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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CLASSIQUE - BAROQUE …
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Note4Piano
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SheetMusicPlus
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Non classifié
2564
PIANO & CLAVIERS
Piano seul
2259
Piano, Voix
1061
Piano Facile
411
Piano, Voix et Guitare
394
Orgue
248
Instruments en Do
136
Piano grosses notes
43
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
35
Piano Quatuor: piano, violon, alto, violoncelle
34
Accompagnement Piano
32
2 Pianos, 4 mains
23
Orgue, Piano (duo)
12
Accordéon
9
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Clavecin
2
2 Pianos, 8 mains
2
Accordéon, Voix
1
Clavier
1
Ligne De Mélodie, Piano
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
2836
Guitare
146
Guitare notes et tablatures
138
Ukulele
44
Paroles et Accords
38
Basse electrique
23
Mandoline
15
2 Guitares (duo)
14
Piano, Guitare (duo)
9
4 Guitares (Quatuor)
8
Guitare (partie séparée)
7
Ensemble de Ukulélés
5
Ukulele Baryton
4
Banjo
3
Orchestre à Plectres
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
2
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
522
Chorale TTBB
185
Chorale 3 parties
183
Chorale 2 parties
63
Chorale SSAA
58
Voix seule
24
Chorale Unison
20
Voix duo, Piano
19
Voix Soprano, Piano
14
Voix basse, Piano
13
Voix haute
12
Chorale
10
Voix duo
7
Voix moyenne, Piano
7
Voix Tenor, Piano
6
Chorale SSATB
5
Chorale SSAATTBB
4
Chorale SSATTB
4
Voix Moyenne
3
Voix basse
3
Soli, choeur mixte et accompagnement
2
Chorale SSAB a cappella
1
Voix, Guitare
1
Voix Baryton, Piano
1
Voix Soprano
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
535
Hautbois, Piano (duo)
311
Clarinette et Piano
226
Saxophone Alto et Piano
173
Clarinette
163
Saxophone Tenor et Piano
115
Saxophone Soprano et Piano
114
Flûte traversière
110
Quintette de Saxophone: 5 saxophones
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
2 Saxophones (duo)
100
Ensemble de saxophones
85
Quatuor de Saxophones: 4 saxophones
84
Saxophone Baryton, Piano
80
Cor anglais, Piano
76
Saxophone (partie séparée)
75
Clarinette Basse, Piano
63
2 Flûtes traversières (duo)
61
Saxophone Alto
55
Quatuor de Clarinettes: 4 clarinettes
54
2 Clarinettes (duo)
53
Ensemble de Clarinettes
41
Saxophone Tenor
30
Flûte, Hautbois, Clarinette, Basson
29
Quatuor de Flûtes : 4 flûtes
28
2 Flûtes traversières, Piano
28
Clarinette (partie séparée)
25
Ensemble de Flûtes
23
2 Hautbois (duo)
20
Hautbois, Basson (duo)
19
Flûte à Bec
19
Hautbois (partie séparée)
18
3 Saxophones (trio)
17
Clarinette, Violon (duo)
16
Clarinette et Alto
16
Flûte, Violon
16
3 Clarinettes (trio)
16
Quintette de Flûte : 5 flûtes
16
Flute (partie séparée)
15
Saxophone
14
Flûte, Violoncelle
13
Flûte et Guitare
13
Flûte, Clarinette (duo)
11
Flûte, Alto (duo)
11
Flûte à bec Soprano
11
Saxophone, Clarinette (duo)
9
Hautbois
9
Clarinette, Violoncelle (duo)
8
Piccolo, Piano
8
Ocarina
7
Trio de Flûtes: 3 flûtes
7
2 Flûte à bec (duo)
7
Clarinette, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Basson (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte, Violon, Piano
5
Harmonica
4
Flûte à bec Alto
4
Hautbois, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette Basse
4
Flûte, Saxophone (duo)
3
Saxophone et violoncelle
3
Flûte traversière, Orgue (duo)
3
Hautbois, Flûte
3
Clarinette, Harpe (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette et Basson
3
Hautbois, Clarinette (duo)
3
Flûte, Violon et Violoncelle
3
Hautbois, Harpe
3
Saxophone Soprano
3
Saxophone et Piano
2
2 Saxophones, Piano
2
Flûte à bec Tenor
2
Flûte, Trompette (duo)
2
Flûte, Guitare, Piano
2
Instruments en Mib
2
Flûte, Trombone (duo)
2
Cor Anglais
2
2 Clarinettes, Piano
2
Cor anglais et Harpe (duo)
2
Flûte à bec Soprano, Piano
1
Flûte à bec, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte et Trio à cordes
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
2 Hautbois et Cor anglais
1
Saxophone, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, trombone (duo)
1
2 Hautbois, Piano
1
Flûte, Violon, Guitare
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
126
Trompette, Piano
121
Cor et Piano
116
Trombone et Piano
113
Quatuor de Cuivres : 2 trompettes, trombone, tuba
110
Trompette
98
Euphonium, Piano (duo)
86
Cor anglais, Piano
76
Trombone
57
Trompette (partie séparée)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Ensemble de Trompettes
42
Cor
36
Trombone (partie séparée)
36
Tuba et Piano
34
Ensemble de Trombones
28
2 Cors (duo)
22
2 Trompettes (duo)
20
2 Trombones (duo)
18
Trompette, Trombone (duo)
18
Quatuor de Cuivres
16
Cor (partie séparée)
15
Tuba (partie séparée)
8
Trio de Cuivres
7
Trompette, Saxophone (duo)
7
Tuba
7
2 Euphoniums (duo)
6
Quatuor de cuivres: 4 cors
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trombones
6
2 Tubas (duo)
4
Euphonium, Tuba (duo)
4
Cor, Violoncelle (duo)
4
Tuba ou Euphonium ou Saxhorn
3
2 Cors Anglais Et Pianoforte
3
Ensemble de Cors
3
Tuba et Orgue
3
Trombone basse et Piano
3
Cor et Basson (duo)
2
Trombone, Cor (duo)
2
Trombone, Alto (duo)
2
Instruments en Sib
2
Trompette, Violoncelle (duo)
