à Cordes: 2 violons, alto
6
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
6
Harpe, Voix
5
Harpe, Trombone (duo)
4
Trio à cordes
4
2 Violons, Piano
3
Alto et Harpe
3
Violoncelle, Orgue
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Alto, Orgue
1
5 Harpes
1
Autoharp
1
Violoncelle, Basse continue
1
Harpe et mandoline
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 756
Orchestre à Cordes
554
Orchestre
527
Ensemble de cuivres
299
Ensemble Jazz
297
Cloches
286
Fanfare
260
Orchestre de chambre
174
Batterie
116
Jazz combo
99
Ensemble de Percussions
45
Percussion (partie séparée)
29
Batterie (partie séparée)
26
Xylophone, Piano
19
Marimba
13
Vibraphone
12
Percussion
7
2 Xylophones
6
Xylophone
6
Ensemble d'École
5
Orchestre, Violon
3
Quintette à Vent
2
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Vibraphone et Marimba
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Caisse Claire
1
Conga
1
Big band
1
Timbales
1
Bodhran
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Euphonium, Piano (duo)
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.96 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Go Tell It On The Mountain, Gospel Song for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.592765 Composed by Traditional…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.592765 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6412427. Published by David McKeown (A0.592765). Go Tell It on The Mountain is a beautiful gospel song arranged here for Solo Euphonium and Piano.Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere; Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963.
$2.49
2.29 €
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Euphonium, Piano (duo)
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Traditional
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David McKeown
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Go Tell It On The Mountain, Gospel Song for Euphonium and Piano
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David McKeown
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SheetMusicPlus
O When the Saints, Gospel Song for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593089 Composed by Traditional…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593089 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416285. Published by David McKeown (A0.593089). O When the Saints is a beautiful spiritual arranged here for Solo Euphonium and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
2.29 €
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Euphonium, Piano (duo)
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Traditional
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David McKeown
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O When the Saints, Gospel Song for Euphonium and Piano
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David McKeown
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SheetMusicPlus
Saint-Saens: The Swan for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549114 Composed by Camille Sai…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549114 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452255. Published by jmsgu3 (A0.549114). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
26.64 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Four Pieces from Op. 11 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Koda…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 11 pages. Gordon Cherry #4988477. Published by Gordon Cherry (A0.811077). Four Pieces from Opus 11 arranged for Euphonium and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. This item is now available with parts in bass and treble clef. About 12 minutes in length, these four movements are appropriate for advanced performers.
$20.00
18.41 €
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Euphonium, Piano (duo)
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Zoltan Kodaly
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Ralph Sauer
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Four Pieces from Op. 11 for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549764 Composed by Peter Ilyic…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549764 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533945. Published by jmsgu3 (A0.549764). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance from Nutcracker Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Baritone Sax & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549751 Composed by Peter Ilyic…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549751 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532699. Published by jmsgu3 (A0.549751). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance from Nutcracker Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Go Tell It On The Mountain
Euphonium, Piano (duo)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.38698 Arranged by Jirka Kadl…
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.38698 Arranged by Jirka Kadlec and Ted Parson. Euphonium & Piano. Score and parts. 8 pages. Duration 3'05. Editions Marc Reift - Digital #38698. Published by Editions Marc Reift - Digital (R0.38698).
$5.95
5.48 €
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Euphonium, Piano (duo)
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Jirka Kadlec and Ted Parson
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Go Tell It On The Mountain
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Editions Marc Reift - Digital
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SheetMusicPlus
Go Tell It on the Mountain for Euphonium or Baritone
Euphonium, Piano (duo)
Composed by Traditional. Arranged by Lawrence H. Underwood. Christian, Christmas, Ja…
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Composed by Traditional. Arranged by Lawrence H. Underwood. Christian, Christmas, Jazz, Sacred, Spiritual. Score and part. 8 pages. Lawrence H Underwood #6189123. Published by Lawrence H Underwood
$5.99
5.51 €
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Euphonium, Piano (duo)
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Traditional
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Lawrence H
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Go Tell It on the Mountain for Euphonium or Baritone
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Lawrence H Underwood
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SheetMusicPlus
Handel: Largo from Xerxes for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frid…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549392 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492565. Published by jmsgu3 (A0.549392). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.32 €
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Euphonium, Piano (duo)
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.32 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: March from Nutcracker Suite for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549672 Composed by Peter Ilyic…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549672 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519151. Published by jmsgu3 (A0.549672). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcracker Suite for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549832 Composed by Peter Ilyic…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549832 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550627. Published by jmsgu3 (A0.549832). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.32 €
#
Euphonium, Piano (duo)
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
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