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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James Scott
Non classifié
136
Piano & claviers
Piano seul
100
Piano Facile
17
Piano, Voix et Guitare
15
Piano, Voix
11
Orgue
5
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Mandoline
1
Paroles et Accords
1
Basse electrique
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale TTBB
12
Chorale 3 parties
12
Voix seule
11
Chorale SSAA
6
Chorale 2 parties
4
Chorale SSAB, Piano
1
Chorale
1
Chorale SSATB
1
Voix duo
1
Voix duo, Piano
1
Chorale SSAB a cappella
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
21
Clarinette
17
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
10
Quatuor de Saxophones: 4 saxophones
10
Hautbois, Piano (duo)
10
Flûte traversière
9
Saxophone Tenor et Piano
9
Saxophone Alto
8
Saxophone Tenor
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette Basse, Piano
7
Clarinette et Piano
7
Saxophone (partie séparée)
6
Piccolo, Piano
6
Saxophone Soprano
6
Saxophone Alto et Piano
6
Flûte à bec Tenor
6
Flûte à bec Soprano, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Cor anglais, Piano
3
Flûte à bec Alto, Piano
3
Flûte à Bec
2
Flûte à Bec, Piano
2
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Saxophone et Guitare
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
+ 30 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone
7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone basse et Piano
5
Trombone (partie séparée)
5
Trompette, Piano
5
Tuba et Piano
4
Cor et Piano
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
4 Tubas
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
2 Violons (duo)
18
Violoncelle, Piano
11
2 Altos (duo)
9
Violon
8
Contrebasse, Piano (duo)
7
Alto, Piano
6
Harpe
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Fanfare
13
Orchestre à Cordes
11
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre
3
Batterie (partie séparée)
1
Batterie
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
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CORNET
DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
James Scott
Euphonium, Piano (duo)
Partitions à imprimer
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1
Rag Sentimental
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Euphonium, Piano (duo)
#
James Scott
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Jirka Kadlec
#
Rag Sentimental
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Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 4 - SKU: R0.28610 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 9 pages. Duration 3'0...
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Euphonium & Piano - Grade 4 - SKU: R0.28610 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 9 pages. Duration 3'03. Editions Marc Reift - Digital #28610. Published by Editions Marc Reift - Digital (R0.28610).
$5.95
Pegasus Rag
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Euphonium, Piano (duo)
#
James Scott
#
Jirka Kadlec
#
Pegasus Rag
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.30384 Swingy. Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 10 pag...
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Euphonium & Piano - Grade 3 - SKU: R0.30384 Swingy. Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 10 pages. Duration 2'32. Editions Marc Reift - Digital #30384. Published by Editions Marc Reift - Digital (R0.30384).
$6.95
Frog Legs Rag
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Euphonium, Piano (duo)
#
James Scott
#
Jirka Kadlec
#
Frog Legs Rag
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 4 - SKU: R0.28607 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 9 pages. Duration 2'5...
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Euphonium & Piano - Grade 4 - SKU: R0.28607 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 9 pages. Duration 2'57. Editions Marc Reift - Digital #28607. Published by Editions Marc Reift - Digital (R0.28607).
$5.95
Broadway Rag
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Euphonium, Piano (duo)
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James Scott
#
Jirka Kadlec
#
Broadway Rag
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Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 4 - SKU: R0.30294 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 15 pages. Duration 3'...
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Euphonium & Piano - Grade 4 - SKU: R0.30294 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 15 pages. Duration 3'02. Editions Marc Reift - Digital #30294. Published by Editions Marc Reift - Digital (R0.30294).
$11.95
Sunburst Rag
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Euphonium, Piano (duo)
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James Scott
#
Jirka Kadlec
#
Sunburst Rag
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Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.30339 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 11 pages. Duration 2'...
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Euphonium & Piano - Grade 3 - SKU: R0.30339 Composed by James Scott. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 11 pages. Duration 2'42. Editions Marc Reift - Digital #30339. Published by Editions Marc Reift - Digital (R0.30339).
$6.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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James Scott 
