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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
323
Piano & claviers
Piano, Voix
411
Piano Facile
142
Piano seul
135
Piano, Voix et Guitare
79
Instruments en Do
26
1 Piano, 4 mains
16
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
4
Accordéon, Voix
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
19
Guitare
18
Ukulele
10
Basse electrique
5
2 Guitares (duo)
4
Mandoline
2
+ 2 instrumentations
Retracter
Voix
Chorale SATB
38
Voix Soprano, Piano
10
Chorale 3 parties
9
Voix Tenor, Piano
7
Voix duo, Piano
5
Chorale SSAA
4
Voix duo
3
Voix basse, Piano
2
Voix seule
2
Chorale Unison
2
Voix haute
2
Voix Baryton, Piano
2
Voix Baryton
1
Voix haute, Piano
1
Voix Tenor
1
Voix Soprano
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
Chorale TTBB
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Clarinette et Piano
69
Hautbois, Piano (duo)
56
Saxophone Alto et Piano
38
Clarinette
34
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte traversière
26
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
23
Hautbois (partie séparée)
20
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
2 Saxophones (duo)
15
Cor anglais, Piano
14
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
8
2 Clarinettes (duo)
8
Ensemble de Clarinettes
8
Quintette de Saxophone: 5 saxophones
6
3 Clarinettes (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble de Flûtes
5
Saxophone Alto
5
2 Saxophones, Piano
4
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Basson
3
Saxophone Tenor
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
2 Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone (partie séparée)
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Saxophone, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Flûte, Violon
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano
1
Flûte à Bec, Piano
1
Flûte traversière, Basse continue
1
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Flûte de Pan
1
Ensemble de saxophones
1
Flûte à bec Alto
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violon (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Saxophone
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes à bec, Guitare
1
+ 68 instrumentations
Retracter
Cuivres
Cor et Piano
48
Trompette, Piano
41
Cor
41
Trombone et Piano
40
Trompette
34
Tuba et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
18
Tuba
18
Cor anglais, Piano
14
Ensemble de Trombones
9
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
8
2 Trombones (duo)
8
Quatuor de cuivres: 4 cors
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
3 Trombones (trio)
2
4 Tubas
2
3 Tubas (trio)
2
3 Cors (trio)
2
Trompette (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
77
Violoncelle, Piano
64
Alto, Piano
60
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
35
Violoncelle
25
Contrebasse, Piano (duo)
22
Contre Basse
19
Violon, Violoncelle (duo)
16
Alto seul
16
Harpe
13
Harpe, Flûte (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
8
4 Violoncelles
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon, Basson (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
145
Orchestre
81
Orchestre à Cordes
44
Orchestre de chambre
23
Ensemble de cuivres
17
Ensemble Jazz
5
Big band
2
Percussion (partie séparée)
2
Percussion
2
Ensemble de Percussions
2
Jazz combo
2
Piano et Orchestre
1
Fanfare
1
Cloches
1
+ 9 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Euphonium, Piano (duo)
Partitions à imprimer
8 partitions trouvées
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1
Tub'opéra 2
Euphonium, Piano (duo)
Euphonium,Piano - Digital Download SKU: A0.931756 Composed by G. Donizetti, Georges…
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Euphonium,Piano - Digital Download SKU: A0.931756 Composed by G. Donizetti, Georges Bizet, Giuseppe Verdi, J. Massenet, and Richard Wagner. Arranged by Yves Bouillot. Romantic Period. Score and part. 36 pages. Yves Bouillot #6536401. Published by Yves Bouillot (A0.931756). This album is a compilation of 6 operas arias of Bizet (Carmen - Les pêcheurs de perles), Verdi (Rigoletto), Wagner (Tannhauser), Donizetti (l'elixir d'amour) and Massenet (Werther). All are written for tenor or baritone voices. Trancribes here for euphonium and piano.
$6.00
5.51 €
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Euphonium, Piano (duo)
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G
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Yves Bouillot
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Tub'opéra 2
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Yves Bouillot
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.73 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Waltz from Coppelia for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1495599 Composed by Leo Delibe…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1495599 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #1072120. Published by Diego Marani (A0.1495599). Coppélia is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes. The ballet's first flush of success was interrupted by the Franco-Prussian War and the siege of Paris, but eventually it became the most-performed ballet at the Opéra.In this arrangement for euphonium - baritone (C B.C. and Bb T.C.) with piano accompaniment we have the most famous waltz (valse) of the opera, a beautiful composition full of charm and lightness at the same time. It is suitable for any occasion: classroom, repertoire and recital.
$7.99
7.33 €
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Euphonium, Piano (duo)
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Leo Delibes
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Diego Marani
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Waltz from Coppelia for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
Song without words for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.489529 Composed by Matthew Nun…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.489529 Composed by Matthew Nunes. Classical,Contemporary. Score and part. 14 pages. Matthew Nunes Music #105842. Published by Matthew Nunes Music (A0.489529). Listen to this piece hereA symphony, snared in just a name. An opera, to end with bursts of flame. A ballet, that leapt from her tongue and dances in my ear. A requiem, for you are not here.
$9.99
9.17 €
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Euphonium, Piano (duo)
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Matthew Nunes
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Song without words for Euphonium and Piano
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Matthew Nunes Music
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SheetMusicPlus
Dance of the Blessed Spirits for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792829 Composed by Christoph G…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792829 Composed by Christoph Gluck. Arranged by Ralph Sauer. Baroque,Classical. Score and part. 10 pages. Gordon Cherry #6700961. Published by Gordon Cherry (A0.792829). Ralph Sauer has beautifully arranged Gluck's masterpiece, Dance of the Blessed Spirits for Euphonium and Piano. The music is a ballet excerpt from Gluck's opera Orfeo and Euridice, first performed in 1762.This arrangement of about 6 minutes in length (which originally featured solo flute), is in A-B-A form and is appropriate for advanced performers.
$17.50
16.06 €
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Euphonium, Piano (duo)
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Christoph Gluck
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Ralph Sauer
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Dance of the Blessed Spirits for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.24 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.9 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
#
James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.9 €
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Euphonium, Piano (duo)
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
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