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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John S
Sheetmusicplus
Non classifié
4 261
Piano & claviers
Piano seul
5 974
Piano, Voix
5 434
Piano, Voix et Guitare
631
Piano Facile
614
Instruments en Do
382
Piano grosses notes
179
Orgue
157
Piano (partie séparée)
136
1 Piano, 4 mains
87
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
44
Accordéon
18
2 Pianos, 4 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavecin
4
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
2 Accordéons
1
1 Piano, 6 mains
1
Clavier
1
Orgue, Voix
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
350
Basse electrique
250
Guitare
215
Guitare (partie séparée)
146
Ligne De Mélodie, (Paroles) et Accords
129
Ukulele
97
Paroles et Accords
33
Basse électrique (partie séparée)
24
Piano, Guitare (duo)
20
2 Guitares (duo)
19
4 Guitares (Quatuor)
16
Dulcimer
12
Mandoline
11
3 Guitares (trio)
8
Ensemble de guitares
7
Banjo
7
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
3
2 Ukuleles
2
Dobro
2
2 Mandolines (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
2 160
Chorale 3 parties
444
Chorale TTBB
440
Chorale 2 parties
238
Chorale SSAA
210
Chorale Unison
142
Voix Tenor, Piano
51
Voix Soprano, Piano
51
Voix Baryton, Piano
48
Pack Instrumental pour Chorale
47
Voix Alto, Piano
44
Voix duo, Piano
38
Chorale
25
Voix duo
24
Voix seule
14
Voix haute
13
Voix moyenne, Piano
11
Voix, Guitare
9
Soli, choeur mixte et accompagnement
4
Chorale SSAB, Piano
2
Chorale SATBB
2
Voix Mezzo-Soprano, Piano
2
Chorale, Orgue
2
Chorale SSATTB
2
Chorale SSAATTBB
2
Voix basse, Piano
2
Chorale SSAB a cappella
1
Chorale SSATB
1
Chorale SATTBB A Cappella
1
Voix basse
1
+ 25 instrumentations
Retracter
Vents
Saxophone (partie séparée)
3 260
Clarinette (partie séparée)
2 055
Flute (partie séparée)
841
Hautbois (partie séparée)
729
Quatuor de Saxophones: 4 saxophones
250
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
215
Flûte traversière et Piano
204
Flûte, Hautbois, Clarinette, Basson
176
Flûte traversière
175
Saxophone Alto
173
Saxophone Tenor
148
Clarinette et Piano
147
Hautbois, Piano (duo)
146
Quatuor de Clarinettes: 4 clarinettes
145
Saxophone Alto et Piano
137
Clarinette
135
Saxophone Tenor et Piano
128
2 Saxophones (duo)
126
Quintette de Saxophone: 5 saxophones
97
Saxophone Soprano et Piano
86
2 Clarinettes (duo)
82
2 Flûtes traversières (duo)
79
Quatuor de Flûtes : 4 flûtes
68
3 Saxophones (trio)
62
Ensemble de Clarinettes
50
Flûte, Clarinette (duo)
45
Saxophone Baryton, Piano
40
3 Clarinettes (trio)
40
Ensemble de saxophones
38
Trio de Flûtes: 3 flûtes
38
Saxophone, Clarinette (duo)
35
Quintette de Clarinettes: 5 clarinettes
34
Ensemble de Flûtes
34
Clarinette, Violon (duo)
32
Saxophone Soprano
32
Hautbois
28
2 Hautbois (duo)
27
Cor anglais, Piano
27
Ensemble De Flûte à bec
27
Quatuor de Flûtes à bec
27
2 Flûtes traversières, Piano
24
Flûte, Clarinette, Piano (trio)
22
2 Flûte à bec (duo)
21
Flûte et Guitare
21
Hautbois, Clarinette (duo)
19
Quintette de Flûte : 5 flûtes
18
Clarinette, Violoncelle, Piano (trio)
18
Hautbois, Basson (duo)
17
Clarinette Basse, Piano
17
2 Clarinettes, Piano
17
Flûte, Violon, Piano
17
Flûte, Violon
16
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Hautbois, Clarinette (trio)
14
Flûte, Clarinette et Basson
14
Flûte, trombone et piano
14
Flûte, Violon et Violoncelle
13
Flûte, Hautbois, Piano (trio)
12
Hautbois, Flûte
11
Flûte, Alto et Piano
11
Flûte à bec Soprano
11
Cor Anglais
11
Clarinette et Alto
11
Clarinette, Trompette (duo)
11
Flûte, Violoncelle, Piano (trio)
10
Flûte, Saxophone (duo)
10
Flûte, Hautbois (duo)
9
Clarinette, Basson (duo)
8
Flûte, Trompette (duo)
8
Flûte, Hautbois, Basson
8
Flûte à bec Alto
7
Ocarina
7
Flûte, Basson et Piano
7
Harmonica
7
Saxophone Baryton
6
Clarinette Basse
5
Flûte irlandaise
5
3 Hautbois
5
Flûte à bec Soprano, Piano
5
Saxophone et Guitare
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette, Violoncelle (duo)
4
Hautbois, Guitare (duo)
4
Flûte à bec Tenor
4
Clarinette, trompette et piano
4
Piccolo, Piano
4
Flûte, Alto (duo)
3
Flûte, Violoncelle, Guitare
3
3 Flûtes à bec (trio)
3
Flûte et Trio à cordes
3
Piccolo
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Flûte à Bec, Piano