2
Cor Anglais
2
Trombone, Violon (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Cor anglais et Harpe (duo)
2
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
Instrumentations suivantes
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CORDES
Violon et Piano
612
Quatuor à cordes: 2 violons, alto, violoncelle
494
Violoncelle, Piano
222
Violon, Violoncelle (duo)
220
Alto, Piano
202
Violon
149
Trio à Cordes: violon, alto, violoncelle
113
Harpe
91
Trio à Cordes: 2 violons, violoncelle
81
2 Violons (duo)
77
Violoncelle (partie séparée)
77
Alto seul
61
Violoncelle
59
2 Violoncelles (duo)
57
Violon, Alto (duo)
55
2 Altos (duo)
47
Violon (partie séparée)
37
Contrebasse (partie séparée)
31
Contrebasse, Piano (duo)
26
Alto (partie séparée)
22
Ensemble d'Altos
16
Ensemble de Violons
15
Trio à cordes: 3 violins
15
Contre Basse
15
Alto, Violoncelle (duo)
14
2 Contrebasses (duo)
12
Trio à Cordes: 2 violons, alto
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Harpe, Flûte (duo)
10
Alto et Basson
10
Piano Trio: Violon, Alto, Piano
9
4 Violoncelles
9
Violon, Basson (duo)
8
Violon, Orgue
6
Violon, Guitare (duo)
6
Harpe, Violon (duo)
5
Harpe (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes
4
Violoncelle , Guitare (duo)
4
Ensemble de Violoncelles
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violoncelle (duo)
2
Alto, Guitare (duo)
2
Alto et Harpe
2
Violoncelle, Orgue
2
Violoncelle, Orchestre
1
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Violon, Basse continue
1
Harpe et Piano
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
227
Orchestre à Cordes
207
Orchestre
178
Orchestre de chambre
65
Ensemble Jazz
56
Ensemble de cuivres
46
Cloches
27
Percussion (partie séparée)
24
Fanfare
17
Jazz combo
14
Batterie
9
Ensemble de Percussions
8
Piano et Orchestre
7
Batterie (partie séparée)
6
Marimba
6
Timbales
5
Percussion
4
2 Xylophones
4
Xylophone
4
Xylophone, Piano
3
Vibraphone
3
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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Euphonium, Piano (duo)
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Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By J…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078421 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682631. Published by jmsgu3 (A0.1078421). BARITONE HORN TREBLE CLEF! Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.14 €
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Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By J…
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1078419 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682583. Published by jmsgu3 (A0.1078419). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.14 €
#
Euphonium, Piano (duo)
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Saint-Saens: Romance for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549090 Composed by Camille Sai…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549090 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3451317. Published by jmsgu3 (A0.549090). Camille Saint-Saens Romance Op. 36. Score - 10 pg. 93 ms. Duration - 3:41 Solo part - 2 pg. Piano part - 3 pg.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Camille Saint-Saens
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James M
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Saint-Saens: Romance for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Rocket Man (I Think It's Gonna Be A Long Long Time)
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.548133 By Elton John. By Berni…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.548133 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214121. Published by jmsgu3 (A0.548133). BARITONE HORN (TREBLE CLEF)Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
49.34 €
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Euphonium, Piano (duo)
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Rocket Man (I Think It's Gonna Be A Long Long Time)
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.548139 By Elton John. By Berni…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.548139 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214133. Published by jmsgu3 (A0.548139). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
49.34 €
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Euphonium, Piano (duo)
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550193 Composed by Robert Schu…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550193 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598383. Published by jmsgu3 (A0.550193). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
22.82 €
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Euphonium, Piano (duo)
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550192 Composed by Robert Schu…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550192 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598379. Published by jmsgu3 (A0.550192). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
22.82 €
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Euphonium, Piano (duo)
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Robert Schumann
