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Piano Quatuor: piano, 2 violons, violoncelle
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2
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1
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1
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VOIX
Chorale SATB
43
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19
Chorale 3 parties
12
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7
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5
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4
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4
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3
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2
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2
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Flûte à Bec
87
Quatuor de Saxophones: 4 saxophones
59
Flûte traversière et Piano
44
2 Saxophones (duo)
42
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40
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38
2 Clarinettes (duo)
35
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34
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
32
2 Flûtes traversières (duo)
32
Quatuor de Flûtes : 4 flûtes
32
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
29
Clarinette
26
Flûte traversière
25
Hautbois, Piano (duo)
25
Hautbois, Clarinette (duo)
25
3 Flûtes à bec (trio)
25
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23
Saxophone (partie séparée)
22
Saxophone, Violon (duo)
18
Flûte, Violon
18
Flûte, Hautbois (duo)
18
Saxophone Alto et Piano
18
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17
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17
2 Hautbois (duo)
17
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17
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16
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15
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15
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13
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13
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8
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4
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4
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4
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4
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
2 Trombones (duo)
25
Trompette
24
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21
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18
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Cor
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2 Cors (duo)
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Tuba
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10
Quatuor de Cuivres
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Tuba et Piano
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6
2 Tubas (duo)
6
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trompettes
5
Trompette, Violoncelle (duo)
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 cors
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Quatuor de cuivres: 4 trombones
4
Trompette (partie séparée)
4
Trombone, Violon (duo)
4
Cor, Violoncelle (duo)
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2 Trompettes, Clavier (piano ou orgue)
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3 Trompettes (trio)
3
Trompette, Cor (duo)
3
3 Tubas (trio)
3
4 Tubas
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Cor Anglais
3
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Trombones
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Cor et Harpe
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Trompette, Harpe
2
Ensemble de Cors
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3 Cors (trio)
2
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Trombone basse
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Trombone basse et Piano
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Cor et Basson (duo)
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Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
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Trompette, Trombone, Piano
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4 Euphoniums
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Cor, Tuba (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
45
Violoncelle, Piano
39
Violon
36
Alto, Piano
34
Violon, Violoncelle (duo)
27
2 Violoncelles (duo)
26
2 Violons (duo)
26
2 Altos (duo)
24
Alto, Violoncelle (duo)
23
Harpe
22
Violoncelle (partie séparée)
20
Alto seul
19
Violon, Alto (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
8
Alto (partie séparée)
8
Alto et Basson
7
Contre Basse
7
Violon, Orgue
7
Trio à cordes
6
Trio à Cordes: 3 violoncelles
6
Violon, Basson (duo)
6
2 Harpes (duo)
5
Violoncelle
5
Trio à cordes: 3 altos
5
Trio à cordes: 3 violins
5
Quatuor à cordes: 4 violons
4
Piano Trio: Violon, Alto, Piano
3
Ensemble de Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orchestre
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
2 Violoncelles, Piano
1
2 Contrebasses (duo)
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violoncelle (duo)
1
Ensemble d'Altos
1
Harpe et Piano
1
2 Violons, Piano
1
Ensemble de Violons
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
24
Ensemble de cuivres
14
Orchestre de chambre
9
Orchestre
7
Cloches
7
Quatuor à Vent : 4 instruments à vents
5
Orchestre d'harmonie
5
Vibraphone
1
Marimba
1
Ensemble de Percussions
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Ensemble Jazz
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Johann-Christian-Bach
Euphonium, Piano (duo)
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach …
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.41 €
#
Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.41 €
#
Euphonium, Piano (duo)
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Arioso BWV 156 - Euphonium Solo w/ Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1416094 Composed by Johann Seb…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1416094 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Romantic Period,Standards,Wedding. Score and part. 7 pages. Ygor Nunes #997785. Published by Ygor Nunes (A0.1416094). Here is an easy and beautiful arrangement for euphonium solo with piano accompaniment.
$5.99
5.53 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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Ygor Nunes
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Arioso BWV 156 - Euphonium Solo w/ Piano
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Ygor Nunes
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.41 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.41 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
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