3
2 Saxophones, Piano
2
Flûte à Bec
2
Hautbois, Clarinette et Piano (Trio)
2
4 Hautbois
2
Flûte, Hautbois, Violon
2
Flute, harpe et violon
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle
2
Flûte, Violon, Guitare
2
Cornemuse
2
5 Flûtes à bec
2
Cor anglais, Guitare (duo)
1
Hautbois, violon (duo)
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes à bec, Guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Saxophone
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Harpe et Violoncelle
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Violon (trio)
1
Instruments en Mib
1
+ 115 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
2 107
Trompette (partie séparée)
1 954
Cor (partie séparée)
750
Tuba (partie séparée)
630
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
331
Trompette
200
Quatuor de Cuivres : 2 trompettes, trombone, tuba
165
Trombone et Piano
151
Trompette, Piano
141
Trombone
126
Cor et Piano
85
Quatuor de cuivres: 4 trombones
73
Cor
69
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
Tuba et Piano
56
Tuba
49
2 Trombones (duo)
44
2 Trompettes (duo)
43
Quatuor de Cuivres
34
Trompette, Trombone (duo)
30
Ensemble de Trompettes
29
Cor anglais, Piano
27
Trompette, Saxophone (duo)
26
Euphonium, Piano (duo)
23
Euphonium
22
Quatuor de cuivres: 4 cors
19
2 Cors (duo)
18
Ensemble de Trombones
17
Trompette, Violoncelle et Piano
14
Trio de Cuivres
12
2 Tubas (duo)
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
10
3 Trombones (trio)
10
3 Trompettes (trio)
7
Ensemble de Cors
7
Trompette, Cor (duo)
7
Quatuor de cuivres: 4 trompettes
7
4 Tubas
5
Trombone, Tuba (duo)
3
Bass Clef Instruments
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Tuba (duo)
3
Trombone basse et Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Trombone, Piano
2
Tuba ou Euphonium ou Saxhorn
2
Euphonium (partie séparée)
2
Cor, Violoncelle et Piano
2
3 Cors (trio)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
Instruments en Sib
1
Cor, Tuba (duo)
1
Trombone basse
1
Ensemble de Tubas
1
+ 55 instrumentations
Retracter
Cordes
Violon (partie séparée)
778
Quatuor à cordes: 2 violons, alto, violoncelle
598
Contrebasse (partie séparée)
466
Violoncelle (partie séparée)
286
Violon
257
Alto (partie séparée)
257
Violon et Piano
240
Violoncelle
190
Violoncelle, Piano
169
Alto, Piano
164
Violon, Violoncelle (duo)
112
Trio à Cordes: violon, alto, violoncelle
112
Alto seul
104
Harpe
98
2 Violons (duo)
66
Trio à Cordes: 2 violons, violoncelle
51
Contrebasse, Piano (duo)
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Contre Basse
46
Violon, Alto (duo)
39
2 Violoncelles (duo)
37
2 Altos (duo)
29
2 Harpes (duo)
21
4 Violoncelles
18
Trio à cordes: 3 violins
18
Piano Trio: Violon, Alto, Piano
17
Trio à Cordes: 3 violoncelles
12
Alto, Violoncelle (duo)
10
Quatuor à cordes: 4 violons
10
Ensemble de Violons
8
2 Contrebasses (duo)
8
Violon, Guitare (duo)
6
Harpe (partie séparée)
5
Ensemble d'Altos
5
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Violons, Piano
4
Alto, Guitare (duo)
3
Trio à cordes
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Violon, Clarinette, Piano (trio)
3
Violoncelle , Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Harpe, Voix
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Percussion (partie séparée)
1 309
Orchestre d'harmonie
1 156
Orchestre
271
Timbales (partie séparée)
236
Ensemble Jazz
233
Batterie (partie séparée)
176
Cloches
136
Ensemble de cuivres
129
Orchestre à Cordes
118
Fanfare
110
Orchestre de chambre
71
Batterie
65
Jazz combo
34
Ensemble de Percussions
17
Percussion
14
Timbales
10
Quintette de Cuivres: autres combinaisons
3
Vibraphone (partie séparée)
3
Marimba
2
Vibraphone
2
Quintette à Vent
2
Xylophone (partie séparée)
1
2 Marimbas
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Big band
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone, Piano
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
John S
SheetMusicPlus
Partitions à imprimer
23 partitions trouvées
<
1
Johnny's March
#
Euphonium, Piano (duo)
#
Jirka Kadlec
#
Johnny's March
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.40491 Inspired by When Johnny Comes Marching Home Again. Composed by Jirka Kadlec. Euphonium & Piano. Score...