#
James M
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Schumann: Träumerei Op. 15 No. 7 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in F Major for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550853 Composed by Georg Phili…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550853 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #4841419. Published by jmsgu3 (A0.550853). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in Bb Major for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550874 Composed by Georg Phili…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550874 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 33 pages. Jmsgu3 #4850887. Published by jmsgu3 (A0.550874). Sonata in Bb Major, Score: 17 pages, duration: ca. 9:30in five movements:1. Largo2. Allegro3. Allegretto4. Vivace5. Allegro.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann 1681-1767
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James M
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Telemann: Sonata in Bb Major for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in F Major for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550852 Composed by Georg Phili…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550852 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #4841415. Published by jmsgu3 (A0.550852). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in Bb Major for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550875 Composed by Georg Phili…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550875 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 33 pages. Jmsgu3 #4850903. Published by jmsgu3 (A0.550875). Sonata in Bb Major, Score: 17 pages, duration: ca. 9:30in five movements:1. Largo2. Allegro3. Allegretto4. Vivace5. Allegro.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann 1681-1767
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James M
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Telemann: Sonata in Bb Major for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in C Minor for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550759 Composed by Georg Phili…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550759 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 39 pages. Jmsgu3 #4803759. Published by jmsgu3 (A0.550759). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in C Minor for Euphonium & Piano
Euphonium, Piano (duo)
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.5507…
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Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.550760 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and parts. 39 pages. Jmsgu3 #4803861. Published by jmsgu3 (A0.550760). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
30.14 €
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Euphonium, Piano (duo)
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Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Dangerous Woman
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.548241 By Ariana Grande. By Jo…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.548241 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score and part. 8 pages. Jmsgu3 #3224959. Published by jmsgu3 (A0.548241). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
59.4 €
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Euphonium, Piano (duo)
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.14 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duo)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
45.68 €
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Euphonium, Piano (duo)
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Antonio Vivaldi (1678-1741)
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James M
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.82 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.82 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549524 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505231. Published by jmsgu3 (A0.549524). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.14 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Euphonium, Piano (duo)
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549547 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506343. Published by jmsgu3 (A0.549547). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
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Euphonium, Piano (duo)
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549589 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511299. Published by jmsgu3 (A0.549589). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.82 €
#
Euphonium, Piano (duo)
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549568 Composed by Edvard Grie…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549568 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508187. Published by jmsgu3 (A0.549568). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
#
Euphonium, Piano (duo)
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
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