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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Liszt
Sheetmusicplus
Non classifié
198
Piano & claviers
Piano seul
785
Piano, Voix
516
Piano Facile
71
Orgue
45
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
6
Piano, Voix et Guitare
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
8
2 Guitares (duo)
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Paroles et Accords
1
Mandoline
1
4 Guitares (Quatuor)
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Voix seule
72
Chorale SATB
15
Chorale SSAA
6
Chorale 3 parties
5
Voix basse, Piano
5
Chorale TTBB
3
Voix haute
3
Chorale 2 parties
2
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Saxophone Alto et Piano
25
Clarinette et Piano
21
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
13
2 Saxophones (duo)
12
Saxophone Baryton, Piano
10
Clarinette Basse, Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette
7
Flûte traversière
6
Cor anglais, Piano
5
Ensemble de Clarinettes
5
2 Flûtes traversières (duo)
5
Saxophone et Guitare
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes : 4 flûtes
4
Piccolo, Piano
3
Flûte, Clarinette (duo)
3
Clarinette (partie séparée)
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flute (partie séparée)
2
Saxophone Alto
2
Ensemble de saxophones
2
Saxophone Tenor
2
2 Hautbois (duo)
2
Flûte, Clarinette et Basson
2
Flûte à bec, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Violoncelle, Piano (trio)
1
Piccolo
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Flûte, Alto et Piano
1
Harmonica
1
3 Clarinettes (trio)
1
Flûte, Violon, Piano
1
Hautbois, Basson (duo)
1
Clarinette, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Flûte et Guitare
1
+ 46 instrumentations
Retracter
Cuivres
Trombone et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor et Piano
12
Euphonium, Piano (duo)
12
Trompette, Piano
11
Tuba et Piano
9
Trompette
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
3
Trombone
2
Cor (partie séparée)
2
Trompette et Guitare
2
2 Trompettes (duo)
2
Trombone basse et Piano
1
2 Cors (duo)
1
Ensemble de Trombones
1
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
Trombone, Orgue
1
Tuba (partie séparée)
1
Cor
1
Trompette (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
39
Violoncelle, Piano
34
Quatuor à cordes: 2 violons, alto, violoncelle
28
Alto, Piano
26
Violon (partie séparée)
10
Violon
10
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violoncelle
4
Violoncelle (partie séparée)
4
Contrebasse (partie séparée)
3
2 Altos (duo)
3
Alto seul
3
Violon, Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe
2
2 Violons, Piano
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
2
Trio à cordes
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
44
Orchestre d'harmonie
37
Orchestre à Cordes
26
Ensemble de cuivres
7
Piano et Orchestre
3
Orchestre de chambre
2
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Jazz combo
1
Batterie (partie séparée)
1
Vibraphone (partie séparée)
1
+ 6 instrumentations
Retracter
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CORNET
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DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
Noviscore
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Vous avez sélectionné:
Liszt
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Liszt: Liebestraume for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Franz Liszt
#
James M
#
Liszt: Liebestraume for Euphon
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550073 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding...
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Euphonium,Piano - Level 3 - SKU: A0.550073 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592651. Published by jmsgu3 (A0.550073). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Liszt: Liebestraume for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Franz Liszt
#
James M
#
Liszt: Liebestraume for Barito
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550072 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding...
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Euphonium,Piano - Level 3 - SKU: A0.550072 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592641. Published by jmsgu3 (A0.550072). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Romance oubliée (Forgotten Romance) for Euphonium & Piano
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Euphonium, Piano (duo)
#
Classique
#
Franz Liszt
#
Sauer, Ralph
#
Romance oubliée
#
Cherry Classics
#
SheetMusicPlus
Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. Published by Cherry Classics (S0.138419). - - Romantic Period - Cherry...
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Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. Published by Cherry Classics (S0.138419). - - Romantic Period - Cherry Classics
$15.00
Consolation No. 3
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Euphonium, Piano (duo)
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Franz Liszt
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Timofei Dokshitser
#
Consolation No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - SKU: R0.46662 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 7 pages. Durati...
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Euphonium & Piano - Grade 3 - SKU: R0.46662 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 7 pages. Duration 3'55. Editions Marc Reift - Digital #46662. Published by Editions Marc Reift - Digital (R0.46662).
$11.95
Romance
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Euphonium, Piano (duo)
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Franz Liszt
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Timofei Dokshitser
#
Romance
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Euphonium & Piano - Grade 2 - SKU: R0.40112 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score ...
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Euphonium & Piano - Grade 2 - SKU: R0.40112 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 8 pages. Duration 4'48. Editions Marc Reift - Digital #40112. Published by Editions Marc Reift - Digital (R0.40112).
$11.95
Chants du Rhin for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
#
Classique
#
Georges Bizet
#
Ralph Sauer
#
Chants du Rhin for Euphonium a
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 5...
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Euphonium,Piano - Level 5 - SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Oh, Quand je Dors
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Euphonium, Piano (duo)
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Classique
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Franz Liszt
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Dan Bachelder
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Oh, Quand je Dors
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SheetMusicPlus
Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published by Tuba-Euphonium Press...
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Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published by Tuba-Euphonium Press
$17.00
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