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Euphonium & Piano - Grade 3 - SKU: R0.40491 Inspired by When Johnny Comes Marching Home Again. Composed by Jirka Kadlec. Euphonium & Piano. Score and parts. 10 pages. Duration 2'29. Editions Marc Reift - Digital #40491. Published by Editions Marc Reift - Digital (R0.40491).
$6.95
Annie's Song
#
Euphonium, Piano (duo)
#
FACILE
#
John Denver
#
Raymond Fenech
#
Annie's Song
#
Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760317 By John Denver. By John Denver. Arranged by Raymond Fenech. Christm...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano - Level 2 - SKU: A0.760317 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Country,Easter,Rock,Wedding. Score and parts. 16 pages. Raymond Fenech #3567197. Published by Raymond Fenech (A0.760317). 2018 New ArrangeMe Song Contest EntryAnnie's Song is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album, Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Annie's Song also went to number one on the Easy Listening chart. Billboard ranked it as the No. 25 song for 1974. The Duration is approx. 3.04 minutes and the level is Early Intermediate/ Intermediate
$5.99
What's In A Name - Euphonium and Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
John Tweed
#
What's In A Name - Euphonium a
#
John Tweed
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1006147 Composed by John Tweed. Contemporary. Score and part. 6 pages. John Tweed #6633133. Published by John Tweed ...
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Euphonium,Piano - Level 3 - SKU: A0.1006147 Composed by John Tweed. Contemporary. Score and part. 6 pages. John Tweed #6633133. Published by John Tweed (A0.1006147). A new Australian duet for euphonium and piano.
$4.99
Ghost of John
#
Euphonium, Piano (duo)
#
FACILE
#
Halloween
#
Traditional
#
Wesley S
#
Ghost of John
#
Wesley S. Silva
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1506311 Composed by Traditional. Arranged by Wesley S. SIlva. Halloween. Score and part. 2 pages. Wesley S. Silva #1...
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Euphonium,Piano - Level 2 - SKU: A0.1506311 Composed by Traditional. Arranged by Wesley S. SIlva. Halloween. Score and part. 2 pages. Wesley S. Silva #1081690. Published by Wesley S. Silva (A0.1506311).
$5.99
Rocket Man (I Think It's Gonna Be A Long Long Time)
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.548133 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.548133 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214121. Published by jmsgu3 (A0.548133). BARITONE HORN (TREBLE CLEF)Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
Rocket Man (I Think It's Gonna Be A Long Long Time)
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.548139 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 47 pa...
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Euphonium,Piano - Level 3 - SKU: A0.548139 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214133. Published by jmsgu3 (A0.548139). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
Can You Feel The Love Tonight
#
Euphonium, Piano (duo)
#
FACILE
#
Elton John
#
Harry Walker
#
Can You Feel The Love Tonight
#
SCORE EDITIONS
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Music...
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Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score and part. 9 pages. SCORE EDITIONS #1048953. Published by SCORE EDITIONS (A0.1471292). Can You Feel the Love Tonight is a song composed by Elton John with lyrics by Tim Rice, featured in Disney's animated film The Lion King (1994). The song captures a pivotal moment in the movie, reflecting themes of love, unity, and harmony. It has become one of Elton John’s most beloved ballads and a timeless classic in both pop and film music. Can You Feel the Love Tonight is more than just a song from a movie; it is a celebration of love and connection. Its ability to convey deep emotions through its melody and lyrics has made it a beloved classic. The song’s impact on popular culture and its enduring legacy highlight the genius of Elton John and Tim Rice, and their contribution to the magical world of The Lion King. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Don't Let The Sun Go Down On Me
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.547806 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.547806 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 14 pages. Jmsgu3 #3053407. Published by jmsgu3 (A0.547806). Elton John: Don't Let The Sun Go Down On Me arranged for Euphonium & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
Goodbye Yellow Brick Road
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.547883 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.547883 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073407. Published by jmsgu3 (A0.547883). EUPHONIUM & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall.
$53.95
Glory Hallelujah
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Euphonium, Piano (duo)
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Jirka Kadlec
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Glory Hallelujah
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.37787 John's Brown Song. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 7 pages. Duration 2'...
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Euphonium & Piano - Grade 3 - SKU: R0.37787 John's Brown Song. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 7 pages. Duration 2'34. Editions Marc Reift - Digital #37787. Published by Editions Marc Reift - Digital (R0.37787).
$5.95
Always On My Mind
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Elvis Presley
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Kevin P Holdgate
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UK pop Top Ten)
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Always On My Mind
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th ...
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Euphonium,Piano - Level 3 - SKU: A0.1332793 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Kevin P Holdgate. 20th Century,Broadway,Country,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #919221. Published by Kevin P Holdgate (A0.1332793). Always on My Mind is a ballad written by Wayne Carson, Johnny Christopher, and Mark James, first recorded by Brenda Lee and first released by Gwen McCrae (as You Were Always on My Mind) in March 1972. Lee's version was released three months later in June 1972. The song has been a crossover hit, charting in both the country and western and pop categories. Elvis Presley's recording was the first commercially successful version of the song.AllMusic lists more than 300 recorded releases of the song in versions by dozens of performers.[1] While Lee's version reached no. 45 on the US country chart in 1972, other performers reached the Top 20 on the country and/or pop charts in the United States and elsewhere with their own versions: Elvis Presley (1972, US country; UK pop Top Ten); John Wesley Ryles (1979, US country) and Willie Nelson's Grammy Award-winning version (1982, US/Canada country number one; US/Canada pop Top Ten); and the Pet Shop Boys' 1987 hi-NRG/synth-pop interpretation (UK number one; US Top Ten).This arrangement of what is a beautiful song is suitable for players of around Grade 4 ABRSM or equivalent.
$5.99
I Write The Songs
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. ...
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Euphonium,Piano - Level 3 - SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Test Drive
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Euphonium, Piano (duo)
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FACILE
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Film/TV
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John Powell
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Tom Mithrandir
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Test Drive
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Tom Mithrandir
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1353118 By John Powell. By John Powell. Arranged by Tom Mithrandir. 21st Century,Film/TV. Score and part. 14 pages. ...
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Euphonium,Piano - Level 2 - SKU: A0.1353118 By John Powell. By John Powell. Arranged by Tom Mithrandir. 21st Century,Film/TV. Score and part. 14 pages. Tom Mithrandir #937917. Published by Tom Mithrandir (A0.1353118). Dive into the exhilarating world of dragon flight with this captivating arrangement of John Powell's iconic composition, 'Test Drive,' from the enchanting How to Train Your Dragon soundtrack. Powell's masterful musical tapestry, a true highlight of the film, comes alive in this arrangement crafted specifically for solo euphonium accompanied by piano.This arrangement offers a unique musical experience with two separate and interchangeable parts, catering to both intermediate and advanced players, presented in both Bass and treble clef. The dynamic interplay between the solo euphonium and the accompanying piano brings the magic of the original soundtrack to life, allowing musicians to recreate the thrilling atmosphere of dragon-filled skies.Perfect for musicians seeking a challenging yet rewarding piece, this arrangement captures the essence of 'Test Drive,' offering a delightful musical adventure for performers and audiences alike. Elevate your repertoire with this evocative rendition that pays homage to Powell's brilliance, making it a standout addition to any brass musician's repertoire.
$6.50
If I Were A Rich Man
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Euphonium, Piano (duo)
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FACILE
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Hines Hines & Dad
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John Nicolaus
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If I Were A Rich Man
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John Nicolaus
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1267699 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Nicolaus. 20th Century,Broadway,Fi...
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Euphonium,Piano - Level 2 - SKU: A0.1267699 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Nicolaus. 20th Century,Broadway,Film/TV,Musical/Show. Score and part. 9 pages. John Nicolaus #860243. Published by John Nicolaus (A0.1267699). If I Were A Rich ManTevye's song from the musical Fiddler On The RoofArranged by John NicolausEuphonium and pianoduration: 3:45 min.
$9.99
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Come, Thou Fount of Every Blessing (Jupiter) - Solo Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Bles
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Lagom Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,...
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Euphonium,Piano - Level 3 - SKU: A0.723280 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083269. Published by Lagom Music (A0.723280). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
O Holy Night (Adolphe Adam) for Euphonium B.C. and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Adolphe-Charles Adam
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Harry Walker
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O Holy Night
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1506733 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,...
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Euphonium,Piano - Level 3 - SKU: A0.1506733 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082103. Published by SCORE EDITIONS (A0.1506733). Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
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